55 min listen
#227: I'm With The Band, Pt. 1 — Almost Famous
#227: I'm With The Band, Pt. 1 — Almost Famous
ratings:
Length:
72 minutes
Released:
May 19, 2020
Format:
Podcast episode
Description
The new HOW TO BUILD A GIRL is a heavily autobiographical film about a teenage music journalist, which means it inevitably gets mentioned in the same breath as Cameron Crowe’s ALMOST FAMOUS, a heavily autobiographical 2000 film about a teenage music journalist, this one inspired by Crowe’s own past as Rolling Stone magazine’s youngest-ever correspondent. In this first half of our pairing looking at young, uncool kids chasing their own ideals of cool, we dig into ALMOST FAMOUS—in particular the much longer, and superior UNTITLED cut thereof—to see how it weaves its undeniable spell, how it occasionally drops the ball (particularly when it comes to Kate Hudson’s Penny Lane), and how our own experiences as entertainment journalists color the film’s message that “these are not your friends.” Plus, we tackle a couple of the numerous responses we got to our recent, contentious discussion on THE ASSISTANT.
Please share your comments, thoughts, and questions about ALMOST FAMOUS, HOW TO BUILD A GIRL, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.
Outro Music: Elton John, “Tiny Dancer”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Please share your comments, thoughts, and questions about ALMOST FAMOUS, HOW TO BUILD A GIRL, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.
Outro Music: Elton John, “Tiny Dancer”
Learn more about your ad choices. Visit megaphone.fm/adchoices
Released:
May 19, 2020
Format:
Podcast episode
Titles in the series (100)
#006: Toy Story / The Good Dinosaur (Pt. 2): Our conversation on Pixar's trajectory from 1995 to today delves into the company's most recent offering, discussing how THE GOOD DINOSAUR fits in with the rest of Pixar's output, including TOY STORY, as well as the modern computer-animated-feature landsc by The Next Picture Show