This week we tackle questions from our March Webinar titled The Secret To Getting Ahead in Hollywood. We host a webinar every month. Register for the next one using the link below.Show NotesFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAuto-Generated TranscriptsMichael Jamin:You're listening to Screenwriters Need to hear this with Michael Jamin.Everyone, it's Michael Jamin. Welcome back for another episode of Screenwriters. Need to hear this. We're doing a q and a, another q and a as if you're new here. So at once a month, Phil and I, we do a free webinar on screenwriting. And sometimes we talk about writing, sometimes we talk about breaking into the business. Sometimes we talk about at Get industry types to attend your event that's coming up. Each one, each month is a different topic and it's about an hour long and it's free. But we got a lot of questions at the end and it can only have time to answer so many of them. So here are the ones that I missed. So thank you all for coming, for listening. Here are the ones that I couldn't get to.Phil Hudson:Yeah. And this is for the March webinar. And we also have the April webinar questions to get through too, because oh, weMichael Jamin:Got some many questions. A lot,Phil Hudson:Lot of questions.Michael Jamin:The March webinar, what was on, I'm so sorry Phil, I'm putting you on the spot. What was that one for?Phil Hudson:Let's, let's see if I can pull it off. One second.Michael Jamin:Yeah,Phil Hudson:Pressures on. Ding to, I've got it up. The secret to getting ahead in Hollywood. Four things you must know.Michael Jamin:Yeah, the secret to getting ahead. Okay, so here are the questions. Yeah,Phil Hudson:So hit me, Phil. Now to be clear, there are several, there were a lot of questions here. I mean, there were like 70 questions we didn't get to. That webinar is an hour long and it's dedicated to 15 to 20 minutes of q and a. And you actually, you try to push through a lot of the stuff to get to the questions. And despite that, we still have so many. So I have removed duplicate questions. So in our last episode, doing the February q and a, you answered a bunch of these and there are other questions we've already talked about on the podcast or you have talked about on your social media. So if your question is not here and we don't answer it, apologize. But that's already been discussed pretty in depth. So lots of great content just go to at Michael Jamin writer to learn more or look at past podcast episodes related to your topic because we've covered a lot of this alreadyMichael Jamin:@MichaelJaminWriter on Instagram and TikTok and Facebook.Phil Hudson:So yeah, @MichaelJaminWriter, right?Michael Jamin:Just making sure. No, I'm sorry. I dunno,Phil Hudson:My own name. Mi... Michael Jamin, some other guy.Michael Jamin:Yeah.Phil Hudson:So cool. Well, question number one, Robert Cowie asked, is there such a thing as a perfect script or is it in the eye of the beholder?Michael Jamin:No. Such a thing. As a matter. As a matter of fact. And it's a great question. I remember working on, just Shoot Me, this was my first staff writing job. And some of the older, more experienced writers, great writers in that show, people Hall I'll interview on the podcast. They turned a script. And I remember reading it thinking, oh my God, this is hilarious. This is gold. And then they would get notes from the Showrun. I'm like, w w what? Why are they getting, this is perfect. And you can always improve. You could always make it be better or slightly different. The Showrun runner was looking for something a little different, but there's no such thing, no writer ever turned a script. You could be Shakespeare, you would get notes. It's just how it works. So there's no such thing as a perfect script.Phil Hudson:W