Gunter (NHB Modern Plays)
By Lydia Higman, Rachel Lemon and Julia Grogan
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About this ebook
A nasty feud begins, and when Brian's daughter Anne starts demonstrating strange afflictions, an allegation is made: she has been bewitched.
Impassioned and highly theatrical, Dirty Hare's award-winning production of Gunter, co-created by Lydia Higman, Julia Grogan and Rachel Lemon, tells a true story of deception, witchcraft and football.
The play premiered at Summerhall at the Edinburgh Festival Fringe in 2023, where it was awarded a Scotsman Fringe First Award, Pick of the Fringe from both Playbill and Lyn Gardner, whilst Dirty Hare were named one of The Stage's Fringe Five list of breakout theatremakers. It transferred to the Royal Court Theatre, London, in 2024.
'An incantation, working dark magic into a small room' - Financial Times
'Atmospheric retelling of a famous witch trial… there's a sensuousness to the storytelling… appealingly energetic' - The Stage
'Electrifying… equally intense and playful' - Playbill
Lydia Higman
Lydia Higman is a historian, writer and musician. She was a co-creator and cast member of Gunter (Dirty Hare, Edinburgh Fringe 2023; Royal Court Theatre, 2024). She has consulted on a range of theatre projects and history books, and is the main songwriter for folk band Iris & Steel.
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Book preview
Gunter (NHB Modern Plays) - Lydia Higman
Lydia Higman, Julia Grogan and Rachel Lemon
GUNTER
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Original Production Details
Preface
Production Photographs
Characters
Gunter
‘Oh, Where the Bad Man Sleeps’
About the Authors
Copyright and Performing Rights Information
Gunter was produced by Dirty Hare and first performed at Summerhall as part of the 2023 Edinburgh Festival Fringe on 2 August 2023, and at the Royal Court Jerwood Theatre Upstairs, Sloane Square, on 3 April 2024. The cast was as follows:
JULIA GROGAN
LYDIA HIGMAN
HANNAH JARRETT-SCOTT
NORAH LOPEZ HOLDEN
A Preface about People, Process and the Past
Jules
Five years ago, I had a call from Lydia about Anne Gunter. She was finishing uni and had come across the story of a young girl feigning possession. It sounded heavy and hectic, and we’d just written the fiftieth draft of our play Belly Up, so – like a fool – I ran a mile when she suggested it would make a fantastic new project.
Fast forward to July 2022 and I’m sitting outside a Brighton pub in the harrowing wind, listening to Lyd and Rachel’s wild plan of making Anne Gunter’s story into a stage show and being asked if I want to come on board. This time, a bit loose from the Amstel, I hear what they’re suggesting and am immediately swept up in their vision. A world of pin vomiting, football and levitation. I was absolutely in. Sick of waiting around for replies to emails and all the usual bollocks that comes with our under-funded industry, we nail down three things: we will make and produce the play ourselves, it’ll have three actors, and a historian will frame the action.
To get under the skin of Gunter, we had to get to grips with the early seventeenth century. This was easy for our resident historian, but for me and old Rach, it meant Post-it notes and a shitload of research. The three of us descended on Wildcard Studios (a beautiful cheap space for artists, since closed down), where we took our sandwiches and spent days dragging story beats out of the limited archives and wrestling with how many Thomases appear in Anne’s tale. After weeks of grappling, we finally had a very loose shape of a story; it had lots of gaps but we knew enough to apply to the Edinburgh Fringe. And when Summerhall accepted the show for August 2023, we very quickly had to actually make it.
With ticket money left over from Belly Up, we were able to pay two of the most wicked actors out there – Norah Lopez Holden and Letty Thomas – to come and R&D the project with us in Pelican House. Lyd kicked off proceedings with a history presentation and Rach ran improvisations and