PADDLING IN POETRY
By Gwenda Steff
()
About this ebook
—Leonard Cohen
This eclectic collection by Australian poet, Gwenda Steff, evokes emotional and sensory imagery through a diverse range of poetic forms.
It is a window into the heart and soul of experiences, of beauty, of wildlife, of memory—and of a daily working life.
It explores experiences of love, joy, humour, work, family—and of loss and protracted grief.
It also confronts some of the issues of ecological and climatic destruction.
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PADDLING IN POETRY - Gwenda Steff
Copyright © 2024 by Gwenda Steff.
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.
Any people depicted in stock imagery provided by Getty Images are models, and such images are being used for illustrative purposes only.
Certain stock imagery © Getty Images.
Cover design. Gwenda Steff, Paddling, 2019.
Rev. date: 05/02/2024
Xlibris
AU TFN: 1 800 844 927 (Toll Free inside Australia)
AU Local: (02) 8310 8187 (+61 2 8310 8187 from outside Australia)
www.Xlibris.com.au
851632
This collection of poetry
is dedicated
to all my wonderful students who have felt motivated
to explore their lives through the poetic experiences that we have shared.
And—as always—to the memory of Colin, the love of my life.
CONTENTS
New Year’s Eve Pyrotechnics
The Psychopath
My Daily Guest
Magpie
Serenity
Loneliness Is …
Desecrating Forty Thousand Years
Doggerel
Trochaic Tetrameter
Blue
What Poetry Isn’t
Love Is …
Monarch Butterfly
Writer’s Block
Writing Space
Naming
Neither Wither Nor Condemn
Opening Night
Kitchen Clean-Up
Great Wings Beating Still
Writing Group Exercise
Past Familiar
Summer Evening
Teacup
Non-Indigenous Day
After the Summer Showers
Which Way Up?
Out of the Ether
Spying on Adam and Eve
Come Keep It Clean
No Sugar
Playtime at the Kindergarten
Behind the Mask
Out of Body
Memory Suspended
Dactylic
Rough and Smooth
If …
Trisha’s Place
Red Rag to a Bull
Black Summer
Teacher’s Desk
Wobble Seat
Golden Whistler
Between Sleeping and Waking
With Me
My Prayer
Dream
Bed Mate
The Bridge
Mother Magpie
Koopmans
Last Drinks
No Language, No Movement
For Yvonne
Silence
First Win
Power Walking
Always to Remember
Gariwerd Speaks
Prose Poem: Decision Time
Ticking the Box for Ageing
Sunflower Vincent
Wood Ducks
Remembering …
The Slow Process of Widowing
The Hall Mirror
The Singer
Marching On
Sensing Shakespeare
Euphemism
Watching
The Personalities of Water
Marlboro Man
Spider
The Poetry of Lists
Capturing Australia
Anxiety
Planted Candle
Barrister
Such Stuff
No Parking
With Me
Cancer Council Carpark
Gearing Up to Write
A Grandmother’s Eye View
Realisation
April Fool
The Crimson Rosella Concert
Inside Out
Refugee
Moths
Coping
Departure
Kata Tjuta, the Sleeping Giants
Waiting for a Poem to Arrive
Mushrooms
Washing Day
Geranium Bush
Falling
The Gariwerd Range from Konongwootong
Lumpectomy
Autumn Calling
Hair Brush
The Boys
Cardboard Legs
Watching Over the Shepherd
The Stockman
Rodeo Rider
What Do I Know About the Great War?
Dawn Service—Anzac Day
Richard’s War
Vietnam Veterans Memorial, Washington, DC
The Mayor
Maybe
A Day in My Puppy Life
Ellipse
The Scar
The Piece They Took Away
Silence
Love Song to the Landscape
Composing the Poet
Shooting Children
And Today, the Hair
Questions from a Jilted Wife
June Dreaming
Shame
As I Walked Out This Morning
A John Cage Moment
Thank You, John Cage
Puppy
Mabel: AProsePoem
Skirting Memory
Wind Farms
Waiting
Depression
Trochaic Tetrameter
Chute Girl
Slalom
Camellia
Coffee Break
Wicker Chairs
Paradigm Shift
Domestic Use Only
Bone Ache
Winter Solstice
Madigan Tryptic
Perth Sonnet
My Mother’s Kitchen
Bureaucratic SmokeTank A Prose Poem
Hair Brush
The Stylist
Protecting the Protector
Cinquain—a Vision
Wool
Little Lamb
Remembering Konongwootong North Primary School (# 4362)
RememberingFayZwicky At the Perth Writers’ Festival
Mirror Mirror
2 AM
Shark
American Sentences
After Sappho
Atlanta Running Slowly
A Moment in Time
For Lorraine
Vanquished
Old Pub
Fly by Night
Time
The Minister
And Then the Rain …
Breaking the Ice
Acrostic
Public Urinal South of the Groin
Bow Bender
Leaving an Abusive Workplace
Slumping Around
Cinquain—Vision
The Last Time (1)
Daffodil Day
The Dancer (1)
Slumpy Wendy
Homecoming
Plovers
Knitting the Stones
New York Too
Storm Over the City
The Boxer
Paparazzo to His Princess
Piano Lesson
Italian Quatrain
Poppy Girl
Playing Marbles at Thor’s House
Capturing Australia
Head Care
Seventh of September
Joining the Dots
Villanelle: Come Tuesday
The Clergyman
Anxiety
Take Off
Hamad International Airport
Perfect Companion
Apricots
Cointreau for Don Juan
Biting the Sun
Annual Disappointment
One Step Away
Psychiatric Nurse
Smoke
The Dancer (2)
16 October 1950
Hairdresser
The Trials of Teaching English to Adolescent Students
Come Spend Your Money
Cocoon
At Home
Lifebuoy
Invisible Woman
Still Grief
Anniversary
Elegy: Last Time
Sonnet
22 November 1963
Alone
The Shearers
Untitled
Age Enough and Time
December
Monivae Crows in Eleven Syllables
Last Day 1
Last Day 2
Morning Walk
Jerusalem
Cards Dealt
Hot Summer’s Day in the Botanical Gardens
Fifty Words for Boxing Day
Frida and Vincent
Newborn
One Syllable
What Poetry Is
Poetic Devices
Poetic Forms
ACKNOWLEDGEMENTS
With gratitude and thanks for the support, direction, and encouragement from all the team at Xlibris.
Thank you to the Hamilton FineLiners Writing Group for their support, and with a special thanks to Charlotte Stanhope for her valuable assistance.
I acknowledge the Traditional Owners of the Gunditjmara and Djab Wurrung lands and pay my respects to their Elders past, present and emerging.
With thanks to Tinika Clifford, Travelling Spirit
, for her valuable assistance.
INTRODUCTION
This eclectic collection of poetry is an exploration of poetic forms and styles recorded over the course of many years. There were times when I attempted to emulate traditional poetic structures. At other times, I veered sideways and adopted my own style that is more aligned with prose poetry than with traditional formal structures. It explores themes of life, living, memory, celebration, love, and loss. It responds to artworks and to events and occasions that have occurred at specific times that have fascinated and/or disturbed me.
I hope this collection will be an educational experience for young poets to learn about the art and craft of poetry and the diversity of poetic expression.
NEW YEAR’S EVE PYROTECHNICS
As the old year closes its eyes,
its sleep is disturbed by the new—
explosions and shouts at midnight
that shatter the darkness on cue.
We’ve all been asked to reduce
the emissions polluting our air.
But spend millions igniting the night.
The homeless feel that is unfair.
Sydney spends five million dollars.
Australia spends ten times that much.
It seems that the victims of floods
can fend for themselves with no crutch.
As the New Year opens its eyes
its heart is disturbed by the sight:
the rubbish, pollution, the mess;
the homeless resume their known plight.
When will the signals be valued?
When will politicians take heed?
When will our councils consider
priorities based on our need?
THE PSYCHOPATH
‘A beautiful day,’ the despot brayed
as his troops laid mines in the city.
Now most of his acolytes have paid
with their lives, but he knows no pity.
‘He’s a wonderful man,’ say his cast
as children lose their limbs in the blast.
He directs that his war tanks roll in.
MY DAILY GUEST
My sadness, though he’s here with me
through summer days and lonely nights,
is bright as only he can see.
He loves the blooms, the honeybee.
He walks with me to see the sights.
His pleasure whispers in my head.
He laughs and I can only smile.
We feed the possums with some bread.
‘They wait for us to come,’ he said.
In my mind’s eye, we stay a while.
The saturated, sodden ground,
the boggy track, the heavy sky—
he sees the beauty all around.
He urges me to hear the sound
of nature and to question why.
It’s years now since we fell in love.
It’s years now since he passed away.
His love still fits me like a glove.
He talks to me from way above
and I feel better for his sway.
MAGPIE
In the driveway puddles,
in the silence of evening,
a mother magpie
pecks at her baby’s wings.
She cleans up its feathers,
prepares it for dinner.
Her baby protests
with wobbles and squawks.
When the ordeal is over
they both flutter north
to a eucalypt branch
and down flutters down
like snow in the winter.
SERENITY
The silence of Adams Street
is only fractured
by the breezes
through my eucalyptus trees,
by the distant air-brakes
of B-double trucks
on the distant highway,
by the squawks of cockatoos
in the cypress hedge.
Sometimes, an old-man emu
walks his family
through the knee-high grass
on the track out front.
They point their toes
like ballet dancers
and rock their bodies forward
like drummers
in slow motion.
Sometimes, a little black wallaby
wanders up my driveway
and samples the grass
on the lawn.
How’s the serenity?
LONELINESS IS …
A dog on a country road
without a collar.
A shivering lamb
in an empty paddock.
A tulip
struggling in a wheat crop.
A man asleep in a doorway,
his possessions, his pillow.
A child in a corner,
her head on her knees.
A university student
with no bus fare home.
The last living family member
at the funeral of their sibling.
A Ukrainian student’s first day
in an English-speaking classroom.
And a widow
waiting for her escapee, Kitty,
missing since Christmas Eve,