The fourth movement (the second ‘Nachtmusik’) contrasts with the first in that it illustrates a more intimate and ‘human’ scene. With its ‘amoroso’ marking and reduced orchestration (trombones, tuba and trumpets are silent and the woodwinds are reduced by half) this movement has been described as ‘a long stretch of chamber music set amidst this huge orchestral work’.---A listening guide of Symphony No. 7 - 4th Movement with Lew Smoley.