There's no Teal Swan without the Satanic Panic. And there's no Satanic Panic without the 1980 publication of Michelle Remembers, by Lawrence Pazder and Michelle Smith. In this first of three segments on this melted book, Matthew and Julian cover its historical, cultural, and mass media context. We start with a review of a 1985 20/20 episode called “The Devil Worshippers” for a taste of how mainstream outlets hosted cranks like Pazder, giving him a hall pass on evidence, and overlooking how his Catholic fetishes and paranoias played a huge role in the fictions he spun. The post Vatican 2 context is crucial, especially as we bear witness to the current political triumphs of Trad-Cath propaganda and politics in our post-Roe, QAnon -fried world. For help, we look to an excellent essay by social historian Bernard Doherty about the genre and elements of the Catholic Horror Film, which begins with Rosemary's Baby in 1968. This reactionary genre attempted to respond to modernizing—or postmodernizing, as Jordan Peterson might say—changes in Church doctrine. Bottom line? The Satanic Panic largely begins in and is sustained by Catholic-flavoured conspirituality anxiety about secularization, sex, babies, and abortion. Links:Michael Hobbes and Sarah Marshall cover Michelle Remembers with great skill. "20/20" the Devil Worshippers - May 16, 1985West of Memphis movie review & film summary (2012) | Roger EbertMel Gibson: The man without a pope - Where Peter IsThe Smoke of Satan on the Silver Screen: The Catholic Horror Film, Vatican II, and the Revival of Demonology | Journal for the Academic Study of Religion