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Chapter 28: Study for “Cradle”

Chapter 28: Study for “Cradle”

FromCUAG Audio Description Tour for Drawing on Our History


Chapter 28: Study for “Cradle”

FromCUAG Audio Description Tour for Drawing on Our History

ratings:
Length:
1 minute
Released:
Feb 28, 2023
Format:
Podcast episode

Description

This chapter describes Study for “Cradle” by Faye HeavyShield, created in 1992, and measuring 61 by 47 cm. There is a tactile version of this drawing. It is labeled “5.” This chapter is one minute long. 
In this graphite drawing, the artist has sketched out a baby’s garment, similar to a blanket with a peaked hood. Though the hood is up and the garment is filled out as if there is a little body inside, the face opening is dark. HeavyShield has layered dark pencil markings so that it creates the effect of a deep, cavernous void inside. Surrounding the form is a long triangular shape in soft pencil marks, almost like a shadow. The fabric is unpatterned, a simple white. The title “Cradle” perhaps refers to a cradle board, made and used by Indigenous peoples to protect and hold babies on their mother’s back.  
To hear more about this work, play the next track. Or move to the next stop. Continue on the path directly behind you, for 5 metres, crossing the gallery. The drawing is in front of you.
Released:
Feb 28, 2023
Format:
Podcast episode

Titles in the series (39)

CUAG has developed an audio description tour for "Drawing on Our History," designed for gallery visitors who are blind or who have low vision. It is intended for in-gallery use, but can also be used remotely. "Drawing on Our History" is a celebration of CUAG’s 30th anniversary, bringing the works of eight contemporary artists (invited by past guest curators) into an open conversation with a wide-ranging group of historical and contemporary drawings selected from the University’s collection and made by Canadian and international artists. The tour provides an overall description of the exhibition, and descriptions of ten works from the CUAG collection, including the newest acquisition, “Medusa” by Ed Pien. It also features descriptions and interviews with three of the invited contemporary artists: Gayle Uyagaqi Kabloona, Mélanie Meyers and Marigold Santos. In gallery, there are tactile reproductions of several art works, and a tactile path for independent navigation. This tour was produced by CUAG, and designed with insights from members of Ottawa and Carleton’s blind and low vision community.