Altars of a Disappeared Knowledge

By Pedro Moreira Nt

All the time, we have parts from the past, our memory creating things that never happened, transforming experiences in others, constructing memories, inventing dreams, and dreaming that is a better way to live.
Altars, in this book, are a text about our textualization, internal writing, and view of the world around us. What we forget, what we can remember, and what it can offer at each Altar is our ritual, a trail to overcome and become our experience in a personal signification.
Lived experiences mean retaking, not by complementation, but through our transformation, and it can be a sign constructed, a way of seeing the world. The history of philosophy says that choice is an ethical act, a position about many things.
In a context with more delineation about conflict and determination of options than choice. I present Altars that could evaluate our singular inferences about what we want to do. Treats in an oniric vision of life's surprise.
Altars, this text proposes to play a game. It is a poem whose concretion is present in human life. It is no longer a book; its words need each step, modified with the reader's memory. A collection of things, a see beyond a window, a time in which we talk with other, a taste, a sensation, anything that come by age filter, by experiences, and through our ability to create our memory.
Memory is not only a direct condition of a representation of something lived but is the line to create the present creating it.
Altars is a text that says to us to create our ritual, a devotion to the metaphor of life. How says the cultural saying, "does sleep, after waking up, and does dreams." We can see or think of Altars as a poem, in that the traces of our lost illusions or our recreated truth through illusionary and dreamed time.
It comes to creating their perception, a reference point, or a signal to define or give a new sense to memory. Despite this, it has locked pieces that need to be understood and taken: metaphors, contradictions, intent not revealed, voices from the past, and images.
The text appears as a poem that can be seen as a question that creates doubts; The only possible certainty is in our ability to construct our memory with our feelings each Altar.

• Language: English
• Publisher: Pedro Moreira Nt
• Release date: Nov 25, 2023
• ISBN: 9798215814154

Pedro Moreira Nt

Who I am Pedro Moreira Nt I have been a writer since infancy; my father influenced me with reasonable asks to do that the best possible, and my mother, too, read to me, I have been a writer since infancy; my father influenced me with reasonable asks to do that the best possible, and my mother, too, read to me, and at both comes a song walking my mind, sweetness and lovely goodness. I am critical of that; I desire to create a mist of essay, but my preference for poem structure and sensibility do not long of art. So, I seek romanticizing concepts and developing a new sense of literature that happens in its movement. I leave it to the reader to do part of that; they create a truthful text and can do a good book. It is the interpretation, the way, a leap beyond what a word says, transforming our lives when they share. My first writings, chronic stories, participated in my soul. It was extremely critical and sarcastic about what I saw from reality. I am talking of a fifties age period behind. In a position about what I developed, my evolution was more toward apparent expressionism and realism with wave poetical intermain. I do not know, and I am a writer by chance by life. I wait to create something more dense and fragile so that a reader can discover more insight and make the story. I write all day. I threw out many texts, books, and theatre, left at home friends, gave up on other works, abandoned along the path, and presented in different ways when it was impossible. I have not had a time in which I did not have difficulties showing my art, or I was, for some reason, prohibited from showing, or people made oyster faces and bodies, seeing down shoes, putting me out because, beyond writing, I talk. And when I speak, I create conflict with conceptualistic people. I am intervenient into the academy and ideological corpus, into radicalism free. I am more definitive when I believe in what I say and highly flexible when people do not know what I am saying. My themes are variant, and many circumstances bring me a gift, a motive to write. I wrote in Portuguese two books that I like, "Lirio" - Lille, and "O Peixinho do Pantanal" - The Little Fish from Pantanal (Wetlands), and both meant creation, jump to beyond, overcome, transformation social and personal release. From that, I wrote other books seeking to show different meanings throughout of phantasy necessary, and it to parents an...

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Altars of a disappeared knowledge

Copyright, 2023

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Publicado por

Pedro Moreira Nt

Copyright, 2023

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Smashwords Edition, License Notes

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Altars of a disappeared knowledge

This book was produced by Pedro Moreira Nt, 2023

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Altars of a disappeared knowledge

By

Pedro Moreira Nt

An essay like contemporary narrative

Copyright, 2023

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To Sara with love.

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Contemplative and abstractive warning

Many writers worldwide have written beautiful books trying to move our thinking to peace or transform our feelings into an ethical act. These magnificent artists and their readers have what we call not-proposition. Life itself is remarkable, and it is this: the human world. A proposition is something under locked in tissue that says that life and the world are magnificent.

Not-proposition means that someone starts from what is of general good itself, of a universal belief in time and place, life and world, to leave us to substrate, the universal to the particular.

Therefore, it subtracted from immensity to the smallest human space, the home of individuality.

Front us, facing our beliefs, there is the human drama. The chain of words and meanings is opened in abysm gaps. It wants to say that someone put the front of our challenges on an interlinked path, leading us toward the unknown. The author promises that we can walk with our thoughts, which means we can leave our traces and discoveries.

But it needs to be completed. It is only a document of faith. We could stay tired, exhausted, and not understand. We could march in a fugue, discontinue, put out, try to forget, and say: I would not say I like it. Some commentary is tedious, complex, wordy, and closed in iit concepts.

I need to start from the end to match with the reader what this text wants to show. The contextualization of writing in this work, in that the report is a way of treating some lived experiences, a written never left to be from social responses to a writer's personal life, is always compensatory.

It is not a good book if we analyze the precedence, the author, culture, language, and understanding that he wrote in English when he could do it in his idiom and not risk, and it misinterpreted. It does not exist to forgive to do something like it with a creative intention. In this case, contributing with good intentions, we can know about a book by reading.

Many pieces of literature from unknown authors and varied themes are occasionally discovered and presented with unprecedented beauty, and this happens with some frequency. Artists and thinkers who lived some time ago return like living now in contemporary, new times and from an era of the past. Something that has always been considered flawed can become essential.

So, evaluations do not cover this text or belong to a schedule of valor scales that specialized people say to be good or not. Or still, it is a book from the past that is living in the present, a book that is made of altars, reference between before and after - the possibility. We are open concerning literary criticism that is necessary for understanding that path. But it is not a reference in the direction of a position itself, put in flasks of a historical period, an aesthetic, or a compromise of a development of a write skills.

If thinking this way, the vision stays restricted by putting a note about a text into categories that characterize a typology contextualized of a write. I prefer to read a text like a poem. It does not have a formula, a manual of use to follow these discernments in contradictions. A writer is more a doubt sparse than can be sure. We should think in questioning or superposition of words turned by otherwise, a poem and a metaphor.

Indeed, Altars of a disappeared knowledge do not have a predictive structure that one applies