A critical text by Jorge Yglesias on Roy Andersson's film «About Endlessness», read by Amy Lombardi and edited by Lena von Tscharner.
[...] To take a look at some historical events and the banality of everyday life and mix them displaying a sense of humour that flirts with the uncanny as Andersson does, is one of the most outstanding feats of contemporary cinema, the evidence that Artifice is the best way to represent the Real.