I’m still revelling in an acute awe, inaugurated by the images captured by the Just Wonderful Space Telescope in July. As a big and beautiful conversation about our significance continues, a persistent narrative about how small we are has emerged and I suspect that the language deployed to make us insignificant as we gaze at the stars, has something to do with the dominant culture’s denuding of our imaginations, which my guest today says requires an emotional athleticism.
To help us reckon with our collective awe and our responsibility to harness our imaginations for the futures we deserve, I’m in conversation with Ahmed Best. Ahmed is a multi-hyphenate story teller, artist, educator, and futurist – as well as an Adjunct Professor at USC School of Dramatic Arts and the Stanford d. school. You may also know him as the actor who played Jar Jar Binks in Star Wars. We explore afrofuturism as an imaginative framework that helps us work through current and oppressive realities in order to fashion a future worthy of us all. And the need for Black people – especially – to take seriously the project of engaging with what Ahmed calls long futures. He reminds us that the oppressions so many of us live through now are the result of someone’s imagination. If we are to have any chance of helping shape the future, we don’t have the luxury of not thinking about it.
Together with Dr Lonny Brooks, Ahmed helps facilitate AfroRithms from the Future – a collaborative, design thinking, storytelling game that helps activate our radical imaginations by centring the experiences and wisdoms of Black people and BIPOC.
This conversation was made possible with funding from of the AZ Creative Fund.
About Busy Being Black
Busy Being Black is an exploration and expression of quare liveliness and my guests are those who have learned to live, love and thrive at the intersection of their identities. Your support of the show means the world. Please leave a rating and a review and share these conversations far and wide. As we continue to work towards futures worthy of us all, my hope is that as many of you as possible understand Busy Being Black as a soft, tender and intellectually rigorous place for you to land. 
Thank you to our funding partner, myGwork – the business community for LGBT+ professionals, students, inclusive employers and anyone who believes in workplace equality. Thank you to my friend Lazarus Lynch for creating the ancestral and enlivening Busy Being Black theme music. Thank you to Lucian Koncz and Stevie Gatez for helping bring new Busy Being Black artwork into the world.
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