This is a special edition of the show where we take a glimpse behind the scenes at how we produce the program, and the people responsible for it. As Rainmaker.FM approaches it’s 2nd anniversary, I thought it apropos to examine how we got here. This is going to be fun! It may seem like I’m just a guy in a garage – like so many podcasters – who interviews writers and then frantically scrambles to produce the show in the margins of my real job as a multimedia producer for Rainmaker Digital. I do host and help produce the show of course, but I don’t record it in my garage, sorry. But you will learn how and where I do it. This week I also get the rare opportunity to shine a light on my talented production team and how this all happens. Note: The conclusion of my chat with screenwriter and author of All Our Wrong Todays, Elan Mastai will be published Feb. 7th, the day his new book comes out. If you’re a fan of The Writer Files, please click subscribe to automatically see new interviews. In this episode our production team and I talk about: How the show made the jump from a written interview to a podcast format with Robert Bruce The process we use to book our writers with Caroline Early How I research, record interviews, and write for the show’s website Why the raw audio for the shows needs a little massaging from a pro audio engineer with Toby Lyles How it all comes together to beam to your phone or desktop, and nestle neatly in your ears with Clare Garrett Listen to The Writer Files: Writing, Productivity, Creativity, and Neuroscience below ... Download MP3 Subscribe by RSS Subscribe in iTunes The Show Notes Begin your free, 14-day trial of the Rainmaker Platform and start building your own digital marketing and sales platform today at Rainmaker.FM/Platform StudioPress.com Unusually Short Stories at RobertBruce.com Proust Questionnaire – Wikipedia Here’s How Brian Clark Writes – The inaugural issue of The Writer Files Longform Podcast #226: Terry Gross ScheduleOnce.com – Scheduling platform Caroline Early on Twitter Shure SM7B Vocal Dynamic Microphone, Cardioid Auralex soundproofing Call Recorder for Skype Zencastr.com How Oscar Nominee Emma Donoghue (Screenwriter of ‘Room’) Writes: Part One How Bestselling Author Hugh Howey Writes TwentyFourSound – The premier podcast network editing service The Learn Podcast Production Podcast – TwentyFourSound Adobe Audition CC GarageBand for Mac Audacity – Free, open source, cross-platform audio software for multi-track recording and editing Trello – Workflow collaboration tool Rafal Tomal – Lead Designer at Rainmaker Digital Rev.com – Transcription service Kibin.com – Editing service Kelton Reid on Twitter The Transcript Behind the Scenes: How ‘The Writer Files’ Is Produced Voiceover: Rainmaker.FM. Kelton Reid: Welcome back to The Writer Files. I am your host, Kelton Reid. In this special edition of the show, we’re going to take a glimpse behind the scenes at how we produce the program and the people responsible for it. As Rainmaker.FM approaches its second anniversary, I thought it apropos to examine exactly how we got here. This is going to be fun. It may seem like I’m just a guy in a garage, like so many podcasters, who interviews writers and then frantically scrambles to produce the show in the margins of my real job as a multimedia producer for Rainmaker Digital. I do host and help produce the show, of course, but I don’t record it in my garage, I’m sorry. You will learn exactly where and how I do it. This week, I also get the rare opportunity to shine a light on my talented production team and how this all happens. The conclusion of my chat with screenwriter and author of All Our Wrong Todays, Elan Mastai, will be published February 7th, the day his new book comes out. But in this episode of The Writer Files, our production team and I talk about how the show made the jump from a written interview to a podcast format, the process we use to book our writers, how I research, rec