24 min listen
Ep 25: Natasha Bieniek
ratings:
Length:
39 minutes
Released:
Jun 22, 2017
Format:
Podcast episode
Description
At only 32 years of age, Natasha Bieniek has been awarded the Wynne prize for landscape painting, the Portia Geach Memorial award for portrait painting and the Metro art award, has been a five time finalist in the Archibald prize, a three time finalist in the Doug Moran National Portrait prize and has been shortlisted in many others.
Impressive as that is, what's more amazing about Bieniek’s work is its size. Her winning Wynne prize painting 'Biophilia' was only 9cm square and her portrait of Wendy Whiteley, which was highly commended by the trustees in the 2016 Archibald prize, is only 13.5cm x 18.5cm.
She is without doubt a master of the miniature.
Bieniek has exhibited in six solo shows, across Australia and overseas, and in many group shows. The National Portrait Gallery held an exhibition in 2014, ‘In the Flesh’, where 14 of her miniature portraits were included, borrowed from private collections.
In our conversation, Bieniek reveals how it was not all smooth sailing at the beginning and talks about how nature in the urban environment has inspired her work. She also provides details about her process which reveal the intensive labour involved in creating her exquisite paintings.
To hear Maria Stoljar's conversation with Natasha Bieniek press 'play' above and scroll down to see the works they talk about on the podcast
Video of Natasha Bieniek in her studio can be seen on YouTube here
Upcoming events
Sydney Contemporary, Sydney, as part of a group show curated by Dianne Tanzer and This Is No Fantasy - September 2017
Links to things and people we talk about on the show
Natasha Bieniek at This is No Fantasy + Dianne Tanzer Gallery
Natasha Bieniek at Jan Murphy Gallery
Natasha Bieniek on Instagram
Victoria Reichelt
Wynne Prize
Portia Geach Memorial Award
Archibald Prize
Michael Brand
Wendy Whiteley
Wendy Whiteley and the Secret Garden by Janet Hawley
Brett Whiteley
Natasha Bieniek talks with Maria Stoljar in her studio on the Talking with Painters YouTube channel (below)
https://www.youtube.com/watch?v=Y17eJu-IKEk
Impressive as that is, what's more amazing about Bieniek’s work is its size. Her winning Wynne prize painting 'Biophilia' was only 9cm square and her portrait of Wendy Whiteley, which was highly commended by the trustees in the 2016 Archibald prize, is only 13.5cm x 18.5cm.
She is without doubt a master of the miniature.
Bieniek has exhibited in six solo shows, across Australia and overseas, and in many group shows. The National Portrait Gallery held an exhibition in 2014, ‘In the Flesh’, where 14 of her miniature portraits were included, borrowed from private collections.
In our conversation, Bieniek reveals how it was not all smooth sailing at the beginning and talks about how nature in the urban environment has inspired her work. She also provides details about her process which reveal the intensive labour involved in creating her exquisite paintings.
To hear Maria Stoljar's conversation with Natasha Bieniek press 'play' above and scroll down to see the works they talk about on the podcast
Video of Natasha Bieniek in her studio can be seen on YouTube here
Upcoming events
Sydney Contemporary, Sydney, as part of a group show curated by Dianne Tanzer and This Is No Fantasy - September 2017
Links to things and people we talk about on the show
Natasha Bieniek at This is No Fantasy + Dianne Tanzer Gallery
Natasha Bieniek at Jan Murphy Gallery
Natasha Bieniek on Instagram
Victoria Reichelt
Wynne Prize
Portia Geach Memorial Award
Archibald Prize
Michael Brand
Wendy Whiteley
Wendy Whiteley and the Secret Garden by Janet Hawley
Brett Whiteley
Natasha Bieniek talks with Maria Stoljar in her studio on the Talking with Painters YouTube channel (below)
https://www.youtube.com/watch?v=Y17eJu-IKEk
Released:
Jun 22, 2017
Format:
Podcast episode
Titles in the series (100)
Ep 13: The Cutting Room Floor: When I started this podcast I thought 40 minutes should be the maximum length of each episode, but that meant leaving out some interesting parts of the conversation. So here are a few clips from those interviews which didn't make it into the original ... by Talking with Painters