Our season long examination of To Pimp a Butterfly by Kendrick Lamar continues with the album’s ninth track “Momma.”
On “Momma,” Kendrick returns home to Compton for the second time on the album. On his first return, he gloated about his success and status on the song “King Kunta.” This time around Kendrick shows signs of maturation. He’s reflective, nostalgic. Having been through the trauma of “u” and the hypnotic seduction of “For Sale?,” home is now a place of grounding comfort that helps Kendrick in his search for clarity and contentment.
On verse three, Kendrick returns to another, more metaphoric home: Africa. He recounts an experience in South Africa in which he feels an inert kinship with a boy there. It forces Kendrick to reconsider his entire identity and sends him spinning into an existential crisis that’s reflected in the song’s abstract outro.
By its conclusion, “Mom