I’m in conversation today with Shiloh Coke, a composer, musician, actor and writer who stars in a new audio play called recognition. In it, she voices Song, a Black woman composer who stumbles upon the work of Afro-English composer and conductor Samuel Coleridge-Taylor. The play, and their conversation across space and time, asks important questions like: How do we honour the forgotten whose work was once celebrated, and who gets to decide which work stands the test of time?  In our conversation, Shiloh and I explore how she’s carving her own space in industries dominated by white people, her close relationship with her grandmother, coming into herself as a queer Black woman and how music offers her space for safety, joy and love. We discuss the importance of orienting ourselves and our work in our purpose, pursuing impact over recognition, and the conversation she hopes a queer Black woman will have with her work in the future, long after she’s gone.
About Shiloh Coke
Shiloh Coke is a composer, musician, actress and writer. She stars as Song in a new audio play called recognition.
This episode features a clip from ‘Myoho’, which Shiloh composed to accompany a short film written by Pamela Nomvete, called Sisterhood for the Sake of Happiness. The film symbolises five generations of buddhists and artists from the African diaspora.
About Busy Being Black
Busy Being Black is the podcast exploring how we live in the fullness of our queer Black lives. Thank you to our partners: UK Black Pride, BlackOut UK, The Tenth, Schools Out and to you the listeners. Remember this, your support doesn’t cost any money: retweets, ratings, reviews and shares all help so please keep the support coming. 
Thank you to our newest funding partner, myGwork – the LGBT+ business community.
Thank you to Lazarus Lynch – a queer Black musician and culinary mastermind based in New York City – for the triumphant and ancestral Busy Being Black theme music. The Busy Being Black theme music was mixed and mastered by Joshua Pleeter. Busy Being Black’s artwork was photographed by queer Black photographer and filmmaker Dwayne Black.
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