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Not Tangerine Dream--Revisited

Not Tangerine Dream--Revisited

FromThe Holmes Archive of Electronic Music


Not Tangerine Dream--Revisited

FromThe Holmes Archive of Electronic Music

ratings:
Length:
77 minutes
Released:
Jan 23, 2021
Format:
Podcast episode

Description

Episode 26
 
Not Tangerine Dream--Revisited
German Electronic Groups and Connections in the 1970s
 
Playlist
Eberhard Schoener, “Polonaise” in three parts, from Destruction Of Harmony - The Living Sound Of Synthesizer Based On Bach & Vivaldi (1971 Ariola). Composed/interpreted by, arranged by, Moog Modular synthesizer, Eberhard Schoener.
Wolfgang Riechmann, “Abendlicht” from Wunderbar (1978 Sky). Voice, electric violin, guitar, electric piano, bass, ARP 2600, ARP Odyssey, ARP Sequencer, Röhrophon, electronic drums, Wolfgang Riechmann.
Kraftwerk “Heimatklänge” from Ralf & Florian (1973 Philips). Vocals, keyboards, strings, wind instruments, drums, electronics, Florian Schneider, Ralf Hütter.
Stockhausen, “Side IV, Groups II and III” from Sternklang (Park-Music For Five Groups). For vocalists, instruments and electronics. From the notes: “The composition is written for groups of singers and instrumentalists, which are widely separated from each other spatially. The groups should be able to hear each other, above all, when a group has a pause. The musicians must also be able to regulate the overtones of the played and sung sounds, as these are described exactly. We therefore ask the listening participants to keep the silence that is necessary for the musicians.”
Kraftwerk “Tongebirge” from Ralf & Florian (1973 Philips). Vocals, keyboards, strings, wind instruments, drums, electronics, Florian Schneider, Ralf Hütter.
Peter Baumann, “Meadow Of Infinity (Part 2)” from Romance 76 (1976 Virgin). Composed, produced, and played by Peter Baumann. Used a custom-built synthesizer provided by Projekt Electronic Berlin.
Cluster, “Seltsame Gegend” from Curiosum (1981 Sky). Music by, produced, and played by Dieter Moebius and Hans-Joachim Roedelius.
Wolfgang Riechmann, “Weltweit” from Wunderbar (1978 Sky). Voice, electric violin, guitar, electric piano, bass, ARP 2600, ARP Odyssey, ARP Sequencer, Röhrophon, electronic drums, Wolfgang Riechmann. Produced by Conny Plank.
Cluster, “Helle Melange” from Curiosum (1981 Sky). Music by, produced, and played by Dieter Moebius and Hans-Joachim Roedelius.
Klaus Schulze, “Neuronengesang”, side four of Cyborg (1973/76 Brain). Music by, organ, synthesizer, vocals, percussion, Klaus Schulze.
 
Archive Mix
In which I play two tracks at the same time to see what happens.
Eberhard Schoener, “Overture” from Destruction Of Harmony - The Living Sound Of Synthesizer Based On Bach & Vivaldi (1971 Ariola). Composed/interpreted by, arranged by, Moog Modular synthesizer, Eberhard Schoener.
Peter Baumann, “Meadow Of Infinity (Part 1)” from Romance 76 (1976 Virgin). Composed, produced, and played by Peter Baumann. Used a custom-built synthesizer provided by Projekt Electronic Berlin. “Meadow Of Infinity Part 1” included members of the Philharmonic Orchestra Munich, conducted by H. Baumann.
Released:
Jan 23, 2021
Format:
Podcast episode

Titles in the series (89)

Thom Holmes is your curator and guide to vintage electronic music recordings and audio experimentation. Drawing from his collection of vintage electronic music recordings spanning the years 1930-1985, each episode explores a topic or theme of historical interest. Holmes is the author of the book, Electronic and Experimental Music, sixth edition, 2020.