This week on The Alaska Show I sit down with Rob Prince, Associate Professor of Documentary Filmmaking at University of Alaska Fairbanks and the founder of Dark Winter Nights: True Stories from Alaska. Rob and I discuss documentaries, how DWN was founded from his experience with reality tv, who controls Alaska's image to the world, and what makes a great story. As a special bonus we include one of the great stories from DWN at the beginning of the program! Go check out the show wherever you listen to podcasts or go to DarkWinterNights.com and get tickets to a live show! Next one is tentatively planned for the Saturday before Thanksgiving in Fairbanks. (0:55) Intro (3:27) Dark Winter Nights Story (13:59) Rob Prince Interview Interview Notes   Robert Prince is the Associate Professor of Digital Journalism and Documentary Filmmaking at University of Alaska - Fairbanks He was interested in video as a kid and he was amazed he could make a living making videos. As he got into college he took some tv criticism classes that opened his eyes to the power of television to be a force for good in the world and how it falls short. He wanted to make a difference in the world through his field. He liked being able to entertain and educate people at the same time. He also likes it because it’s a form of filmmaking you can do almost single-handedly. To get into fiction you have to convince people to act in the film and make them good at it.   Are documentaries journalism or entertainment? They’re both. It’s like paper journalism, it’s whatever you put on it. It can be long-form journalism which is why he’s in the journalism department. There are programs like Frontline on PBS that are great examples of documentary journalism. Then you have fun baloney documentaries and some that are downright evil. In the best way it’s both.   Alex’s favorite documentary is Queen of Versailles.   The dream of most documentary filmmakers is to have things unfold right on-screen. Queen of Versailles is a combination of luck and hard work.   Rob’s favorite documentaries depend on his mood. One of his favorites is “Flag Wars.” It was produced clearly by someone who was new at it. Some of the best documentaries are made by people that are not great filmmakers, but are just passionate about a subject. It’s the story of gentrification of a historically African-American Baltimore community by the homosexual community. Great documentaries leave you with more questions and things to think about.    Rob also likes anything by Errol Morris. Fast, Cheap, and Out of Control and Thin Blue Line are both fantastic. Errol Morris - 90% of his stuff is awesome. On Netflix “Dirty Money” is a thing he likes. Rob doesn’t love True Crime because he doesn’t know if it makes him a better person. He can’t let go of horrible crimes and true stories. He started watching a documentary about priest abuse and the murder of a nun. He was waiting for the story to get to some point of justice but he couldn’t.   Rob’s biggest problem with True Crime is “Mean World Syndrome.” The theory is the more tv you watch the more dangerous you think the world is than your neighbor. His concern of people who watch tons of true crime and news is it will warp their sense of how dangerous the world is beyond reality and lead them to do things they don’t need to do. If there’s a vote in the city for more policing vs more funding for schools, people who are afraid will vote for more policing. For example it would be hard to be killed by a serial killer even if you tried. It’s like being a police officer.   Alex loves business documentaries but thinks there are very few good ones. Often they’re a little too heavy-handed. Some are almost messianic biographies of people which is insufferable. He loves business documentaries like Silicon Cowboys on Netflix about the rise of Compaq computers out of Texas. How these guys founded the company and overcame IBM. Why are business makers so hard to make?   The key to a goo