Discover this podcast and so much more

Podcasts are free to enjoy without a subscription. We also offer ebooks, audiobooks, and so much more for just $11.99/month.

Music History Monday: Giuseppe Verdi and the Requiem for Alessandro Manzoni

Music History Monday: Giuseppe Verdi and the Requiem for Alessandro Manzoni

FromMusic History Monday


Music History Monday: Giuseppe Verdi and the Requiem for Alessandro Manzoni

FromMusic History Monday

ratings:
Length:
20 minutes
Released:
May 22, 2023
Format:
Podcast episode

Description

We mark the first performance on May 22, 1874 – 149 years ago today – of Giuseppe Verdi’s Requiem, written in memory of the Italian novelist, poet, and patriot Alessandro Manzoni (1785-1872).” Background In June of 1870, the 57-year-old Giuseppe Verdi (1813-1901) agreed to compose an opera for the brand-new Cairo Opera Theater.  The Khedive Ismail Pasha of Egypt personally handled the negotiations, as the opera was to celebrate nothing less than the opening of the Suez Canal.  No expense was spared, either on the opera or on Verdi, who received the unheard-of commissioning fee of 150,000 gold francs: roughly $1,935,000 today! The opera – Aida – received its premiere in Cairo on December 24, 1871.  With no disrespect intended towards either the Khedive Ismail Pasha of Egypt or the Cairo Opera Theater, the opera’s real premiere – as far as Verdi and the larger opera world were concerned – took place six weeks later: at La Scala in Milan on February 8, 1872.  That Italian premiere was a triumph, the greatest of Verdi’s career to date.  He himself received 32 curtain calls! The only contemporary Italian artist who could possibly be considered as beloved as Giuseppe Verdi was the […]
The post Music History Monday: Giuseppe Verdi and the Requiem for Alessandro Manzoni first appeared on Robert Greenberg.
Released:
May 22, 2023
Format:
Podcast episode

Titles in the series (100)

Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.