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Moonstorms
Moonstorms
Moonstorms
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Moonstorms

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A collection of poems by Leisa Pierce
written between 1997 and 1999.
Leisa's word~works are written from the soul about everyday events and people in her life as well as from dreams. They are written in her own unique style that will stir your emotions, make you think, and feel in multiple layers as the words often fall.
This collection shines a glimpse into a realm few dare go.
Often called confessional or journal writing, Leisa's words take you on a deep spiritual journey into the psyche of what most people shun.
She delves into a voyage of the soul head first trekking through the dark to get to the light with inner strength ever present.
LanguageEnglish
PublisheriUniverse
Release dateNov 5, 2001
ISBN9781469707396
Moonstorms
Author

Leisa Pierce

Leisa Pierce lives in Southern California by the beach; has been writing since age 8, lives with 1 husband, 2 children and 4 cats and a golden retreiver/lab mix. Leisa has been published in a variety of print and electronic magazines. Personal Web Site: http://leisa.netfirms.com/

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    Book preview

    Moonstorms - Leisa Pierce

    All Rights Reserved © 2001 by Leisa Pierce*)

    No part of this book may be reproduced or transmitted in any form or by

    any means, graphic, electronic, or mechanical, including photocopying,

    recording, taping, or by any information storage retrieval system, without

    the permission in writing from the publisher.

    Writers Club Press

    an imprint of iUniverse, Inc.

    For information address:

    iUniverse, Inc.

    5220 S. 16th St., Suite 200

    Lincoln, NE 68512

    www.iuniverse.com

    ISBN: 0-595-20470-8

    ISBN: 978-1-4697-0739-6 (eBook)

    Printed in the United States of America

    Contents

    Foreword

    Preface

    A Page of Gratitude

    Part One

    Transition

    1997

    Playing God

    In My Mind

    Nine Swords

    dreams

    ashen

    1857

    Immemorial

    Scattered Souls

    haze

    Crossings

    forgiveness

    rehab

    scree

    Sheets

    Five Pulse Lakes

    River Lessons

    Reentry

    0806

    Falling Thru The Mirror

    Veer Ninety Degrees

    Child of God

    flambeau

    Sequestered Soul

    Black Box

    Real Is

    Of Life...Less

    opiate

    nashville;

    before and nothing after

    nitro

    priceless water cups

    coleman

    embers~

    oceanic

    crimson books ofcreme

    bloodshot reaping;

    niteshot weeping

    chocolate art and tea

    umbrellas we covet

    addiction

    xenolith

    shaving the moon

    landscapes

    tsunamic

    lifeguards at lunch

    edges

    year of the drug

    happy hanukkah, patty!

    rings

    LifeWater

    lines

    Part Two

    Adjusting The Light Just So

    1998

    Alone

    hard edge

    Nine Yards To Go

    amber annuity

    broken sleep

    drive

    ships and things

    nites

    star

    confessional

    summer dies

    petals

    things in variance

    absent

    accept nothing less

    oral

    thaw

    a mirror thru the phone

    lowest greenville avenue

    charmed

    2:20 a.m. coffee

    eaves

    kingdom

    wires

    photograph

    vote for greed

    heart salad

    you

    entry

    planetary

    espresso

    crab

    love

    falling thru the stars

    prelude to a madness

    gypsy

    keys

    visages

    ghost

    beyond grace

    birth

    i want

    close

    cherry tree lane

    vague repose

    pure

    death wings

    resorption

    it’s almost over.

    Part Three

    ofTríníty and Madness’

    Sweet Dream

    1999

    Remember The Dream

    day two; insomnia midnite.

    taffy

    death of a fool

    mourning candles of joy

    scrabble and tears

    scratched photographs

    tracing time

    forgive me father for i have sinned...

    enchanted

    geothermal

    and you give me this time

    breathing muses

    sermons

    palaver

    falling from the pedestal

    Parts

    days of blu

    centrifugal forces

    mold me into some starchild

    beyond moonstorming

    ghost 99

    your black cafs memory

    selling the prozac

    pin

    the memory i lose

    these words, these dreams

    to stumble

    hall

    anti

    Valleys and Rice Fields of

    Forgotten Ritual

    quiet city air

    living in stone

    of shallow

    grey, like me

    anti waste

    shorttakes

    the symmetry ofleaves

    the paradox (listening)

    love’s golden shrine

    falling to ecstasy

    vacant mother eyes

    six hours, thirty-five years

    deals

    prozac stains

    i begin

    of pictures and lists

    Pandora’s Secret

    Daddy

    Afterword

    About the Author

    Notes

    This book is dedicated to my father,Stanley J. Kosakowski

    and

    my children,

    J. Michael and Melanie E*)

    Foreword 

    by

    Robert Pierce

    It would not surprise me if you were sitting with this book in your hand and a smug smile on your face. An introduction from the writer’s husband? Kind of like asking Bill Gates to critique the new version of Windows. Well, perhaps not. I did not create Leisa. Her creativity comes from within. When we met in early 1998, I fancied myself quite the writer. Leisa showed me that writing could be more than a hobby. It could be elevated to an art form. I had diffi- culty believing her when she told me that she had written not one-hundred, but well over one-thousand poems (which has since grown to over four-thou- sand). How could she possibly do that? Most writers, myself included, go through a very familiar process when it comes to writing. Get an idea, put it into words, set it down. Leisa is one of the rare few who is capable of skipping the second stage. When an idea strikes her, it is quite literally translated into verse instantly. The majority of the works in this volume were written in five minutes or less. Five minutes. Often it takes me that long (or longer) to decide on one word.

    You may be thinking That’s pretty impressive but McDonalds has sold bil- lions of hamburgers and you can usually get them within a few minutes but there are few who would turn down a good steak (no matter how long it takes) in exchange. Naturally, you would be correct. Quantity and speed mean little if the final product lacks content. That, friends, are where Leisa’s true talents lie. Leisa works with words the way an artist works with paint. If you have ever seen a painting that has touched you, then you will understand what I mean. The pages that follow are like that. If you are partial to one specific style of writing, then I’m afraid that you will likely be disappointed. One of Leisa’s strengths is her diversity. She is capable of writing a dark, gothic poem as well as romantic verse with equal passion. It is this passion, this emotion, that sets Leisa apart from the rest. Though the majority of her work is inspired by her own real life events blended with a healthy smattering of dream based poems, it amazes me how often others comment on her works and advise her how deeply they were affected almost as if the poem were written specifically for them. Leisa writes primarily for her own satisfaction, but nothing compares to the moment when someone tells you that your work made them feel something.

    Now, poetry is not the most popular form ofliterature. Many automatically associate poetry with the sing song style of Dr. Seuss or the hearts and flowers of Hallmark greeting cards. Leisa’s works resemble neither. Her descriptive style and ability to turn words into images enables us to easily paint our own mental pictures. I can’t guarantee that every poem in between the covers of this book will be your personal cup of tea. Poetry is like that. But they will make you think.

    So, please, read the poems that follow. You may find yourself smiling, you may even find yourself welling up with tears at some points. Enjoy them, I think you will. In fact, I wouldn’t be surprised if you found yourself inspired to pick up a pen yourself.

    Robert Pierce

    October 6,2001

    Preface 

    to give

    in prose and

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