Probably a XIXth century woman couldn’t contribute significantly as an artist, composer or concert organizer, right?And if we apply the critical eye of early music to more recent times, what do we get? Here we take a step aside to discover the work of Clara Wieck-Schumann (1819-1896), a genius pianist and talented composer, overshadowed by a composer husband at a time when married women were kept out of the public sphere. Natasha Loges, professor of musicology, tells us about her career as a pianist after her husband's death and how concerts were scheduled in the 19th century, at the height of the Romantic period.To go further >CREDITSguest Natasha Loges, musicologistinterview & editing Andrew Burnproduction REMAcredits music Platée, Act 1, Orage - Jean-Philippe Rameauperformed by Les Talens Lyriques, dir. Christophe RoussetCamera Lucida 2014All rights reserved - Courtesy of Les Talens Lyriquesdesign Doretta Rinaldioriginal drawings Vincent Flückigercover score Folio, An einem lichten Morgen, op. 23, 1872 (Library of Congress, ML96.S4148)musicPiano Sonata in G Minor 2. : Adagio, Scherzo & Rondo - Robert Schumannperformed by Franz VorraberHommage à Schumann, Thorofon 2012Romanze, Leidenschaftlich schnell - Clara Schumannperformed by Flóra Fábri, Martin Jantzenlive recording, 2021Piano Sonata No. 11 in A major, K.331. I. Tema con variazione - Wolfgang Amadeus MozartImprovisation 3Moments musicaux Op. 94 D. 780: III. Allegro moderato in F Minor - Franz Schubertcomposed and performed by Josep ColomMoments musicaux, MarchVivo 2022