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Every Poem a Potion, Every Song a Spell
Every Poem a Potion, Every Song a Spell
Every Poem a Potion, Every Song a Spell
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Every Poem a Potion, Every Song a Spell

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Every Poem a Potion, Every Song a Spell is a collection that uses fairytale themed poetry to express the modern day struggle of women and their fight against oppression. The retellings lose none of the magic of the original stories, but open up the reader's eyes to the darkness that has been lurking behind women all along.

LanguageEnglish
Release dateMar 10, 2023
ISBN9798869341730
Every Poem a Potion, Every Song a Spell
Author

Stephanie Parent

Stephanie Parent is a lifetime lover of fairy tales of all sorts, but she especially appreciates the stories where clever girls defeat monsters, with or without a fairy godmother's help. An author of poetry and prose, Stephanie is still writing her own happily-ever-after. Every Poem a Potion, Every Song a Spell is her first poetry collection.

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    Book preview

    Every Poem a Potion, Every Song a Spell - Stephanie Parent

    Every Poem a Potion,

    Every Song a Spell

    STEPHANIE PARENT

    A picture containing logo Description automatically generated

    Querencia Press, LLC

    Chicago Illinois

    QUERENCIA PRESS

    © Copyright 2022

    Stephanie Parent

    All Rights Reserved

    No reproduction, copy or transmission of this publication may be made without written permission.

    No paragraph of this publication may be reproduced, copied or transmitted save with the written permission of the author.

    Any person who commits any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

    ISBN 979 8 9860788 5 4

    .

    www.querenciapress.com

    First Published in 2022

    Querencia Press, LLC

    Chicago IL

    Printed & Bound in the United States of America

    CONTENTS

    Foreword

    When Everything Else Was Gone

    Into the Forest

    Part One: Strange Creatures

    Crack Nuts

    Stepsisters

    Red Hood in the Woods

    Clawed Creatures

    Little Cages

    Poissonnier

    Part Two: Little Houses

    Twice Fooled

    Little Bones

    Marlene

    Gretel

    No Dumb Bunny

    The House on Chicken Legs

    Boy, Lost

    Snegurochka

    Part Three: Wild Gardens

    Rampion

    The Hanging Garden

    Amphibious Love

    Silver and Stone

    Walnut Heart

    Dream Garden

    Thorns and Wings

    Part Four: Enchanted Castles

    Curse of the Firstborn

    Skin and Salt

    Eternity

    Blessed Curse

    Too Late or Never

    Invisible Bars

    Epilogue: Disenchanted

    Uncaged

    The Question

    The Answer

    Notes on Previous Publications

    Foreword

    I began writing this poetry collection while I was working on a long nonfiction project, a personal story that drew symbolism from fairy tales in their oldest, darkest forms. As a child I had read older versions of fairy tales in Andrew Lang’s Colored Fairy Books, in picture books with illustrations by Kay Nielsen and Arthur Rackham, and in a treasured volume titled Clever Gretchen and Other Forgotten Folktales, edited by Alison Lurie. I also watched the Disney princess movies more times than I could count, knew the princesses’ ballads and love songs by heart, and carried glass figurines of Ariel and Aurora with me to school and displayed them on my bedroom shelves.

    I adored the original fairy tales with their shades of blood and shadow, their echoes of violence and loss, lingering among the happy endings. I loved the modern versions with their Technicolor heroines, their stories of sacrifice rewarded and true love conquering all. In my child’s mind, the two types of tales melded, till I believed no happily-ever-after was possible without the undercurrent of human cruelty and a cold, uncaring world. What were fairy godmothers and witches, after all, but two sides of the same coin? Couldn’t magic lose its power if we found it without first plunging to the depths of adversity?

    While working on my nonfiction project, I was disappointed to realize how many modern readers knew only of the Disney fairy tales. They weren’t familiar with the original Little Mermaid, where with every step the mergirl took on dry land, invisible knives impaled her feet, or the version of Snow White and the Seven Dwarves where the evil queen danced to her death in red-hot shoes. They had never read the tales of clever girls who made their own fate, like Kate Crackernuts, or the haunting

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