What you’ll learn in this episode:   How art history and jewelry history interact How Jan’s experience as a historian helped her write her first book, and what she learned from self-publishing Why sweetheart jewelry became popular during World War II, and why few people today know what it is How Jan draws on her theater background to connect with and educate museum goers How museum education and jewelry history developed into their own fields   About Jan Krulick-Belin   Jan Krulick-Belin, a museum and art consultant and art and jewelry historian, has more than forty years of experience at such institutions as the Corcoran Gallery of Art, Denver Art Museum, Beaumont (Texas) Art Museum, and Smithsonian Institution. Retired as director of education at the Phoenix Art Museum, she still works with museums, art organizations, and private collectors and served as guest curator at the Sylvia Plotkin Judaica Museum, Phoenix.   Additional Resources  Facebook: www.facebook.com/JanKrulick Website: www.jankrulick.com Amazon: www.amazon.com/author/jankrulickbelin Twitter: @JanKrulickBooks   Photos Available on TheJewelryJourney.com    Transcript As an art and jewelry historian and museum educator, Jan Krulick-Belin was uniquely qualified to follow the surprising journey she went on to write her first book, “Love, Bill: Finding my Father Through Letters from World War II.” Bringing together her knowledge of World War II-era culture and  her research skills, writing the book was a labor of love. She joined the Jewelry Journey Podcast to talk about her tips for self-publishing; what sweetheart jewelry is and why it became so popular during World War II; and what it was like to be at the forefront of the museum education field. Read the episode transcript here.  Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven’t heard part one, please head to TheJewelryJourney.com.    One of the eternal questions is whether one has to be a jewelry historian to appreciate the background of jewelry. Do you have to be a jeweler to appreciate jewelry? My guest, Jan Krulick-Belin, can answer all our questions. Welcome back.    Jan: I’ve had people come up to me and show me stuff they’ve had, that their mothers or grandmothers or aunts had and left, and they didn’t know what it was. I said, “Well, that’s a piece of sweetheart jewelry.” They had no idea what it was. DUPLICATION OF END OF PART ONE.   Sharon: That’s interesting. Is it a more contemporary thing? Do they call it sweetheart jewelry?   Jan: It is still known as sweetheart. There are a handful of books that have been written. Off the top of my head, I can’t remember some of the authors, but there are not very many. I’ve seen people who will do lectures or write about jewelry from different periods of the 20th century. They will mention it during the 1940s. They will talk a little bit about sweetheart jewelry and jewelry made during the war.    In terms of writing books just on sweetheart jewelry, there are very few out there, but if you go to a bunch of different sources and learn about what was happening in the fashion world during the war, that will come up. You’ll learn about rationing and the War Bureau and all their rules and regulations. It was interesting that Marcus of Nieman Marcus was actually head of the War Production Board and came up with all these rationing roles for fashion. If you start delving into different areas, you’ll be able to pick up little bits and pieces and put it together.   Sharon: That’s interesting. People don’t know what it is. The other thing that interested me when I was reading about you was the fact that you were in only the third museum education class.   Jan: Yeah, I know. I feel ancient. I was in the class of 1978—that gives it all away, doesn’t it?—in grad school. It was the very first program of its kind in the country where you got a master’s degree in museum education. It was started by