“A film that centers on a transgender person or storyline enters the culture like any other movie. The difference lies in the discourse around it.” So writes Caden Mark Gardner in a recent essay in the Criterion Collection’s online publication, the Current. “Trans people in movies are written and talked about as if they were abstract concepts, anomalies. For years, it’s been clear that very little attention is being paid (by filmmakers, critics, or marketers) to the ways in which a trans audience might see and react to these attempts at putting their lives in front of the camera, and the cisgender majority continues to control the conversation.”

On this week's episode, Film Comment editors Devika Girish and Clinton Krute brought together a roundtable of writers and artists who are reframing this conversation: critics Caden and Willow Maclay, and filmmakers Isabel Sandoval and Jessica Dunn Rovinelli. We asked the panel to respond to a number of excellent questions submitted by the Film Comment community, including: How does one define trans cinema? Are visibility and representation important, or should questions of labor be foregrounded? And which classic movies do our panelists consider to be “covertly” trans? The rich and wide-ranging conversation touched upon a number of movies and articles. For show notes, go to filmcomment.com/blog/the-film-comment-podcast-trans-cinema-roundtable.

This episode of the Film Comment Podcast is sponsored by MUBI. Film Comment readers and listeners can get 30 days of great cinema free at mubi.com/filmcomment.