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In Defense of Ska Ep 68: Coolie Ranx (Pilfers, The Toasters, Grand Theft Auto IV)

In Defense of Ska Ep 68: Coolie Ranx (Pilfers, The Toasters, Grand Theft Auto IV)

FromIn Defense of Ska


In Defense of Ska Ep 68: Coolie Ranx (Pilfers, The Toasters, Grand Theft Auto IV)

FromIn Defense of Ska

ratings:
Length:
96 minutes
Released:
May 4, 2022
Format:
Podcast episode

Description

In the early '90s, Coolie Ranx had his eyes set on being a dancehall star. That is until a friend dared him to audition to be The Toasters' new vocalist. He got the gig, and off to Europe he went (Though, a little uncomfortable with the Mohawk, spike-studded punks that came to these shows). He quit Toasters, but eventually came back and joined the group just before they did the Skavoovee tour, along with The Special Beat, The Selecter, and The Skatalites. At the time, Coolie was so entrenched in the dancehall world, he wasn't even familiar with any of these groups--even The SkatalitesThat would change. After recording two studio albums with The Toasters (Dub 56, Hard Band For Dead), he quit the group and started Pilfers, a unique '90s ska band that mixed elements of rock, hardcore, reggae, dancehall, pop and punk. Coolie called their genre "raggacore," and the description was apt. There weren't other groups at the time that sounded like them. On this episode, we talk to Coolie about his musical music. We talk about the 2000s UK ska-punk scene (King Prawn, Sonic Boom Six) that sounded a lot more like Pilfers than the 90s US ska scene did. We break down some Pilfers songs, like "Generation," and we all admire Coolie's amazing impression of Rob "Bucket" Hingely. We also talk about Coolie's new solo album, Days Gone By, which you should purchase immediately.  Support the show
Released:
May 4, 2022
Format:
Podcast episode

Titles in the series (100)

Ska no longer needs to be the butt of every joke. IDOS is flipping the narrative on this style of music that they love dearly. Hosts Aaron Carnes (author of "In Defense of Ska") and Adam Davis (Link 80, Omingone) chat with people in and outside of the ska scene to tell its stories, show its pervasiveness in culture, and defend it to their last dying breath.