The Top 10 Short Stories - Lafcadio Hearn

By Lafcadio Hearn

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. A few pages can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere.

In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author?

The theme itself will form the boundaries for our stories which range from well-known classics, newly told, to stories that modern times have overlooked but perfectly exemplify the theme. Throughout the volume our authors whether of instant recognition or new to you are all leviathans of literature.

Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.

In this volume we examine one of the great names from the past whose works invite life, rituals and the spirit world together to fashion dramatic and chilling unforeseen happenings.

• Language: English
• Publisher: Top 10 Publishing
• Release date: Apr 3, 2024
• ISBN: 9781835474723

Lafcadio Hearn

Lafcadio Hearn, also called Koizumi Yakumo, was best known for his books about Japan. He wrote several collections of Japanese legends and ghost stories, including Kwaidan: Stories and Studies of Strange Things.

Book preview

The Top 10 Short Stories - Lafcadio Hearn

Short stories have always been a sort of instant access into an author’s brain, their soul and heart.  A few pages can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere.

In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author?

The theme itself will form the boundaries for our stories which range from well-known classics, newly told, to stories that modern times have overlooked but perfectly exemplify the theme.  Throughout the volume our authors whether of instant recognition or new to you are all leviathans of literature.

Some you may disagree with but they will get you thinking; about our choices and about those you would have made.  If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.

In this volume we examine one of the great names from the past whose works invite life, rituals and the spirit world together to fashion dramatic and chilling unforeseen happenings.

Index of Contents

The Ghostly Kiss

L'Amour Apres La Mort

The Undying One

Stranger Than Fiction

Diplomacy

Before the Supreme Court

Of A Promise Broken

A Dead Secret

The Corpse Rider

The Vision of the Dead Creole

The Ghostly Kiss by Lafcadio Hearn

The theatre was full. I cannot remember what they were playing. I did not have time to observe the actors. I only remember how vast the building seemed. Looking back, I saw an ocean of faces stretching away almost beyond the eye’s power of definition to the far circles where the seats rose tier above tier in lines of illumination. The ceiling was blue, and in the midst a great mellow lamp hung suspended like a moon, at a height so lofty that I could not see the suspending chain. All the seats were black. I fancied that the theatre was hung with hangings of black velvet, bordered with a silver fringe that glimmered like tears. The audience were all in white.

All in white!—I asked myself whether I was not in some theatre of some tropical city—why all in white? I could not guess. I fancied at moments that I could perceive a moonlit landscape through far distant oriel windows, and the crests of palms casting moving shadows like gigantic spiders. The air was sweet with a strange and a new perfume; it was a drowsy air—a poppied air, in which the waving of innumerable white fans made no rustle, no sound.

There was a strange stillness and a strange silence. All eyes were turned toward the stage, except my own. I gazed in every direction but that of the stage! I cannot imagine why it was that I rarely looked toward the stage. No one noticed me; no one appeared to perceive that I was the only person in all that vast assembly clad in black—a tiny dark speck in a sea of white light.

Gradually the voices of the actors seemed to me to become fainter and fainter—thin sounds like whispers from another world—a world of ghosts!—and the music seemed