Balancing the soft low texture with piano remains one of the main challenges for tubists in the penultimate song in this collection, “Nicht wiedersehen!” (Never to meet again). It is scored very low on the piano and would be easy to lose the melody inside of the harmony of the accompaniment. Mahler instructs the pianist to use the pedals freely, however perhaps the dampening pedal should be the most important. The effect of the sustain pedal will be too much for this song, especially when the pitches between the piano and tuba overlap.The first three notes of this song are the most challenging notes on a Germany Rotary bass tuba in F, especially at a soft dynamic, like piano. The performer may modify articulations to assist in increasing the line’s accuracy and clarity. The first note after a breath should have a stronger articulation, as sometimes noted by a tenuto marking above or below the specified note.“Never to meet again”.---A listening guide of Lieder Und Gesänge Aus Dem Jugendzeit – Nicht Wiedersehen! with Lew Smoley.