“Remembering the stories of our parents and our grandparents, our aunts and uncles, and the struggles that they have gone through. Struggles and the joy - I don't always want to frame the stories of our forbearers in the context of struggle, although a lot of Asian-Americans have had to deal with that. There's a lot of joy to be found in those stories as well. And I hope that those are stories that are passed on and remembered because, as is the case in our movie, it's about the moments that we are able to share with our family, in which we experience happiness and laughter and joy, that are most important, at least to me.And so I hope that's something that we can reflect in our storytelling moving forward as well. You know, I think we've seen a lot of stories framed around the noble struggle, which is what I call it. And I hope we can start diversifying our storytelling a little bit so that we can share a little bit more of the happy pleasures and joys that we experience as families and immigrants as well.”Ken Cheng is a writer/producer who has previously written for Wilfred, Betas, and Sin City Saints. Ken’s feature comedy Easter Sunday, which he co-wrote, and executive produced for Amblin Partners, Rideback, and Universal, is inspired by the life and comedy of standup comedian Jo Koy. Forthcoming projects include writing and executive producing the half-hour comedy series, House of Chow, for HBO, co-writing – along with his creative partners at Crab Club, Inc. - a feature film adaptation of the GQ Magazine article, “The Great Chinese Art Heist”, for Warner Bros., Conde Nast, and director Jon M. Chu, and writing/producing a feature adaptation of the New York Magazine article “Chateau Sucker” for Bound Entertainment.www.crabclubinc.comKen Cheng IMDBwww.creativeprocess.infowww.oneplanetpodcast.org