To any Swifties listening - hello, welcome. To any non-Swifties, please forgive us. We couldn’t resist discussing the music-movie partnership of an era. So this week we take the opportunity to ask the question: do concert films work?We, of course, dive into Taylor Swift’s Eras Tour  but also compare it with another concert movie that is currently in cinemas: Stop Making Sense, A24’s re-release of the 1984 Talking Heads documentary. We also watched Amazing Grace, the long-lost Sydney Pollack film capturing the recording of Aretha Franklin’s gospel album of the same name. ReferencesPatrick Willems on Taylor Swift as a director - a must for anyone in the middle of the venn diagram of film and Swift loversThe origin story of Stop Making Sense by Jonathan Gould for The New Yorker‘Is the worldwide release of ‘Taylor Swift: The Eras Tour’ a game-changer for distribution?’ by Jeremy Kay for Screen DailyQ&A with Alan Elliott, the producer who got Amazing Grace finally madeThe Story behind Amazing Grace by Jim Farber for The GuardianFilm PharmacyLock, Stock and Two Smoking Barrels (1998) dir. by Guy RitchieBridget Jones Diary (2001) dir. by Sharon Maguire-----------If you love what we do, please like, subscribe and leave a review!Produced and edited by Lily AustinMusic and sound by James BrailsfordLogo design by Abby-Jo SheldonFollow usEmail us