When I Think of My Body as a Horse
By Wendy Pratt
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When I Think of My Body as a Horse - Wendy Pratt
For the Bridge Beneath Which I Became a Flock of Pigeons
You say voluptuous, you say soft, you say
here, like this, like this, you say
stand like this
and a train hurtles by so close
the lights halo your hair.
The noise is thrilling.
The shock stink of metal,
the hot tremble of it, the people,
their books and papers
in their rectangles of solitude;
and yes, some of them must see this.
Some of them must carry this away with them
in the scream of metal on metal
which is soft and quiet as a padded cell
to them.
I am electrified by this close moment,
physically pinioned and letting the sound
drive through me, letting the scream of wheels
vibrate the very bones of me until
I start to come apart:
my hair shakes free from its roots and wafts
in strands carried away by the train,
my nails extract themselves,
embed themselves like bullets
in the rough-hewn stone of the bridge.
My cells begin to tug and pull apart;
skin cells, mucosa, muscle fibres whipping out
like electricity cables
and there is nothing to me now
but a sudden startle of feathers,
a flock of pigeons clattering out
from beneath the bridge’s eaves,
train lights receding, the curve
of the track in the distance.
Broke Horse
Yesterday my body and I
played Olympic gymnasts
in the time between bed and bath.
My body’s foal-form
of long legs and hot, slim energy rippled
with the joy of movement.
Today it is unexpectedly wrong.
I blame my body for breaking the rules,
though we didn’t know there were rules.
Foal-body falls backwards,
stung by my punishment.
Our friendship deteriorates,
but at least she can be ridden now.
Tampon
Where are the Dalmatians, the roller boots,
the ponytail of sleek, blonde hair, the skin-tight
body suit? I expect something to emerge
other than blood. I expect a neatness
to my menstruation, not this shameful seep,
the blush each time I sneeze, the clenched thighs.
First time, hovering, one foot on the bath’s white lip.
The diagram is torsoless, a line drawing, a poor man’s cunt.
I struggle. I get it wrong, somehow I can’t align
my body to its shape. It fishtails away to its cotton clique.
I am not the girl on roller boots. I am some sort of freak.