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Paul Harkins, "Digital Sampling: The Design and Use of Music Technologies" (Routledge, 2019)

Paul Harkins, "Digital Sampling: The Design and Use of Music Technologies" (Routledge, 2019)

FromNew Books in Critical Theory


Paul Harkins, "Digital Sampling: The Design and Use of Music Technologies" (Routledge, 2019)

FromNew Books in Critical Theory

ratings:
Length:
47 minutes
Released:
May 14, 2020
Format:
Podcast episode

Description

How does technology shape music? In Digital Sampling: The Design and Use of Music Technologies (Routledge, 2019), Paul Harkins, a lecturer in music at Edinburgh Napier University, looks at the relationship between the rise of digital sampling, technology, and music. The book draws inspiration from Science and Technology Studies to explore the impact of specific technologies, such as the Fairlight Computer Musical Instrument, programming languages, and studio practices, on artists and producers. The analysis also thinks through the evolution of digital sampling across a variety of genres, including pop, folk, and hop-hop. Drawing on a wealth of examples, the book is essential reading for anyone interested in the history of music, the history of technology, and the history of contemporary culture.
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Released:
May 14, 2020
Format:
Podcast episode

Titles in the series (100)

Interviews with Scholars of Critical Theory about their New Books