Moonstorms
By Leisa Pierce
()
About this ebook
written between 1997 and 1999.
Leisa's word~works are written from the soul about everyday events and people in her life as well as from dreams. They are written in her own unique style that will stir your emotions, make you think, and feel in multiple layers as the words often fall.
This collection shines a glimpse into a realm few dare go.
Often called confessional or journal writing, Leisa's words take you on a deep spiritual journey into the psyche of what most people shun.
She delves into a voyage of the soul head first trekking through the dark to get to the light with inner strength ever present.
Leisa Pierce
Leisa Pierce lives in Southern California by the beach; has been writing since age 8, lives with 1 husband, 2 children and 4 cats and a golden retreiver/lab mix. Leisa has been published in a variety of print and electronic magazines. Personal Web Site: http://leisa.netfirms.com/
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Moonstorms - Leisa Pierce
All Rights Reserved © 2001 by Leisa Pierce*)
No part of this book may be reproduced or transmitted in any form or by
any means, graphic, electronic, or mechanical, including photocopying,
recording, taping, or by any information storage retrieval system, without
the permission in writing from the publisher.
Writers Club Press
an imprint of iUniverse, Inc.
For information address:
iUniverse, Inc.
5220 S. 16th St., Suite 200
Lincoln, NE 68512
www.iuniverse.com
ISBN: 0-595-20470-8
ISBN: 978-1-4697-0739-6 (eBook)
Printed in the United States of America
Contents
Foreword
Preface
A Page of Gratitude
Part One
Transition
1997
Playing God
In My Mind
Nine Swords
dreams
ashen
1857
Immemorial
Scattered Souls
haze
Crossings
forgiveness
rehab
scree
Sheets
Five Pulse Lakes
River Lessons
Reentry
0806
Falling Thru The Mirror
Veer Ninety Degrees
Child of God
flambeau
Sequestered Soul
Black Box
Real Is
Of Life...Less
opiate
nashville;
before and nothing after
nitro
priceless water cups
coleman
embers~
oceanic
crimson books ofcreme
bloodshot reaping;
niteshot weeping
chocolate art and tea
umbrellas we covet
addiction
xenolith
shaving the moon
landscapes
tsunamic
lifeguards at lunch
edges
year of the drug
happy hanukkah, patty!
rings
LifeWater
lines
Part Two
Adjusting The Light Just So
1998
Alone
hard edge
Nine Yards To Go
amber annuity
broken sleep
drive
ships and things
nites
star
confessional
summer dies
petals
things in variance
absent
accept nothing less
oral
thaw
a mirror thru the phone
lowest greenville avenue
charmed
2:20 a.m. coffee
eaves
kingdom
wires
photograph
vote for greed
heart salad
you
entry
planetary
espresso
crab
love
falling thru the stars
prelude to a madness
gypsy
keys
visages
ghost
beyond grace
birth
i want
close
cherry tree lane
vague repose
pure
death wings
resorption
it’s almost over.
Part Three
ofTríníty and Madness’
Sweet Dream
1999
Remember The Dream
day two; insomnia midnite.
taffy
death of a fool
mourning candles of joy
scrabble and tears
scratched photographs
tracing time
forgive me father for i have sinned...
enchanted
geothermal
and you give me this time
breathing muses
sermons
palaver
falling from the pedestal
Parts
days of blu
centrifugal forces
mold me into some starchild
beyond moonstorming
ghost 99
your black cafs memory
selling the prozac
pin
the memory i lose
these words, these dreams
to stumble
hall
anti
Valleys and Rice Fields of
Forgotten Ritual
quiet city air
living in stone
of shallow
grey, like me
anti waste
shorttakes
the symmetry ofleaves
the paradox (listening)
love’s golden shrine
falling to ecstasy
vacant mother eyes
six hours, thirty-five years
deals
prozac stains
i begin
of pictures and lists
Pandora’s Secret
Daddy
Afterword
About the Author
Notes
This book is dedicated to my father,Stanley J. Kosakowski
and
my children,
J. Michael and Melanie E*)
Foreword
by
Robert Pierce
It would not surprise me if you were sitting with this book in your hand and a smug smile on your face. An introduction from the writer’s husband? Kind of like asking Bill Gates to critique the new version of Windows. Well, perhaps not. I did not create Leisa. Her creativity comes from within. When we met in early 1998, I fancied myself quite the writer. Leisa showed me that writing could be more than a hobby. It could be elevated to an art form. I had diffi- culty believing her when she told me that she had written not one-hundred, but well over one-thousand poems (which has since grown to over four-thou- sand). How could she possibly do that? Most writers, myself included, go through a very familiar process when it comes to writing. Get an idea, put it into words, set it down. Leisa is one of the rare few who is capable of skipping the second stage. When an idea strikes her, it is quite literally translated into verse instantly. The majority of the works in this volume were written in five minutes or less. Five minutes. Often it takes me that long (or longer) to decide on one word.
You may be thinking That’s pretty impressive but McDonalds has sold bil- lions of hamburgers and you can usually get them within a few minutes but there are few who would turn down a good steak (no matter how long it takes) in exchange.
Naturally, you would be correct. Quantity and speed mean little if the final product lacks content. That, friends, are where Leisa’s true talents lie. Leisa works with words the way an artist works with paint. If you have ever seen a painting that has touched you, then you will understand what I mean. The pages that follow are like that. If you are partial to one specific style of writing, then I’m afraid that you will likely be disappointed. One of Leisa’s strengths is her diversity. She is capable of writing a dark, gothic poem as well as romantic verse with equal passion. It is this passion, this emotion, that sets Leisa apart from the rest. Though the majority of her work is inspired by her own real life events blended with a healthy smattering of dream based poems, it amazes me how often others comment on her works and advise her how deeply they were affected almost as if the poem were written specifically for them. Leisa writes primarily for her own satisfaction, but nothing compares to the moment when someone tells you that your work made them feel something.
Now, poetry is not the most popular form ofliterature. Many automatically associate poetry with the sing song style of Dr. Seuss or the hearts and flowers of Hallmark greeting cards. Leisa’s works resemble neither. Her descriptive style and ability to turn words into images enables us to easily paint our own mental pictures. I can’t guarantee that every poem in between the covers of this book will be your personal cup of tea. Poetry is like that. But they will make you think.
So, please, read the poems that follow. You may find yourself smiling, you may even find yourself welling up with tears at some points. Enjoy them, I think you will. In fact, I wouldn’t be surprised if you found yourself inspired to pick up a pen yourself.
Robert Pierce
October 6,2001
Preface
to give
in prose and