In this week's episode, Emmy-winning editor Kelley Dixon, ACE calls in to talk about her experience editing her first feature film, Paramount Pictures' The Goldfinch.  Kelley tells us about... The challenge of translating Donna Tartt's 800 page, Pulitzer prize-winning novel into a feature film How working on a feature compares to television Understanding how to serve the vision of the director while being true to yourself Being aware of when the characters are "aware" The power of profile shots, proscenium framing and pre-lap edits