Alex and Nick discuss the current trend of diminishing episode orders and shorter seasons, and how that affects the size of writers' rooms, opportunities for emerging writers, and other worrying consequences for television writing.

Why are TV season orders shrinking from twenty-two episodes down to as few as three? How does this affect professional opportunities for writers, both emerging and established? What does it mean for the TV business and distribution models? What are some of the long-term consequences for access and diversity in television? What are proactive ways of combating and solving these issues?

Content
1 - Shorter seasons and diminishing episode orders (00:34)
2 - How that affects writers and opportunities (10:17)
3 - How that affects business and creativity (29:34)

Links
"Michael Schur on What We Lose When TV Gets Shorter" - Vanity Fair
TV Writing Incubators and the Evolution of Access (PT125)
The Art of the TV Episode (PT20)


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Special thanks to Alex Switzky for helping us edit this episode.

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Nick - @_njwatson
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