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    A Room With a View - Unabridged
    A Room With a View - Unabridged
    A Room With a View - Unabridged
    Ebook256 pages3 hours

    A Room With a View - Unabridged

    By E. M. Forster and Kevin Theis

    4/5

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    About this ebook

    One of E.M. Forster's most beloved and critically-acclaimed works, "A Room With a View" follows the journeys - both abroad and romantically - of young Lucy Honeychurch, a British girl during the Edwardian era with a distinctly independent nature.  


    On a trip to Italy, with her chaperone in tow, Lucy encounters a Mr. E

    LanguageEnglish
    PublisherFt. Raphael Publishing Company
    Release dateFeb 13, 2024
    ISBN9798892820479
    A Room With a View - Unabridged
    Author

    E. M. Forster

    E.M. Forster (1879-1970) was an English novelist. Born in London to an Anglo-Irish mother and a Welsh father, Forster moved with his mother to Rooks Nest, a country house in rural Hertfordshire, in 1883, following his father’s death from tuberculosis. He received a sizeable inheritance from his great-aunt, which allowed him to pursue his studies and support himself as a professional writer. Forster attended King’s College, Cambridge, from 1897 to 1901, where he met many of the people who would later make up the legendary Bloomsbury Group of such writers and intellectuals as Virginia Woolf, Lytton Strachey, and John Maynard Keynes. A gay man, Forster lived with his mother for much of his life in Weybridge, Surrey, where he wrote the novels A Room with a View, Howards End, and A Passage to India. Nominated for the Nobel Prize in Literature sixteen times without winning, Forster is now recognized as one of the most important writers of twentieth century English fiction, and is remembered for his unique vision of English life and powerful critique of the inequities of class.

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    Reviews for A Room With a View - Unabridged

    4/5

    2,689 ratings113 reviews

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    • 4/5
      I found Lucy a bit wishy-washy, although a fairly realistic version of a girl in her late teens at this time. For me, the most interesting part of this novel was the relationship between Lucy and Miss Barlett, although I do admit to a soft spot for Mr. Emerson Sr. :)

      The British tourists were pretty insufferable, but it felt true to life.
    • 4/5
      Mainly read this book because Forster is part of the Bloomsbury Group and one of my goals is to read more for that group. However, don't make the same mistake I did thinking this is like a Woolf book. I like her writing better, but he is different, not in a bad way. This reminded me more of Age of Innocence.

      I loved the parts about Italian culture the best. This is from an Englishman point of view, but he did a good job making it convincing he knew what he was talking about. I also like the fact you, or maybe just me, not making it seem like a man wrote this book. If there was no author labeled, at times I would think a woman wrote the book. Ad that's a good thing.

      I will say I liked the movie a little better. Like I said, not a huge fan of Forster's style. Kind of was a turn off. This isn't that last Forster book I'll read though.
    • 3/5
      shortish book full of silly mis understandings and English manners disguised as politeness (especially in their disguise of the English Abroad) that gets Lucy engaged to Cecil, only to be confronted with George. George, the awkward Englishman she met on holiday in Florence, who kissed her in the violets, and who she's in love with really but it takes her ages, and a return to England, to realise she's in love
    • 4/5
      I've seen the movie, read the book and have now experienced it as a audiobook. Which is best? All of them have their strengths, I don't really have a preference. The story itself is by turns romantic and comedic and at times profound.
    • 2/5
      If this is the best of Edwardian literature, then it is a period to avoid. We have cardboard cutout characters with no personality and no development. They have sudden revelations, but most of the time they are trying to sort out who to snub. They argue about coincidences in a plot almost entirely made up of accidental meetings. For a while, I thought the whole thing was a massive, tiresome satire, but I think it isn't that ambitious. It is some sort of tiresome morality play about convention and status, I guess.
    • 5/5
      Reread-Started as a 5-star, and absolutely remains a 5-star. I have only one nit to pick, and for me that is pretty amazing. Said nit: Why does Cecil suddenly become human, and not just human but certifiably humble, after Lucy shares her reasons for ending the engagement? Okay, back to work. I do not doubt that I will be thinking about this issue all day despite back-to-back meetings that actually require my focused participation. Full rtfBack for the review --It is easy to forget E.M. Forster was a radical, but he most definitely was. He hung out with Virginia Woolf, he was (obliquely) public about being a homosexual at a time when that was a dangerous choice, he championed gender equality, and he rejected the strictures of upper crust British life in theory if not always in practice. His chafing under societal pressures is so central not just to this book, but to his next, the beautiful Howard's End, and the frustrating and touching Maurice. When I read this in my 20's I don't think I realized how revolutionary some of this was. That may be in part because discussion about the rights of workers and women gets mashed up with overly romantic somewhat nauseating messaging about how love is the answer to all things. Anyway, reading this many years later I was astonished by how ahead of its time much of this was. George says that the future must be one in which men and women are equal. This is really quite shocking. More shocking though is the subtle way in which Forster conveys Mr. Beebe's homosexuality, and hints at Cecil's in the early part of the last century. Most shocking perhaps is Lucy's rejection of money and family to run off and find passion with a socialist aesthete. Could anything have been a more clear rejection of the tenets of 1920's British mores? And Forster makes the reader feel good about all this, casting the horrid Charlotte and the effete Cecil as the exemplars of things proper and English and casting the sweet, shy, depressive George and his loving and defiantly innocent father as the exemplars of modern thinking. How could anyone root for Charlotte and Cecil in that matchup?I know this is primarily a love story, passion over propriety and all that. I love a love story, but honestly reading this as just a love story it doesn't really do it for me. There is, literally, not a single conversation or interaction between George and Lucy that would indicate why he loves her. It is hormones. At least Cecil loved her for her music. George thought her beautiful most definitely and in need of his protection (to save her from ugliness like the blood covered postcards) but they never exchange any other information. Lucy loves him in part for his awkward decency shown in the ceding of his rooms and their view and the postcard incident, and for his honesty and spontaneity in expressing his feelings, and hormones too. There is something there, but George, no. There is not a lot to root for when boiled down to romance. Luckily the book is so much more than that. It is a wonderful and witty slice of life, it is a call for a new day in England, it is an ode to Forster's beloved Italy, and it is a coming of age story (as regards Lucy.) A joy to (re)read. But yeah, I still don't get how the scales fell from Cecil's eyes. I really want to understand that better.
    • 3/5
      This was moderately interesting to read for the historical setting. I also appreciated that Forster was strong in his belief that women could lead independent lives. I did not care for the writing and felt some of it was unclear. I liked many of his literary references.
    • 4/5
      Lucy, a young English woman, travels to Florence Italy, accompanied by an older cousin. The people she meets there at the Pension Bertolini begin to open her eyes to the ways of the world, including romantic inclinations. A study in the repressed morals of Edwardian England. I ended up liking this novel but not nearly as much as I did Howard's End.
    • 4/5
      An excellent book in many ways. This seems to have been one of his earlier books, and I have seen the views of some critics who mention that the book is not as sophisticated as his later books, like "Howard's End" and "A Passage to India."For my part, I enjoyed the book. We all know that E.M. Forster had an almost lyrical style of writing. He could make images dance before your eyes. This is a love story and a gentle satire on English life at the turn of the 19th century. We lie to ourselves, and then also, to others. We deny our feelings, and often choose, or reject, mates due to social prejudices. In this case, unlike "A Passage to India", there is redemption and a happy ending to the tale. Love rules, prejudiced banished.
    • 4/5
      A Room with a View by E.M. Forster is a 2017 Amazon Classics publication. ( Originally published in 1908)In the continuing saga of 'taming the TBR' this year, I have found it easier to locate classics that I have been meaning to read for years. The brevity of this one convinced me to make time for it immediately instead of letting it continue to gather 'virtual' dust on my Kindle. I had a little trouble with this one- in fact- I almost gave up on it. I was well over halfway into it before I felt engaged in it. By the time I was finished, though, I was glad I stuck with it. This is a light story, with some dramatics, terrific locales, fantastic characterizations, and a moral that is timeless, but overall, I enjoyed it enough, but it didn't make a lasting impression on me. 3 stars4 stars
    • 3/5
      Once more we have the English abroad and looking to marry, but without the interesting complications of A Passage to India. Like so many English novels of this era, the plot is entirely centered on the question of marry the person you want or the person that others think you should. This question having been turned over by thousands of similar novels offers little new insight. The shock created of a sudden kiss feels ridiculous. I'm not sure how much we can learn today from a people who bottled up their feelings and desires as much as these. The most interesting passage may have been the group bath with its hints of latent sexual desire and sensuality that went far beyond any romance Lucy Honeychurch may ever know...I will say that unlike many of this novel's contemporaries, it is relatively short. I'd only recommend it to someone who is a serious student of the genre or of Forster.
    • 3/5
      Every time I try to write a review about this small book something holds me back and I end up writing nothing about it. It has been 5 months since I read this so I will most likely depend the review on my memory of emotions.I shall start by telling a personal story about that one time when an old lady from church visited my mother's house for some house-to-house prayer related to the Virgin Mary. She greeted me with a "Why are the windows closed?" which I mindlessly answered with "Why should they be opened?". Apparently, she perceived my response as rude while I wondered what was there to see outside these closed windows other than my grandfather's kitchen and cats stretching their bodies along the pavement. As absurd as this story was I can't help but make a connection of these windows to E.M. Forster's A Room with a View. Short and semi-sweet. A story of a lady torn between a dull, pretentious man of high class who she did not feel the least bit in love with and another man of lower class without the expected societal upbringing. Like finding a room with a view, it was, for her, a breath of fresh air, this another man, and made her realize that another perspective of things existed. Unfortunately, although it had made some of its point on happiness and the uncertainty of the future amidst the promise of love, the story unfolded much too quick for my taste and left no room for the right kind of development and romance. I honestly would have liked this better if it was longer, polished, more room for love to breathe, blossom, and grow.
    • 4/5
      Funny, romantic, and pointed, with a bit of turn-of-the-century girl power sprinkled on top, A Room with a View is a thoroughly enjoyable read. Lucy leaves her close-knit family in the English countryside for "must do" trip to Italy, chaperoned by her needy and trying older cousin, Charlotte. Once installed in a pension in Florence run by a trustworthy Englishwoman, the two are disappointed to find that they have been given rooms that look out over the courtyard instead of over the river. An eccentric gentleman and his son, the Emersons, offer to trade their rooms with lovely views and after a lot of hemming and hawing over the propriety of such a thing, the ladies agree. Lucy is caught between her romantic and independent nature, and the desire to please her family and do what is correct in the eyes of Edwardian society. She is a bit undone by the unconventional George Emerson, a feeling which comes to a head in a spectacular field of violets and a last minute flight of the ladies to Rome. Part II brings us back to Lucy's home, along with an ill-matched fiancé that no one really likes that much. When the Emersons come back into Lucy's life, she finds herself deeper and deeper in a muddle that is partly her fault, and partly the fault of English society. Forster's characters are nicely written and, while he does hit you over the head with the moral of the story a bit, the warmth and humor that comes through, particularly in the relationship between Lucy, her mother, and her brother, keep the book from being dogmatic or cliched. A fun classic!
    • 4/5
      Miss Honeychurch learns about love on a trip to Florence with her cousin Charlote. Now home will she submit to propriety and marry the stuffy Cecil Wyse, or follow her heart and grab happiness with George Emerson. A positively luminous novel.
    • 4/5
      I have no idea when I started this audiobook, but I'm pretty sure it was last autumn. (So I picked a random date). I turn to it for a few hours a night, when I don't have any library audiobooks to listen to. It's a slow, calm novel of an earlier time when things may seem much easier to us all, now. It's also one of my all-time favorite movies, especially because Helena B. Carter, Daniel Day Lewis, and Julian Sands (who was quite the hottie way back when).
      Now I've finished this audiobook for the first time, and it's almost exactly like my favorite movie, but with a lot more conversing in it. And Julian Sands' character had black hair, which is weird to me. Probably because the whole time I listened to this audiobook, I pictured the movie in my head. Almost every scene. And now I have to go watch the movie again.....
      If you love period novels, please give this novel or audiobook a try. It's well worth it. 4 stars.
    • 5/5
      Revisiting old favourites is a wonderful thing. :) I find I discover fresh perspectives or new delights that I don't remember from a first reading. But in the case of this book, that was a very long time ago! So it was as if I was discovering the story all over again. I love this book!
    • 5/5
      While being toured around Italy with her fussy older cousin and chaperone, Miss Lucy Honeychurch meets father and son Emerson, both of which make a huge impression on her, one that follows her back to England and changes everything. This is such a beautiful novel - one of my all-time favorites - so I can't say anything other than I love the characters, the setting, the story, the language, and everything else. I saw the Merchant Ivory movie version before reading this for the first time, so those faces are in my mind when I read and they fit so very well. Beautiful, beautiful.
    • 4/5
      Young Lucy Honeychurch and her overbearing, stuffy cousin Charlotte Bartlett go on a trip to Florence where they meet the socially lackadaisical Emersons as well as other interesting characters who manage to make a huge impact on their lives.This book is a bit of a 'drawing room' comedy, in which the gentle humor comes from witty remarks on the part of the narrator regarding the foibles of the characters. The plot itself is pretty slim (although, to be fair, so is the book), but the charm lies in the characters more than the situations. It that respect it reminded me a bit of Jane Austen's novels, although I don't think Forster is quite at Austen's genius.While I did enjoy this book on the whole, it didn't have that feeling that some classics invoke of something so very compelling or amazingly different. I wouldn't be rushing to recommending it to others unless it really seemed like their cup of tea. For a character drama, I wish some of the characters were more well-rounded. However, I could see this being a book that would make for a good discussion.
    • 3/5
      Listened to the Classic Tales podcast version. Not bad.
    • 2/5
      It's fun and builds up stronger, but I never really connected with it. Maybe the weak start threw me.
    • 4/5
      The inhabitants of Windy Corner (as well as Pensione Betolini) are left pale and perforated after Forster's serial needling. Forster can only stop heckling his characters long enough to appreciate the song of the season's and the subtle currents of music.
    • 4/5
      Lucy Honeychurch and her cousin Charlotte are visiting Florence when they meet Mr Emerson and his son. Later in England, when they encounter the Emersons again, they both have private reasons for wanting to avoid them.I was delighted by much of this; it is astutely observant and gently humorous. Much ado is made over a kiss, which is baffling from a modern perspective, but I suspect this not only reflects attitudes common at the time but that Forster is intentionally showing that his characters are being a bit ridiculous.I would be even more enthusiastic if the final chapters had unfolded as they did. There’s an irritating scene where a man lectures Lucy, telling her what she should do. His motives aren’t unsympathetic, and his advice isn’t unreasonable -- but it is uninvited and he persists even when she becomes obviously upset. Moreover, the story then jumps in time, skipping over Lucy deciding what to do next and how she goes about it. I’m pleased with the final result, but why must you diminish her agency like that?It is obvious enough for the reader to conclude, “She loves young Emerson.” A reader in Lucy’s place would not find it obvious. Life is easy to chronicle, but bewildering to practice, and we welcome “nerves” or any other shibboleth that will cloak our personal desire. She loved Cecil; George made her nervous; will the reader explain to her that the phrases should have been reversed?
    • 4/5
      # 15 Of 100 Classics Challenge
      A Room With A View
      By E. M. Forster

      Some might say Lucy's conservative values have repressed her life and religion. Her outlook is put to the test when Lucy goes to Italy with her cousin Charlotte. They meet outrageous flamboyant characters like Miss Lavish, Cockney Signora, Me Emerson, Mr Beebe and George, a son.....
      Lucy is torn between returning home to her past values or continuing with her new friends unconventional beliefs and energy?
      Really good, really quick read. Recommended.
    • 4/5
      With old Mr. Emerson and Mr. Beebe, Forster moves the plot along despite silly lying goose Lucy and her tedious traveling companion and cousin, Charlotte. Cecil definitely had his moments, notably because George kept himself an odd mystery.
    • 4/5
      Liked it. Lucy is a peach, her way to view the world sometimes dreadfully simplistic, sometimes full of wonder and naivety and sometimes, especially in moments of sudden flashes of insights, simply hilarious. Foster likes his characters, even the shady ones, each of them has wit and character in their own unique way, and the whole story is has an optimistic, sometimes even funny air about it.
    • 5/5
      Our Book Club Classic Read - Listened to this on audio. An absolute delightful coming of the age love story. A touching story with a splash of comedy. Lucy Honeychurch finds herself in a precarious situation. How do you tell the person you are to marry that you are not as innocent as he thinks? How little lies and omissions come back to haunt her and an unlikely encounter upsets her plans.
    • 4/5
      “When we were only acquaintances, you let me be myself, but now you're always protecting me... I won't be protected. I will choose for myself what is ladylike and right. To shield me is an insult. Can't I be trusted to face the truth but I must get it second-hand through you? A woman's place!”
      ― E.M. Forster, A Room with a View

      I liked the main character's independence and the satirical slant on the snobbery of the English upper class, but most of all I liked that I was reading it in my own room with a view - albeit in Venice, not Florence!
    • 5/5
      Very funny observational humour in Florence, a comedy of interior dialogue and exterior manners. Turns a bit gloomy in Windy Corner, with quite a lot of coincidence needed to set up the action, a situation which the author manages to deal with fairly well. A truly inspiring conclusion where things fall into place, with a very profound view of what it means to live a meaningful life.Abridged audiobook (5 hours 14 minutes) read by Juliet Stevenson:A fairly light abridgement (5 and a quarter hours abridged versus approximately 7 hours and 20 minutes unabridged).Excellent narration.Musical interludes tolerable due to the reference to Lucy's playing.Stop the audio when she says "The End" unless you want the Audible.com voice shouting "THIS IS AUDIBLE DOT COM" at you immediately afterwards.
    • 5/5
      A young man steals a kiss from Lucy Honeychurch on a vacation in Italy - and Lucy begins to question her narrow life, her selfish fiancé, her conventional family, her bleak future.What I appreciate about Room With a View- Forsters empathy with his characters. Even aristocratic and selfish Cecil Wyse we sympathise with when he’s rejected.- It’s sunny, optimistic and witty - very witty. If you want the “darker” E. M. Forster read Howard’s End.- I like the way Lucy Honeychurch is questioning herself, her choices, her opinions, her ideals - the way her irrational mind is trying to make sense of the restricted, narrow world she has grown accustomed to.- That George Emerson remains an enigma throughout the story. His actions we get explained mainly through his father - he’s the fresh wind blowing new life into Lucy’s existence - but a big questionmark to Lucy as well as to the readers.
    • 4/5
      Avoid the 1992 "pre-echo"/"bleed-through" Books on Tape edition (and its later repackaged versions)[4] for "A Room with a View."[1] for the 1992 audiobook by Frederick Davidson. I'm not going to distort the rating for the Edwardian meet-cute romantic-comedy classic "A Room with a View" due to a bad audio experience, so the official vote here is a [4].Otherwise, this is a warning to steer clear of the 1992 Books on Tape audiobook by Frederick Davidson which is badly dated in style but is still being sold as recently as 2017 at Audible Audio. It also betrays its audiotape analog pedigree due to its constant pre-echo / audio bleed-through. This is a quirk from the vinyl/tape era where the audio signal from about 2-3 seconds in the future would "bleed-through" as a artifact in the current signal. The effect is like hearing a phantom distorted conversation constantly in the background of the actual audio that you are listening to. It is enormously annoying and distracting.Frederick Davidson (real name:David Case) was an early legend of the audiobook era and recorded many hundreds of classics. His reading style will seem very old-fashioned now but is still suitable for some characters e.g. Cecil Vyse in the case of "A Room with a View."

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    A Room With a View - Unabridged - E. M. Forster

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