Though associated with heritage films—lush period films typically set in Britain’s imperial past—producer Ismail Merchant, director James Ivory, and screenwriter Ruth Prawer Jhabvala collaborated since the early 1960s on a variety of literary adaptations. Masterfully constructed, Merchant-Ivory films came to symbolize a certain type of prestige film—for better and worse. Perhaps the pinnacle of their collaboration was Howards End (92), based on the E. M. Forster novel about class and inheritance set in Edwardian England. In anticipation of the theatrical run of its new 4K restoration, Michael Koresky, Editorial Director of the Film Society of Lincoln Center, Farran Smith Nehme, FILM COMMENT columnist and regular contributor for the New York Post, and Digital Editor Violet Lucca discussed the artful, complex adaptation and other Merchant-Ivory classics.