Horror month concludes with a couple of grizzly slashers about the horrors of American city planning and murder weapons that you can get at your local hardware store! Representing the arthouse is Abel Ferrara's new wave, grindhouse nightmare, The Driller Killer. And representing the mainstream is Bernard Rose's 1992 supernatural slasher, Candyman. Which movie will enter the canon and which movie will enter the trash canon, never again to be watched by Joe or Brett?!? It's a mad painter versus a man made of bees in this thrilling conclusion to the Weekend at Bergman's horror movie month!

NEXT WEEK:
Synecdoche, New York vs Click

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