We hope you enjoyed last week’s table read of Space Bound written by Golden Globe-nominated writer/director of Promising Young Woman, Emerald Fennell. We caught up with Emerald in this week’s episode to discuss her pilot and her writing process. She talked about the importance of writing redeeming characters in comedies and why she prefers writing on spec versus pitching. A lesson in attaching producers to a project and a highly anticipated dive into the space world of Beta Complex 622. If you're afraid of spoilers, you should definitely listen to the table read before this interview. But either way, enjoy Andrew's conversation with Emerald Fennell. Thanks for listening!For more Dead Pilots Society episodes and information about our live shows, please subscribe to the podcast! Make sure to follow us on Instagram and Twitter, and visit our website at deadpilotssociety.com