Poetry

An authentic exploration of the real Rumi As one of the world's most loved poets, Rumi's poems are celebrated for their message of love and their beauty, but too often they are stripped of their mystical and spiritual meanings. The Gift of Rumi offers a new reading of Rumi, contextualizing his work against the broader backdrop of Islamic mysticism and adding a richness and authenticity that is lacking in many Westernized conceptions of his work. Author Emily Jane O'Dell has studied Sufism both academically, in her work and research at Harvard, Columbia, and the American University of Beirut, and in practice, learning from a Mevlevi master and his whirling dervishes in Istanbul. She weaves this expertise throughout The Gift of Rumi, sharing a new vision of Rumi’s classic work. At the heart of Rumi’s mystical poetry is the “religion of love” which transcends all religions. Through his majestic verses of ecstasy and longing, Rumi invites us into the religion of the heart and guides us to our own loving inner essence. The Gifts of Rumi gives us a key to experiencing this profound and powerful invitation, allowing readers to meet the master in a new way.

In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama's appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem's artistry and explores how its meaning can reach into our own lives. Focusing mainly on poets writing today, Ó Tuama engages with a diverse array of voices that includes Ada Limón, Ilya Kaminsky, Margaret Atwood, Ocean Vuong, Layli Long Soldier, and Reginald Dwayne Betts. Natasha Trethewey meditates on miscegenation and Mississippi; Raymond Antrobus makes poetry out of the questions shot at him by an immigration officer; Martín Espada mourns his father; Marie Howe remembers and blesses her mother's body; Aimee Nezhukumatathil offers comfort to her child-self. Through these wide-ranging poems, Ó Tuama guides us on an inspiring journey to reckon with self-acceptance, history, independence, parenthood, identity, joy, and resilience. For anyone who has wanted to try their hand at a conversation with poetry but doesn't know where to start, Poetry Unbound presents a window through which to celebrate the art of being alive.

Pierced by grief and charged with history, this new poetry collection from the award-winning author of Prelude to Bruise and How We Fight for Our Lives confronts our everyday apocalypses. In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us. Drawing from memoir, fiction, and persona, Jones confronts the everyday perils of white supremacy with a finely tuned poetic ear, identifying moments that seem routine even as they open chasms of hurt. Viewing himself as an unreliable narrator, Jones looks outward to understand what’s within, bringing forth cultural icons like Little Richard, Paul Mooney, Aretha Franklin and Diahann Carroll to illuminate how long and how perilously we’ve been living on top of fault lines. As these poems seek ways to love and survive through America’s existential threats, Jones ushers his readers toward the realization that the end of the world is already here—and the apocalypse is a state of being.

THE NEW YORK TIMES BESTSELLER “Heartbreaking…Go read the book, everyone.” —Alex Cooper, host of the Call Her Daddy podcast Megan Fox showcases her wicked humor throughout a heartbreaking and dark collection of poetry. Over the course of more than seventy poems Fox chronicles all the ways in which we fit ourselves into the shape of the ones we love, even if it means losing ourselves in the process. “These poems were written in an attempt to excise the illness that had taken root in me because of my silence. I’ve spent my entire life keeping the secrets of men, my body aches from carrying the weight of their sins. My freedom lives in these pages, and I hope that my words can inspire others to take back their happiness and their identity by using their voice to illuminate what’s been buried, but not forgotten, in the darkness,” says Fox. Pretty Boys Are Poisonous marks the powerful debut from one of the most well-known women of our time. Turn the page, bite the apple, and sink your teeth into the most deliciously compelling and addictive books you’ll read all year.

Published in association with the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular collection of poems reflecting on our relationship to the natural world by fifty of our most celebrated contemporary writers.   In recent years, our poetic landscape has evolved in profound and exciting ways. So has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limón, this book challenges what we think we know about “nature poetry,” illuminating the myriad ways our landscapes—both literal and literary—are changing. You Are Here features fifty previously unpublished poems from some of the nation’s most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more. Each poem engages with its author’s local landscape—be it the breathtaking variety of flora in a national park, or a lone tree flowering persistently by a bus stop—offering an intimate model of how we relate to the world around us and a beautifully diverse range of voices from across the United States. Joyful and provocative, wondrous and urgent, this singular collection of poems offers a lyrical reimagining of what “nature” and “poetry” are today, inviting readers to experience both anew.

Brother Sleep is a collection of grievances through which a speaker mourns the loss of a brother, grandfather, and a sense of self as they navigate a landscape of desire marred by violence against queer and Mexican people. Set in the border cities of El Paso, TX, and Ciudad Juarez, Mexico, these poems navigate the liminal space between language and silence. As the poems grieve the loss of family, the violence perpetrated against queerness, the bodies lost border-side, and the cruelty against tenderness, Amparan's words bloom in evocation. Reflecting on lovers, friends, family, classmates, and others of impact, they navigate personal reconciliation in response to imposed definitions of their personhood.  These poems evoke an equal sense of sorrow and tenderness amidst a complex landscape of the self.

Past collections have won prizes such as the Green Rose Prize in Poetry (2012), and Colorado Prize for Poetry (2006) Most recent collection The 44th of July was a finalist for the 2019 Big other Book Award and long-listed for the 2019 PEN America Open Book Award Emerging Poet-in-Residence at Columbia College in Chicago (2010-2011) Is an Associate Professor at University of Miami Holds a Ph.D from Ohio University Potential audiences: readers who enjoy poetry about immigration, the American immigrant experience, and multi-generational families; readers who identify with Arab-American culture; fans of poetry that comments on politics and utilizes dark, dry humor

The second full length poetry collection from the #1 New York Times bestselling author of What Kind of Woman. Kate Baer shot into the literary stratosphere with the publication of her debut poetry collection, What Kind of Woman, which became an instant #1 New York Times bestseller. Kate’s second full-length book of traditional poetry, And Yet, dives deeper into the themes that are the hallmarks of her writing: motherhood, friendship, love, and loss. Taken together, these poems demonstrate the remarkable evolution of a writer working at the height of her craft, pushing herself and her poetry in a beautiful and impressive way. Intimate, evocative, and bold, Kate’s beguiling poetry firmly positions her in the company of Dorianne Laux, Mary Oliver, Maggie Nelson, and other great female poets of our time.

Sweet, Young, & Worried is the highly anticipated sophomore collection by author Blythe Baird Following her widely successful debut, Baird wastes no time as she reels in her reader with breathtaking imagery and punching narratives. With expert precision and vulnerability, Baird guides us on an expedition embracing queerness, love, loss, mental health, feminism & healing along the way.

What happens when everything falls away, when those you call on in times of need are themselves calling out for rescue?  In his highly anticipated second collection, Chen Chen continues his investigation of family, both blood and chosen, examining what one inherits and what one invents, as a queer Asian American living through an era of Trump, mass shootings, and the COVID-19 pandemic. Always at work in the wrecked heart of this new collection is a switchboard operator, picking up and connecting calls. Raucous 2 a.m. prank calls. Whispered-in-a-classroom emergency calls. And sometimes, its pages record the dropping of a call, a failure or refusal to pick up. With irrepressible humor and play, these anarchic poems celebrate life, despite all that would crush aliveness.  Hybrid in form and set in New England, West Texas, and a landlocked province of China, among other places, Your Emergency Contact Has Experienced an Emergency refuses neat categorizations and pat answers. Instead, the book offers an insatiable curiosity about how it is we keep finding ways to hold onto one another.

Spanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world—from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuña—gathered in one magnificent volume. Daughters of Latin America collects the intergenerational voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us. An eclectic and inclusive time capsule spanning centuries, genres, and geographical and linguistic diversity, Daughters of Latin America is divided into 13 parts representing the 13 Mayan Moons, each cycle honoring a different theme. Within its pages are poems from U.S. Poet Laureate Ada Limón and celebrated Cervantes Prize–winner Dulce María Loynaz; lyric essays from New York Times bestselling author Naima Coster, Pulitzer prize-winning playwright Quiara Alegría Hudes, and Guggenheim Fellow Maryse Condé; rousing speeches from U.S. Representative Alexandra Ocasio-Cortez, and Lencan Indigenous land and water protector Berta Caceres; and a transcendent Mazatec chant from shaman and poet María Sabina testifying to the power of language as a cure, which opens the book. More than a collection of writings, Daughters of Latin America is a resurrection of ancestral literary inheritance as well as a celebration of the rising voices encouraged and nurtured by those who came before them.  In addition to those mentioned above, contributors include Elizabeth Acevedo, Julia Alvarez, Albalucia Angel, Marie Arana, Ruth Behar, Gioconda Belli, Miluska Benavides, Carmen Bouollosa, Giannina Braschi, Norma Cantú, Ana Castillo, Sandra Cisneros, Ingrid Rojas Contreras, Angie Cruz, Edwidge Danticat, Julia de Burgos, Lila Downs, Laura Esquivel, Conceição Evaristo, Mayra Santos Febres, Sara Gallardo, Cristina Rivera Garza, Reyna Grande, Sonia Guiñasaca, Georgina Herrera, María Hinojosa, Claudia Salazar Jimenez, Jamaica Kincaid, María Clara Sharupi Jua, Amada Libertad, Josefina López, Gabriela Mistral, Celeste Mohammed, Cherrié Moraga, Angela Morales, Nancy Morejón, Anaïs Nin, Achy Obejas, Alejandra Pizarnik, Yolanda Arroyo Pizarro, Elena Poniatowska, Laura Restrepo, Ivelisse Rodriguez, Mikeas Sánchez, Esmeralda Santiago, Rita Laura Segato, Ana María Shua, Natalia Toledo, Julia Wong, Elisabet Velasquez, Karla Cornejo Villavicencio, Helena María Viramontes, and many more. Supplemental enhancement PDF accompanies the audiobook.

The sixth and, on the surface, most innovative poetry collection from Scotiabank Giller Prize finalist Michael Crummey. Eclectic, unpredictable, and strange, Passengers follows Swedish poet Tomas Tranströmer on an imagined circumnavigation of Newfoundland; traces the island escapades of Lucifer from the time of his arrival as a stowaway in the Middle Ages; and wanders the pre-pandemic cities of Europe, touching down in Stockholm’s ABBA museum, the Belfast Public Library, Austria’s plague cemeteries, and the Czech Republic’s Punkva Caves. Widely considered “one of Canada's finest writers” (Globe and Mail), Crummey is noted for the immediacy and emotional impact of his poetry and fiction and for his ability to raise the vernacular to planes of “exquisite beauty.” Part travelogue, part archeological dig, Passengers is an eccentric guide to the wild geography, folklore, and misbegotten history of the human heart.

From “one of the essential voices in American poetry” (New York Times) comes a rich new collection of expansive, light-footed, and cheerfully foreboding poems oddly in tune with our strange and evolving present The first new collection since Evolution from the prolific poet, activist, and writer Eileen Myles, a “Working Life” unerringly captures the measure of life. Whether alone or in relationship, on city sidewalks or in the country, their lyrics always engage with permanence and mortality, danger and safety, fear and wonder. a “Working Life” is a book transfixed by the everyday: the “sweet accumulation” of birds outside a window, a cup of coffee and a slice of pizza, a lover’s foot on the bed. These poems arise in the close quarters of air travel, the flashing of a landscape through a train window, or simply in a truck tooling around town, or on foot with a dog in all the places that held us during the pandemic lockdowns. Myles’s lines unabashedly sing the happy contradictions of love and sex, spill over with warnings about the not-so future world threatened by climate change and capitalism, and also find transcendent wonder in the landscapes and animals around us, and in the solitary and collective act of caring for one another and our world. With intelligence, heart, and singular vision, a “Working Life” shows Eileen Myles working at a thrilling new pitch of their poetic and philosophical powers.

The world has changed – but thankfully so have we. The Shift: Poetry for a New Perspective embodies the best of who we are now. From Self Love Philosopher Melody Godfred, author of bestselling Self Love Poetry: for Thinkers & Feelers, comes a collection of poems designed to reframe how we see and move through this brave new, post-pandemic world. Each pair of poems inspires a shift from the old way of thinking to the new: from guilt to gratitude, resistance to surrender, and fear to love. The first poem in each pair is dedicated to the old way. The second poem offers a shift in perspective that lovingly illuminates the new. Each seemingly simple poem instantly elicits a profound reset, and is coupled with beautiful line drawings that awaken not just the mind, but also the heart. The Shift’s unique poem pairings uplift the soul by offering a hopeful salve for our collective burnout. Whether you listen to a pair of poems a day, or listen to the entire book in one sitting, The Shift will be your trusted companion as you bravely navigate the great unknown that lies ahead in the months, years and decades to come. Audiobook highlights: Narration by author Melody Godfred, a speaker known for her warm, soothing voice and thought leadership in the self love space An alternate track featuring sound effects that place you at the scene of Melody’s nature-inspired poetry Commentary by Melody on some of the book’s most notable poems and themes, ranging from navigating the pandemic, relationships, motherhood and the journey towards achieving self love and worth A PDF copy of The Shift that provides access to the line drawings that accompany Melody’s poems

[To] The Last [Be] Human collects four extraordinary poetry books—Sea Change, Place, Fast, and Runaway—by Pulitzer Prize winner Jorie Graham. From the introduction by Robert Macfarlane: The earliest of the poems in this tetralogy were written at 373 parts per million of atmospheric CO2, and the most recent at 414 parts per million; that is to say, in the old calendar, 2002 and 2020 respectively. The body of work gathered here stands as an extraordinary lyric record of those eighteen calamitous years: a glittering, teeming Anthropocene journal, written from within the New Climatic Regime (as Bruno Latour names the present), rife with hope and raw with loss, lush and sparse, hard to parse and hugely powerful to experience … Graham’s poems are turned to face our planet’s deep-time future, and their shadows are cast by the long light of the will-have-been. But they are made of more durable materials than granite and concrete, they are very far from passive, and their tasks are of record as well as warning: to preserve what it has felt like to be a human in these accelerated years when ‘the future / takes shape / too quickly,’ when we are entering ‘a time / beyond belief.’ They know, these poems, and what they tell is precise to their form…. Sometimes they are made of ragged, hurting, hurtling, and body-fleeing language; other times they celebrate the sheer, shocking, heart-stopping gift of the given world, seeing light, tree, sea, skin, and star as a ‘whirling robe humming with firstness,’ there to ‘greet you if you eye-up.’ I know not to mistake the pleasures of this poetry for presentist consolation; the situation has moved far beyond that: ‘Wind would be nice but / it’s only us shaking.’ … To read these four twenty-first-century books together in a single volume is to experience vastly complex patterns forming and reforming in mind, eye, and ear. These poems sing within themselves, between one another, and across collections, and the song that joins them all is uttered simply in the first lines of the last poem of the last book:     The earth said     remember me.     The earth said     don’t let go,       said it one day     when I was     accidentally     listening…

"Listeners are privy to Olivarez framing each poem with rays of insight, to interspersed live recordings and selections recorded only for the audio....Olivarez gifts listeners gems of healing in this poetic affirmation of community and love." - Booklist "A portion of the audiobook is performed in front of a live audience, which is such a smart choice for a collection of poetry. The audience’s reactions lend a sense of community you can only get from a live reading, and Olivarez feeds off this energy."- BookPage "José Olivarez's narration of his poetry collection offers listeners a connection with his love circle."- AudioFile "Seemingly tailor-made for audio, this powerful book is a must-purchase. Olivarez’s invitation to share moments of his history, culture, love, and joy is wholly affecting."- Library Journal This program is read by the author, featuring elements of the live event recording, with commentary from the author about why he wrote the poems. A groundbreaking collection of poems addressing how every kind of love—self, brotherly, romantic, familial, cultural—is birthed, shaped, and complicated by the invisible forces of gender, capitalism, religion, migration, and so on. Love is at the heart of everything we do, and yet it is often mishandled, misrepresented, or narrowly defined. In the words of José Olivarez: “How many bad lovers have gotten poems? How many crushes? No disrespect to romantic love—but what about our friends? Those homies who show up when the romance ends to help you heal your heart. Those homies who are there all along—cheering for us and reminding us that love is abundant.” Written in English and combined with a Spanish translation by poet David Ruano, “Promises of Gold explores many forms of love and how “a promise made isn’t always a promise kept,” as Olivarez grapples with the contradictions of the American Dream laying bare the ways in which “love is complicated by forces larger than our hearts.” He writes, “For those of us who are hyphenated Americans, where do we belong? Promises of Gold attempts to reckon with colonial legacy and the reality of what those promises have borne out for Mexican descendants. I wrote this audiobook to imagine and document an ongoing practice of healing—healing that requires me to show up for myself, my community, my friends, my family, and my loves every day.” Whether listeners enter this collection in English or Spanish, these extraordinary poems are sure to become beloved for their illuminations of life—and love. A Macmillan Audio production from Henry Holt & Company.

From acclaimed poet Franny Choi comes a poetry collection for the ends of worlds—past, present, and future. Choi’s third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival. Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples. With lyric and tonal dexterity, these poems spin backwards and forwards in time--from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope in the aftermaths, and visions for our collective survival.  Supplemental enhancement PDF accompanies the audiobook.

 “The speaker in Shelley Puhak’s Harbinger is no closer to knowing herself than I am, than we are, which is why we trust her. Each similarly titled poem holds a triptych mirror up to the artist and, in so doing, up to us all, so we may better see ourselves as we are. In ever-changing form.” —Nicole Sealey  A stunning meditation on artistic creation and historical memory from the winner of the National Poetry Series, chosen by Nicole Sealey From “Portrait of the artist, gaslit” to “Portrait of the artist’s ancestors” to “Portrait of the artist reading a newspaper,” the poems in Harbinger reflect the many facets of the artistic self as well as the myriad influences and experiences that contribute to that identity. “Portrait of the artist as a young man” has long been the default position, but these poems carve out a different vantage point. Seen through the lens of motherhood, of working as a waitress, of watching election results come in, or of simply sitting in a waiting room, making art—and making an artist—is a process wherein historical events collide with lived experience, both deeply personal but also unfailingly political. When we make art, for what (and to whom) are we accountable? And what does art-making demand of us, especially as apocalypse looms? With its surprising insights, Harbinger, the latest book from acclaimed poet Shelley Puhak, shows us the reality of the constantly evolving and unstable self, a portrait of the artist as fragmentary, impressionable, and always in flux.   

Through image-rich poems regarding migration, transcultural identity, loss, connection, dream, and aging—some translingual, some ekphrastic responses to ephemeral and surreal works of art—Brenda Cárdenas’ Trace explores conditions of displacement, liminality, and mutability. These poems transgress illusory borders between lands, languages, humans and the rest of the natural world, waking and dreaming, and the living and the dead as they unearth traces of experience that shape and haunt us, traces we leave behind for others to encounter. Although elegy resurfaces throughout this collection as does a poetics of social consciousness, Cárdenas also embraces moments of levity, story, and an effervescent internal music that balance her steps through fraught yet bewitching terrain.

Let this book be a celebration of queerness, Blackness, and love. Let these words be a modern church, these poems a holy space. Rising star and spoken word poet Jae Nichelle debuts her luminous thoughts in God Themselves, a new collection of stirring poetry. Nichelle taps into her experiences of growing up in the South as a queer Black woman to courageously confront the effects of a forced religion and the inherent dangers of living life in a female body. God Themselves is divided into three equally moving sections: Everything, Everywhere, and Love. Nichelle braids her wisdom––as seen in the poem “What to Do When There’s Nothing You Can Do”––and witty generational humor––seen in "Sanctity: An Exposé"––into every poem. If you’ve ever contemplated who, what, and where God is, find comfort in these words.

Take the body and split it wide open. Fill it with light. See the multiple interiors, the layered death, the familial mythology, the throb and splendor of being, the shedding of the body altogether: this is fox woman get out!  Traveling from the corporeal to the cosmic, from life to death and back again, fox woman get out! is a full-throated performance of humanity in search of truth, ancestry, and artistic authenticity. Moving through themes of lineage, twinship, femininity and masculinity, reclamation of Indigeneity, dance, gender roles, and longing, González’s poems are a crescendo on the page. Part ecstatic elegy, part spell, this is a betwixt poetics, a kaleidoscopic, disruptive, and meditative work.

Winner, 2024 Indigenous Voices Award for Poetry in English Finalist, 2024 Governor General's Literary Award for Poetry Finalist, 2024 League of Canadian Poets' Gerald Lampert Memorial Award Finalist, 2024 League of Canadian Poets' Raymond Souster Award Longlist, 2024 League of Canadian Poets' Pat Lowther Memorial Award CBC Best Poetry of 2024 I am made of centuries & carbohydrates the development of my molars the hunger the teeth grew has been with me since childhood I can’t escape the mouths of others Brandi Bird’s long-anticipated debut poetry collection, The All + Flesh, explores the concepts of health, language, place, and memory that connect its author to their chosen kin, blood relatives, and ancestral lands. By examining kinship in broader contexts, these frank, transcendent poems expose binaries that exist inside those relationships, then inspect and tease them apart in the hope of moving toward decolonial future(s). Bird’s work is highly concerned with how outer and inner landscapes move and change within the confines of the English language, particularly the “I” of the self, a tradition of movement that has been lost for many who don’t speak their Indigenous languages or live on their homelands. By exploring the landscapes the poet does inhabit, both internally and externally, Bird’s poems seek to delve into and reflect their cultural lineages—specifically Saulteaux, Cree, and Métis—and how these transformative identities shape the person they are today.

A bilingual Japanese-English presentation of Shuri Kido’s poetry, co-translated by Pulitzer prize-winner Forrest Gander Shuri Kido, known as the “far north poet,” is one of the most influential contemporary poets in Japan. Names and Rivers brings the poems of Shuri Kido to readers in North America for the first time, thanks to star translator team Tomoyuki Endo and Pulitzer Prize winner Forrest Gander. Drawing influence from Japanese culture and geography, Buddhist teachings, and modernist poets, Kido presents a mesmerizing view of the world and our human position in it. This is a world “that isn’t ours”—where the trees are sirens while the people are silent, where snow lingers while language crumbles. Names and Rivers is made of crossings, questionings, and mysteries as unanswered and open as the sky. Bilingual Japanese-English production.

LONGLISTED FOR THE 2023 NATIONAL BOOK AWARD FOR POETRY "Where are you from . . . ? No—where are you from from?" It's a question every Asian American gets asked as part of an incessant chorus saying you'll never belong here, you're a perpetual foreigner, you'll always be seen as an alien, an object, or a threat. Monica Youn's From From brilliantly evokes the conflicted consciousness of deracination. If you have no core of "authenticity," no experience of your so-called homeland, how do you piece together an Asian American identity out of Westerners' ideas about Asians? Your sense of yourself is part stereotype, part aspiration, part guilt. In this dazzling collection, one sequence deconstructs the sounds and letters of the word "deracinations" to create a sonic landscape of micro- and macroaggressions, assimilation, and self-doubt. A kaleidoscopic personal essay explores the racial positioning of Asian Americans and the epidemic of anti-Asian hate. Several poems titled "Study of Two Figures" anatomize and dissect the Asian other: Midas the striving, nouveau-riche father; Dr. Seuss and the imaginary daughter Chrysanthemum-Pearl he invented while authoring his anti-Japanese propaganda campaign; Pasiphaë, mother of the minotaur, and Sado, the eighteenth-century Korean prince, both condemned to containers allegorical and actual.

Finalist for the Four Quartets Prize, given by Poetry Society of America, 2023 An iconoclastic ecopoet who has led the way for many young and emerging artists, Brenda Hillman continues to re-cast innovative poetic forms as instruments for tracking human and non-human experiences. At times the poet deploys short dialogues, meditations or trance techniques as means of rendering inner states; other times she uses narrative, documentary or scientific materials to record daily events during a time of pandemic, planetary crisis, political and racial turmoil. Hillman proposes that poetry offers courage even in times of existential peril; her work represents what is most necessary and fresh in American poetry. During an enchantment in the life Do you love a living person         absolutely? Tell them now. In a half-unwieldy life you made, under the hyaline sky, while the dead         drank from zigzag pools nearby, if they saved you in your wild incapacities,         in timing of the world's harm in a little pettiness in your own heart while others took         your madrigals in shreds to a tribunal,         when others said you should feel grateful         to be minimally adequate for the world's triple exposure or some tired committee...         The ones who love us, how do they break through our defenses?         We're tired today. Come back later. Their baffled voices melting our wax walls with a candle, the ones who understand what being is—the glowing, the broken, the wheels, the brave ones—         they have their courage, you have yours,,,;         when you meet the one you love, it is so rare. When you meet the one who loves you, it is extremely rare.

Part poetry collection, part soundscape, Village uses dark humor and keen observation to explore the roots of memory, grief, and estrangement. In propulsive and formally inventive verse, LaTasha N. Nevada Diggs examines how trauma reshapes lineage, language, and choice, disrupting attempts at reconciliation across generations. Questioning who is deemed worthy of public memorialization, Diggs raises new monuments, tears down classist tropes, offers detailed instructions for her own international funeral celebrations, and makes visible the hidden labors of care and place. From corners in Harlem through North Carolina back roads, Diggs complicates the concept of “survivor,” getting to the truth of living in the dystopia of poverty.

From the brilliantly talented National Poetry Series and James Laughlin Award winner comes a third collection of poems that uses the humble pig as a lens to explore the body, faith, desire, and power. This imaginative and singular poetry collection interrogates the broadest ideas surrounding the humble pig—farm animal, men/masculinity, police and state violence, desire, queerness, global food systems, religion/Judaism and law—to reimagine various chaotic histories of the body, faith, ecology, desire, hygiene, and power. Sam Sax draws on autobiography and history to create poems that explore topics ranging from drag queens and Miss Piggy to pig farming and hog lagoons. Collectively, these poems, borne of Sax’s obsession, offer a varied picture of what it means to be a human being. Delivered in a variety of forms, infused with humor, grace, sadness, and anger, Pig is a wholly unique collection from a virtuosic and original poet.

"Stellar . . . with great humanity, grace and precision." —Nicole Sealey, author of Ordinary Beast Gabrielle Bates's electric debut collection Judas Goat plumbs the depths of intimate relationships. The book's eponymous animal is used to lead sheep to slaughter, while its own life is spared, and its harrowing existence echoes through this spellbinding collection of forty poems, which wrestle with betrayal and forced obedience, violence and young womanhood, and the "forbidden felt language" of sexual and sacred love. These poems conjure encounters with figures from scriptures, domesticated animals eyeing the wild, and mothering as a shape-shifting, spectral force; they question what it means to love another person and how to exorcise childhood fears. All the while, the Deep South haunts, and no matter how far away the speaker moves, the South always draws her back home. In confession, in illumination, Bates establishes herself as an unflinching witness to the risks that desire necessitates, as Judas Goat holds listeners close and whispers its unforgettable lines.

A poetry collection where personal is inevitably political and ecological, Motherfield is a poet’s insistence on self-determination in authoritarian, patriarchal Belarus. Julia Cimafiejeva was born in an area of rural Belarus that became a Chernobyl zone during her childhood. The book opens with a poet’s diary recording the course of violence unfolding in Belarus since its 2020 presidential election.  Motherfield paints an intimate portrait of the poet’s struggle with fear, despair, and guilt as she goes to protests, escapes police, longs for readership, learns about the detention of family and friends, and ultimately chooses life in exile. But can she really escape the contaminated farmlands of her youth and her Belarusian mother tongue? Can she escape the radiation of her motherfield?  This is the first collection of Julia Cimafiejeva’s poetry in English, prepared by cotranslators and poets Valzhyna Mort and Hanif Abdurraqib.

A book of poems and augmentations, recording instances of love, self-realization, and recovery in non-binary, queer, and autistic lives.  In their stunning debut collection, A. Light Zachary draws power from a vision of life―especially queer and neurodivergent life―as a journey of continuous self-realization. These poems record the experience of locating oneself over and over again, within gender, language, family, labour, sexuality, fear, and love.   Reaching back to claim queer space in the oldest Western canon, Zachary interrupts famous quotations from ancient Greek and Roman thinkers, asking: what advice might Juvenal or Seneca have handed down to non-binary citizens? Elsewhere, in concise and fluid verses that draw from punk rock and quantum physics, they ground the work firmly in the present. Come: invade the alien. Evade with the coyote. These poems propose a certain supremacy: in these unending journeys of discovery and alienation, “we become more sure of who we are than you.” This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.