"You know, I've always liked, since I started painting, particular landscapes, I like to see work as the artist wants it to be seen. I'm curious about the creative process to a certain extent, but I'm much more interested in the effect of the final work. And the underpainting for me is always important because I believe that there is a bit of a thin dimension on the surface of all of these paintings that exists that's a conversation that's going on between the underpainting and what it is eventually subsumed by on the surface of the painting. And it's more or less evident in different paintings that I do. Sometimes it gets almost completely obliterated, but I still believe that there's a little resonance that exists between the final layer of the painting."Award-winning landscape artist April Gornik’s paintings and drawings of land, sky and sea are anchored in observed reality and a world synthesized, abstracted, remembered and imagined.Award-winning artist April Gornik has work in the Metropolitan Museum of Art, the Whitney, and other collections. Retrospectives of her art have traveled to museums in the U.S. and Canada. She has shown at the Whitney and Venice Biennales, Pennsylvania Academy of Fine Arts, Weisman Museum, Guild Hall, Parrish Art Museum, and in Seeing Nature, a traveling exhibition of Paul Allen's collection featuring Monet, Klimt, Turner, Hockney, and others.She has contributed much to preserve the history and culture of Sag Harbor, leading many projects, including the Sag Harbor Cinema Arts Center and The Church.Mia recently completed a residency, as an inaugural artist participating in The Church’s new program, where she was able to witness first hand the depth of April’s engagement with the community and her dedication to art, not just as a means of self-expression but as a vehicle for bringing people together. She sat down with April in her studio in North Haven. · www.aprilgornik.com · www.creativeprocess.info