‘Fessing Up Okay: you’re going to have to bear with me for one of my idiotic tangents, one that nevertheless explains precisely how I feel about Mozart and his music at a gut level.  What follows is a deep confession, something I’ve never shared before.  Be forewarned though, that once you’ve read and/or heard this confession (depending upon whether you’re reading Music History Monday as a blog or listening to it as a podcast), it cannot be unread or unheard. Here goes. Since childhood, I have had a deep and abiding affection for horror films, the gnarlier, the gnastier, the better.  Yes, color me juvenile if you must, but there it is.  Among the very greatest masters of the genre is the American filmmaker John Carpenter (born 1948), whose oeuvre includes such classics as the Halloween franchise, Escape From New York, Escape from L.A., Christine, The Fog, Assault on Precinct 13, They Live, and Prince of Darkness.  But for my dinaro, Carpenter’s magnum opus is The Thing (which was released in 1982).  Critically panned when it first opened, it is today considered (by those of us who consider it at all) to be a masterwork of graphic, on occasion inadvertently […]
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