The Twenty-Ninth Year: Poems
By Hala Alyan
3.5/5
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About this ebook
For Hala Alyan, twenty-nine is a year of transformation and upheaval, a year in which the past—memories of family members, old friends and past lovers, the heat of another land, another language, a different faith—winds itself around the present.
Hala’s ever-shifting, subversive verse sifts together and through different forms of forced displacement and the tolls they take on mind and body. Poems leap from war-torn cities in the Middle East, to an Oklahoma Olive Garden, a Brooklyn brownstone; from alcoholism to recovery; from a single woman to a wife. This collection summons breathtaking chaos, one that seeps into the bones of these odes, the shape of these elegies.
A vivid catalog of heartache, loneliness, love and joy, The Twenty-Ninth Year is an education in looking for home and self in the space between disparate identities.
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7 ratings1 review
- Rating: 5 out of 5 stars5/5Hala Alyan is truly gifted with the ability to transport the reader into her heart, her mind, and around the entire world, all in one masterful verse.
Book preview
The Twenty-Ninth Year - Hala Alyan
Copyright © 2019 by Hala Alyan
All rights reserved
For information about permission to reproduce selections from this book, write to trade.permissions@hmhco.com or to Permissions, Houghton Mifflin Harcourt Publishing Company, 3 Park Avenue, 19th Floor, New York, New York 10016.
hmhbooks.com
Library of Congress Cataloging-in-Publication Data
Names: Alyan, Hala, 1986– author.
Title: The twenty-ninth year / Hala Alyan.
Other titles: 29th year
Description: Boston : Houghton Mifflin Harcourt, 2019.
Identifiers: LCCN 2018024865 (print) | LCCN 2018026008 (ebook) | ISBN 9781328512727 (ebook) | ISBN 9781328511942 (trade paper) Classification: LCC PS3601.L92 (ebook) | LCC PS3601.L92 A6 2019 (print) | DDC 811/.6—dc23
LC record available at https://lccn.loc.gov/2018024865
Cover design by Martha Kennedy
Cover photograph © Caroyl LaBarge
Author photograph © Beowulf Sheehan
v2.0519
FOR TALAL
who always knows before I do
Truth
I’m allergic to hair dye and silver. Of the worlds,
I love the Aztecs’ most of all, the way they lit fires
in the gouged chests of men to keep the world spinning.
I’ve seen women eat cotton balls so they wouldn’t eat bread.
I will never be as beautiful as the night I danced in a garage,
anorexic, decked in black boots, black sweater, black jeans,
hip-hop music and a girl I didn’t know pulling my hips
to hers. Hunger is hunger. I got drunk one night
and argued with the Pacific. I was twenty. I broke
into the bodies of men like a cartoon burglar. I wasn’t twenty.
In the winter of those years I kept Christmas lights
strung around my bed and argued with the Italian landlady
who lived downstairs about turning the heat off,
and every night I wanted to drink but didn’t.
What I changed, I could;
what I couldn’t, I endured.
DOROTHY VAUGHAN
Transcend
You tell me we must forgive the heat. Everyone is talking about the latest shooting.
The city shimmies its indigo rooftops. A soldier couldn’t forgive his daddy. A sheriff wanted to chalk the pavement.
In Aleppo a child white as a birthday cake, limp in her father’s fists. 600,000 dead. You must’ve added a zero by accident.
I tug your pants to your ankles and make you speak God.
There are a hundred videos of the same moment shot from a hundred different angles. I watch every single one.
I let her pull the white out of you.
The father looking the camera directly in the eye. Look, her name was. Who will catch him when his knees buckle. Look, the mortar grows on our houses like moss.
The exile knows his bones are 206 instruments. There is a song in each one.
I filmed the sky to show you the pale face that lives within it. See that eye? Ask it to love you.
The Female of the Species
They leave the country with gasping babies and suitcases
full of spices and cassettes. In airports,
they line themselves up like wine bottles.
The new city twinkles beneath an onion moon.
Birds mistake the pebbles of glass on the
black asphalt for bread crumbs.
If I drink, I tell stories about the women I know.
They break dinner plates. They marry impulsively.
When I was a child I watched my aunt throw a halo
of spaghetti at my mother. Now I’m older than they were.
In an old-new year, my cousin shouts ana bint Beirut
at the sleeping houses. She clatters up the stairs.
I never remember to tell her anything. Not the dream
where I can’t yell loud enough for her to stop running.
And the train comes. And the amar layers the stones
like lichen. How the best night of my life was the one
she danced with me in Paris, sharing a hostel bed,
and how sometimes you need one knife to carve another.