In this episode, Milton takes a question from Benjamin in Canada who asked him to clarify an idea from our episode The Biggest Sin: beginning your work on a play as if you know nothing. Another way to say that is: begin your work with a mindset of assuming nothing. If you assume you already know about a fact of your character or the circumstances of the play, you’ll neglect to dig deeper and end up just throwing it away, thus making your performance cliche or 2-dimensional. Nothing is inconsequential. Every single fact is an opportunity to ask yourself: what does that really mean? How do I feel about it? The deeper we dig into the facts, and the more specific we get, the more they will feed us, and bring us to life.

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