Bibliography of Medieval Drama
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Bibliography of Medieval Drama - Carl J. Stratman
BIBLIOGRAPHY OF MEDIEVAL DRAMA
BIBLIOGRAPHY OF MEDIEVAL DRAMA
CARL J. STRATMAN, C.S.V.
UNIVERSITY OF CALIFORNIA PRESS
BERKELEY AND LOS ANGELES 1954
UNIVERSITY OF CALIFORNIA PRESS BERKELEY AND LOS ANGELES CAMBRIDGE UNIVERSITY PRESS LONDON, ENGLAND
COPYRIGHT, 1954, BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA LIBRARY OF CONGRESS CATALOG CARD NUMBER: 54-11496 PRINTED IN THE UNITED STATES OF AMERICA
Foreword
Despite the persisting lack of a bibliography of medieval drama, great strides have been taken in advancing man’s knowledge in this rewarding area. If some of the most brilliant scholars of the past century or so were able to complete with distinction epoch-making volumes, it follows that each one must have worked up a bibliography for himself. How many thousands of hours were expended in this time-consuming labor, no man can say with any accuracy, but anyone can guess, as I do, that the thousands must be very many. Although one comes across mention of a bibliography or two published in the 1880’s, I have never seen one, and therefore, like everyone else whose interests include the medieval drama, I have for years carried about in my head an informal but inclusive list of the materials concerning the rebirth of the theater after its proscription during the decline of the Roman Empire.
When Father Stratman first asked me to examine his bibliography, I naturally checked first to see whether my favorites had been included. They had been included, and so many more besides that I perceived at once what a boon this indefatigable toiler had prepared to fill the long-felt want for a standard work of reference to join the goodly company already awaiting the student on library shelves.
Because a bibliographer is willing to lavish time and energy on the arduous task of collecting materials for students, the rest of us are saved great expenses of time, and we are furnished with a feeling of security, indispensable for efficient research.
No bibliography can be trusted completely, of course, but this one will become standard and will remain so for many years to come, I predict on the basis of the record glanced at above. If during the past three- score years the only contributions at all resembling bibliographies have been brief lists of books, how soon is this full-dress bibliography likely to be superseded?
Tolle et lege.
JOHN WEBSTER SPARGO
Acknowledgments
It is impossible to render due appreciation to all the persons who have encouraged me in this work, but I should like to thank most especially Professor John Webster Spargo, of Northwestern University, who not only wrote the Foreword for this book, but who has also been a constant source of inspiration to me throughout the work of compilation; he has offered many invaluable suggestions on procedure. A debt of deep gratitude is also owed to the Rev. Norman Weyand, S. J., Chairman of the Department of English at Loyola University, Chicago, who kindly consented to read the manuscript and suggested certain revisions. The late Professor Pierce Butler also read the manuscript and offered much good advice on method. Professor Emeritus Grace Frank, of Bryn Mawr College, has given valuable aid in the French section of the bibliography. I am also indebted to Professor Joseph E. Gillet, of the University of Pennsylvania, for his helpful advice and constructive criticism of the Spanish material. Mr. Joseph Gensert, of the German Department of Loyola University, graciously reviewed the Germanic material.
I also wish to thank, most sincerely, the many librarians who verified specific holdings in their libraries: Ben Bowman, of the Newberry Library; the Rev. Redmond A. Burke, C.S. V., of De Paul University; Dorothy Cox, of Loyola University; Flora L. Deibert, of the University of Pennsylvania; Georgia H. Faison, of the University of North Carolina; Florence M. Gifford, of the Cleveland Public Library; Lloyd W. Griffin, of Peabody Institute; Robert H. Haynes, of Harvard College; Katherine-Louise Henning, of the University of Wisconsin; James G. McManaway, of the Folger Library; Herman R. Mead, of the Huntington Library; Blanch Moon, of the University of Minnesota; T. E. Ratcliffe, Jr., of the University of Illinois; Paul North Rice, of the New York Public Library; Barbara D. Simison, of Yale University; Margaret Smith, of the University of Michigan; Constance M. Winchell, of Columbia University; Malcolm Young, of Princeton University.
Loyola University
Chicago, 1953 C. J. S.
Contents 1
Contents 1
Introduction
Symbols for Libraries
Symbols for Periodicals
II. Festschriften
III. Bibliography of Bibliographies
IV. General History and Discussion
V. Medieval English Drama
LITURGICAL AND RELIGIOUS DRAMA
MYSTERY AND MIRACLE PLAYS
CYCLE PLAYS CHESTER PLAYS
COVENTRY PLAYS
LUDUS COVENTRLAE
TOWNELEY PLAYS
YORK PLAYS
NON-CYCLE AND MISCELLANEOUS PLAYS
DRAMA IN OTHER CITIES
FOLK DRAMA
PAGEANTS
GUILDS
MORALITY PLAYS
INDIVIDUAL PLAYS AND AUTHORS
EVERYMAN
JEDERMANN
VI. Hrotswitha
VII. Byzantine Drama
VIII. French Drama
BIBLIOGRAPHY
HISTORY AND DISCUSSION
LITURGICAL AND RELIGIOUS DRAMA
MIRACLE, MYSTERY, AND MORALITY PLAYS
COLLECTIONS OF PLAYS
INDIVIDUAL PLAYS AND AUTHORS
MISCELLANEOUS TEXTS
IX. German Drama
BIBLIOGRAPHY
HISTORY AND DISCUSSION
LITURGICAL AND RELIGIOUS DRAMA
X. Italian Drama
XI. Latin Drama
XII. Spanish Drama
BIBLIOGRAPHY
GENERAL HISTORY AND DISCUSSION
COLLECTIONS OF PLAYS
INDIVIDUAL PLAYS AND AUTHORS
Appendix I
Appendix II
Index
Introduction
For some years the need for a bibliography of medieval drama has become more and more obvious to those who have worked in the field. With the passage of time, and the continued publication of books and periodicals on various phases of medieval dramatic activity, the problem has become more acute, simply because there is no one work to which the scholar or student may go for the desired information. Such a lack of bibliographical data in a central storehouse is particularly harrowing for the student interested in medieval drama who does not know what work has already been completed by competent scholars. For the scholar the need is perhaps as great, for he has many occasions to refer to various works by others in the field.
Previous attempts at a bibliography have been either far too brief, limiting the entries to a few hundred titles, or far too limited in scope, treating of only one aspect of medieval drama. The only list of any practical value for the student today is that which appears in Wells’s Manual, and this, because of the many supplements, is somewhat difficult to use. In addition, this work is limited mainly to a consideration of only the miracles and mysteries. To date no attempt has been made to cover the entire field of medieval drama. There is no bibliography which includes not only the earliest liturgical works, the mystery and miracle plays, but also the moralities and interludes. Nor has any attempt been made to include in one book the foreign drama, and the many foreign works on English drama as well.
Although the present work does not pretend to be exhaustive in any sense of the term—the field is too vast—it is hoped that the bibliography will fulfill adequately the needs of the scholar or student who demands a handy tool in finding his way about in the somewhat complex field of medieval drama. An attempt has been made to cover the entire field of medieval drama, beginning with the earliest liturgical forms, and continuing through the mystery and miracle plays, to the moralities and interludes.
There has been no attempt to confine the work to a specific span of years so that the term medieval
may apply absolutely. Some of the plays listed were written late in the sixteenth century, and several, indeed, were published in the opening years of the seventeenth century. In this bibliography, therefore, the term medieval
applies to the following types of plays: liturgical, mystery, miracle, morality, and interlude. Formal comedies and tragedies, and the masque, are not included.
Finally, as to the scope of the work, the bibliography offers within one volume not only the general critical studies that have appeared in book and periodical form, but the individual plays by edition, and the critical studies of each play. The student and the scholar can thus note what work has already been completed in the field, as well as what remains to be accomplished. Indeed, this latter point may be one of the most valuable facets of the work.
Although this work is primarily for the scholar and student of English drama, due consideration is given to the medieval drama in France, Germany, Italy, and Spain, because of the many Continental influences. The sections reserved to Continental drama do not supplant work already done by competent scholars, but rather supplement and bring up to date previous efforts.
The compiler has been at some pains to make the use of this book as simple as possible, so that reference to any particular play or study may be made quickly and easily. The following pages on the method of procedure should be consulted before attempting to use the bibliography for a detailed study. In any bibliography, no matter how the compiler tries to follow standard procedures, certain modifications and changes are necessary. Occasionally more or less arbitrary policies of procedure have had to be set up in this bibliography of medieval drama
METHOD
Division of Work.—At best, any extensive bibliography is somewhat unwieldy, often, indeed, confusing in arrangement. In order to make this book useful and practicable, the bibliography is divided into twelve main divisions, with subdivisions for each section. The contents of both the main divisions and the subdivisions are indicated in the table of contents. Each of the general sections is treated in more or less the same manner; the books are listed, then the periodicals, and finally unpublished masters’ and doctoral dissertations. The listing in each case is alphabetical. The critical studies of a particular play, however, follow immediately after the editions of the play. These studies are in alphabetical order, according to the name of the author.
Entries. —For each entry the full name of the author, the complete title of the work, together with the place of publication and the publisher, the date, and major pagination is indicated. If the work is of sufficient importance, and contains a bibliography, the pages of the bibliography are noted.
Location of Books.—As an aid to the user of this work, almost every book entry is provided with a symbol to indicate in what library a copy of the book can be found. The system of symbols is that of the Union Catalog of the Library of Congress, and the code for these symbols appears on pages 5-14, at the beginning of the bibliography. In the main, the symbols are restricted to libraries in the United States and Canada; although for early editions of individual plays, symbols for libraries in England and Ireland are also given.
The aim has been to locate at least one copy of each book. Library symbols are given for about ninety per cent of the book entries.
Starring.—It has not been feasible to annotate a bibliography of this size and complexity, for the volume would have been several times its present girth. However, the more important items are starred. That is, those works that are recognized as authoritative or the most scholarly in any specific section are starred
for the benefit of the scholar or student who wishes to consult references to any particular branch of medieval drama.
Symbols for Periodicals.—In order to save space, the full title of each periodical is not given each time it is indicated, instead a system of symbols is utilized. The symbol for a particular serial is based upon current usage; however, when none is available, the compiler has devised his own symbols. The code for these symbols will be found immediately following the code for the libraries, pages 15-21, at the beginning of this bibliography.
Subject-Indexing.—Articles that appear in books or special publications of various universities are in this work placed in the section on books.
Cross Reference. —Some books and periodicals in the bibliography fit into several categories, and are so listed. In such cases the entry is given in full: complete title of the work, place, publisher, and date of publication followed by the cross reference. Periodical entries are treated in the same way.
Stationers’ Register and Short Title Catalogue Numbers.—Although the entries in the Stationers’ Register can be found in other works which list morality plays, for example, the very valuable work by W. W. Greg, the entries have been included in this bibliography in order to make the work as complete as possible. For the same reason the Short Title Catalogue numbers for morality plays have been given.
Manuscripts.—The location of manuscripts for collections and individual works is indicated as far as possible. Each manuscript entry is numbered in the same manner as the entry for a book or periodical article.
Individual Plays. —The listing of cycle plays is according to the general collections, individual texts, general works on the subject, periodical articles, unpublished masters’ and doctoral dissertations. This same method is used, generally, for individual morality plays. Morality plays are listed alphabetically, so that quick reference can be made to any particular play. When the name of an author of a given work is known, it is entered in the proper alphabetical sequence, and a cross reference is given to the particular play or plays which he wrote. For each play all the editions, whether issued separately or in collections, are noted.
Hrotswitha.—There is no easily accessible bibliography of the writings of Hrotswitha, the Nun of Gandersheim, nor one which is up-to-date. Although this bibliography lists plays which were actually produced, and although there is no record of any of Hrotswitha’s plays appearing on a contemporary stage—if any existed—the very fact that plays were written in the tenth century seems sufficient reason for including her name in a special section in this bibliography. The entries for this section follow the same general pattern as used in the other sections: collections, individual plays, books of reference, periodical articles, and unpublished masters’ and doctoral dissertations.
Everyman.—Bibliographical entries concerning the play Everyman should properly be given with the morality drama; however, because of the great number of entries a separate section comprises the numerous editions and the critical material on this play.
Collections.—In this section are seventy-one anthologies of English plays. For each volume the title of the plays in the volume, or volumes, is listed. The list does not include, however, all the plays in the particular collection, but only those that fall in the category: liturgical, mystery, miracle, morality, or interlude.
Festschriften.—Some thirty-two volumes in this bibliography are dedicatory volumes. Each of these volumes has in it one or more articles on the medieval drama. For the sake of clarity, the books are placed together in one section, entitled Festschriften.
In this section, each article in a particular volume is indicated, and there is an appropriate cross reference to indicate in what category of the bibliography the article will be found.
Book Reviews.—Whenever feasible the location is given for reviews of major works that have caused some controversy. These reviews, which number two hundred and thirty, are of books printed after 1900.
Unpublished Masters’ and Doctoral Dissertations.—Since it is often difficult to find unpublished dissertations, this bibliography lists more than two hundred valuable but unpublished masters’ and doctoral dissertations.
Continental Drama. —The entries for Continental drama are given, in general, in the same way as is to be found in the sections for English drama.
Appendix I. —The table in Appendix I is a handy reference guide to the plays which appear in Collections. The numbers in the columns indicate the entry number of the particular play in the section entitled Collections.
To find in which collection, or collections, a play appears, all the reader need do is to consult Appendix I Opposite the name of the plays is a row of numbers in parallel columns. These numbers correspond to the numbers of a particular anthology in the section Collections.
Appendix II.—Although the libraries that possess files of serials or periodicals are listed in a work compiled some time ago, An Index to Serials, the libraries that have the periodicals used in this work are listed in Appendix II. This section should prove useful to scholars seeking a particular serial. Only those libraries that possess a complete file of a particular series are noted. When seventy-five or more libraries possess a complete file of a periodical, the location is not indicated.
Symbols for Libraries
Symbols for Periodicals
I. Collections of Plays
1 Adams, Joseph Quincy, ed. Chief Pre-Shakespearean Dramas. A Selection of Plays Illustrating the History of the English Drama from Its Origin down to Shakespeare. Boston, New York, Houghton Mifflin Co., 1924. 712 pp.
Reviewed by Kemp Malone in MLN, XL (1925), 39-43.
DLC. ICN. MB. MH. NcD. NcRS.
NN. OC1. OCU. OO. OT. PBm.
PHC. PP. PU. ViU. WU.
I. Sources of the Liturgical Drama
The Wordless Alleluia
Sequence
The Quern Quaeritis
Trope
The Easter Sepulchre (Depositio Crucis; Elevatio Crucis
) Semi-Dramatic Trope
II. Liturgical Plays Dealing with the Story of Christ Sepulchrum (The Visit of the Marys)
Sepulchrum (The Visit of the Marys, and The Race of Peter and John)
Sepulchrum (The Visit of the Marys, The Race of Peter and John, and The Appearance to Mary Magdalene)
Peregrini
Pastores
Magi
Herodes
Prophetae
III. Liturgical Plays Dealing with Miscellaneous Biblical Stories and with the Legends of the Saints
Conversio Beati Pauli Apostoli
Ludus super Iconia Sancti Nicolai
Tres Clerici
Adeodatus
IV. The Introduction of the Vernacular
The Sepulchre
The Wayfarers
The Shepherds
V. The Craft Cycles
Banns (N. towne)
The Fall of Lucifer (N. towne)
The Creation of Eve, with the Expelling of Adam and Eve out of Paradise (Norwich)
The Killing of Abel (Wakefield)
Noah (Wakefield)
The Deluge (Chester)
The Sacrifice of Isaac (Brome MS)
Pharaoh (Wakefield)
The Prophets (Chester)
The Salutation and Conception (N. towne)
The Birth of Jesus (York)
The Shepherds (Wakefield)
The Magi, Herod, and the Slaughter of the Innocents (Coventry)
Christ’s Ministry (Chester)
The Betraying of Christ (N. towne)
The Trial of Christ (N. towne)
The Harrowing of Hell (Chester)
The Resurrection of Christ (Wakefield)
The Judgment Day (York)
VI. Non-Cycle Plays
Dux Moraud
The Conversion of St. Paul
Mary Magdalene
The Play of the Sacrament
VII. Moralities
The Castle of Perseverance
Everyman
Mankind
Wyt and Science
VIII. Folk Plays
Robin Hood and the Sheriff of Nottingham
Robin Hood and the Friar
Shetland Sword Dance
Oxfordshire St. George Play
Leicestershire St. George Play
The Revesby Sword Play
IX. Farces
The Plays Called the Foure PP
A Mery Play betwene Johan Johan the Husbande, Tyb his Wyfe, and Syr Johan the Preest
The Play of the Wether
X. The Court Drama
Damon and Pithias
XI. Plays of the Professional Troupes
Cambises
2 Amyot, Thomas, J. Payne Collier, etc., ed. A Supplement to Dods- ley’s Old Plays. Printed for the Shakespeare Society, and to be had of W. Skeffington, 1853. 4 vols.
CtY. DFo. DLC. laU. MB. MH. MiU. MnU. NN. OCU.
OO. OU. PBm. PHC. PP. PPL. PPTU. PSC. PU. ViU.
Vol. 1. Chester
Vol. 2. Coventry
Marriage of Wit and Wisdom
Wit and Science
Vol. 3. Patient Grissil
3 The Ancient British Drama. London, Printed for William Miller, 1810. 3 vols.
CtHW. CtY. CU. DLC. ICN. InU. IU. MB. MdBE.
MdBJ. MH. MSM. MWelC. NjP. NPV. NSU. OC. PP.
Vol. 1. The Four P’s
Damon and Pithias
3a Ashton, John William, ed. Types of English Drama. New York, Macmillan Co., 1940. 750 pp.
DLC. laU. MnU. NcGW. OCICs. OCIND. OCU. WU.
Play of Abraham and Melchizedek and Lot
Sacrifice of Isaac
Everyman
4 Bang, Willy, ed. Materialien zur Kunde des alteren englischen Dramas. Louvain and London, A. Uystpruyst, 1902-1914. 44 vols. Continued as: Materials for the Study of the Old English Drama, by H. de Vocht, 1927-.
CSt. CtW. CtY. CU. DLC. ICN. ICU. IEN. InU. IU. MA.
MB. MdBE. MdBP. MH. MiU. MnU. MSM. MWC. MWelC. NBuG. NIC. NjC. NNC. NPV. OC. OCL. OU. PBm. PP. RPB.
Vol. 4. Everyman
Vol. 5. Godly Queene Hester
Vol. 12. Enterlude of Youth
Vol. 24. Everyman
Vol. 25. Bale’s Kynge Johan
Vol. 28. Everyman
Vol. 33. Impatient Poverty
5 Bates, Alfred, ed. The Drama. Its History, Literature, and Influence on Civilization. London, The Athenian Society, 1908. 20 vols.
See 115.
Vol. 4. Everyman.
6 Bentley, Gerald Eades, ed. The Development of English Drama. An Anthology. New York, Appleton-Century-Crofts, Inc., 1950. 823 pp.
Brome: Abraham and Isaac
Chester: Deluge of Noah’s Flood
Towneley: Second Shepherd’s Play
The Summoning of Everyman
7 Boas, Frederick S., ed. Five Pre-Shakespearean Comedies. London, Oxford University Press, H. Milford [1934]. 343 pp.
CtY. DFo. DLC. MH. MiU. MnU. MIGW. OC1. PBM. PWC. WU.
The Four PP.
Fulgens and Lucrece
8 Bond, Richard Warwick. Early Plays from the Italian. Oxford, University Press, 1911. 332 pp.
DFo. PU.
Misogonus
9 Brandl, Alois Leonhard, ed. Quellen des weltlichen Dramas in England vor Shakespeare. Ein Ergänzungsband zu Dodsley’s Old English Plays. Strassburg, K. J, Trübner, 1898. 666 pp. (Quellen und Forschungen, No. LXXX.)
Reviewed by Frederick Ives Carpenter in MLN, XIV (1899), 134-140.
CSt. CtHW. CtW. CtY. CU. DFo. DLC. laU. IC. ICN. ICU. IEN. InU. IU. MA. MB. MdBE. MdBJ. MdBP. MH. MiU. MnU. MoU. MWiW-C. NbU. NB. NcD. NhD. NjP. NIC. NNC. NPV. NSU. OC. OC1. OU. PBm. PHC. PSC. PU. PU-F. RPB. ViU. VtU. WU.
Common Conditions
Gismond of Salem
Horestes
King Darius
Mankind
Misogonus
Nature
Pride of Life
Respublica
10 Brown, Carleton F., ed. The Stonyhurst Pageants. Baltimore, Johns Hopkins Press, 1920. 302 pp.
Reviewed by W. W. Greg in MLR, XV (1920), 440-446.
laU. MB. MiU. MnU. OC1W. OCU. OU. PBm. PU.
ViU. WU.
11 Browne, E. Martin, ed. Religious Plays for Use in Churches. London, Philip Allan, 1932. 93 pp. Bibliography and Information, pp. 83-93.
Brome: Sacrifice of Isaac
Ludus Coventriae: Play of the Maid Mary
Ludus Coventriae: Mary the Mother
Towneley: Second Shepherd’s Play
York: Nativity Play
12 Child, Francis James, ed. Four Old Plays. Three Interludes: Ther- sytes, Jack Jugler and Heywoods Pardoner and Frere: and Jocasta, a Tragedy by Gascoigne and Kinwelmarsh, with an introduction and notes. Cambridge, G. Nichols, 1848. 288 pp.
CtY. DLC. IC. ICN. MA. MB. MdBJ. MeB. MH. MiU. MnU. MWiW-C. NB. NhD. NIC. NjP. NN. PU. RPB. vtu.
13 Child, Clarence Griffin, ed. The Second Shepherds’ Play, Everyman, and Other Plays. Boston, New York, Houghton Mifflin Co., 1910.
138 pp. (Riverside Literature Series.)
DLC. MH. MiU. MnU. NjP. OC1. OCIW. OCU. OO. OU. PBm. PHC. PPAP. PPMSJ. PPTU. PU. WU.
Brome: Abraham and Isaac
Towneley: The Second Shepherds’ Play
Everyman
The Robin Hood Plays
Oxfordshire St. George Plays.
14 Clark, Barrett H., ed. World Drama. New York and London, D. Appleton & Co., 1933. 2 vols.
Adam: From the French
The Wise Virgin and the Foolish Virgins: From the French Towneley: The Second Shepherds Play
Everyman
15 Cohen, Helen Louise (Mrs. William Stockwell), ed. Milestones of the Drama, New York, Chicago, Harcourt, Brace and Co., c. 1940. 580 pp.
Everyman
16 Collier, J. P. Five Miracle Plays, Or Scriptural Dramas. Privately Printed under the Care of J. Payne Collier, London, 1836.
MnU.
The Advent of Antichrist
Adoration of the Shepherds
Harrowing of Hell
The Marriage of the Virgin
Sacrifice of Abraham
17 Collier, J. P., ed. Five Old Plays, Illustrating the Early Progress of the English Drama. Edited from copies, either unique, or of great rarity. Printed for the Roxburghe Club. London, W. Nicol, 1851.
CSf. CtHW. CtY. DLC. ICN. ICU. MB. MdBP. MH. MWelC. NNC. PBm.
Conflict of Conscience
A Knack to Know a Knave
The Rare Triumphs of Love and Fortune
The Three Ladies of London
The Three Lords and Three Ladies of London.
18 Collier, J. P., ed. Illustrations of Early English Popular Literature. London, Privately Printed, 1863-1864. 2 vols.
CSmH. DFo. ICN. ICU. MBAt. MB-B. MH. OC1. PP. PU.
The Comedy of Tyde Taryeth No Man Enterlude of Godly Queene Hester
19 Collier, J. P., ed. Illustrations of Old English Literature. London, Privately Printed, 1866. 3 vols.
ICN. MBAt. NN. PP.
Vol. 1. Respublica
Vol. 2. Horestes
20 Deimling, Hermann, ed. The Chester Plays. Re-edited from the Mss. London, Published for the Early English Text Society by K. Paul, Trench, Trubner & Co., 1893-1915. 2 vols. Paged continuously. (Early English Text Society. Extra Series, No. LXII-CXV.)
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The Fall of Lucifer
The Creation
The Deluge
The Sacrifice of Isaac
Balaam and Balak
The Nativity
Adoration of the Shepherds
Adoration of the Magi
The Magi’s Oblation
Slaying of the Innocents
Purification
The Temptation
Christ, The Adulteress, Chelidonius
Christ’s Visit to Simon the Leper
Christ’s Betrayal
Christ’s Passion
Christ’s Descent into Hell
Christ’s Resurrection
Christ Appears to Two Disciples
Christ’s Ascension
The Sending of the Holy Ghost
The Prophets and Antichrist
The Coming of Antichrist
The Last Judgment
21 Dodsley, Robert, ed. A Select Collection of Old Plays. London, Printed for R. Dodsley in Pall-Mall, 1744. 12 vols.
CtY. ICN. MA. MB. MB-F. MH. MiU. MoU. MSM.
NIC. NjP. PU. RPB. TxU. WaU.
Vol. 1. Chief Promises of God
Damon and Pithias
The Four P's
New Custom
22 Dodsley, Robert, ed. A Select Collection of Old Plays. The Second Edition. Corrected and Collated with the Old Copies, With Notes Critical and Explanatory. Edited by Isaac Reed. London, Printed by J. Nichols for J. Dodsley, 1780. 12 vols.
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Vol. 1. Damon and Pithias
God’s Promises
The Four P’s
New Custome
Vol. 2. Apius and Virginia
The Worlde and the Chylde
24 Dodsley, Robert, ed. A Select Collection of Old English Plays. Originally Published by Robert Dodsley in the Year 1744. 4th ed., Now First Chronologically Arranged, Revised and Enlarged, With the Notes of All the Commentators, and New Notes by W. Carew Hazlitt. London, Reeves and Turner, 1874-1876. 15 vols.
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Vol. 1. The Tragi-Comedy of Calisto and Melibaea
Everyman: a moral play
Interlude of the Four Elements
The Four P. P.
God’s Promises
Hickscorner
The Pardoner and the Friar
A New Interlude, Called Thersites
The World and the Child
Vol. 2. Disobedient Child
History of Jacob and Esau
Jack Juggler
Lusty Juventus
Marriage of Wit and Science
Nice Wanton
Interlude of Youth
Vol. 3. New Custom
The Trial of Treasure
Vol. 4. Cambises
Vol. 6. Conflict of Conscience
The Three Ladies of London
The Three Lords and Three Ladies
Vol. 8. Contention between Liberality and Prodigality
25 Eliot, Jr., Samuel A., ed. Little Theatre Classics. Boston, Little, Brown,and Co., 1918-1922. 4 vols.
MiU. MnU. NN. OC1W. OEac. PBa. PP. PPAp. PPM. PSC.
Vol. 2. Brome: Abraham and Isaac Chester: Noah’s Flood Towneley: Second Shepherds Play (Episodes)
26 England, George, ed. The Towneley Plays. Re-edited from the Unique MS. With Side-notes and Introduction by Alfred W. Pollard. London, Published for the Early English Text Society by K. Paul, Trench, Trubner & Co., 1897. 416 pp. (Early English Text Society. Extra Series, No. LXXI.)
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Creation
Killing of Abel
Noah and the Ark
Abraham
Isaac
Jacob
Prophets
Pharaoh
Caesar Augustus
Annunciation
Salutation of Elizabeth
Shepherds’ Play, I.
Shepherds’ Play, II.
Offering of the Magi
Flight into Egypt
Herod the Great
Purification of Mary
Play of the Doctors
John the Baptist
The Conspiracy
The Buffeting
The Scourging
The Crucifixion
The Talents
The Deliverance of Souls
The Resurrection of the Lord
The Pilgrims (Peregrini)
Thomas of India
The Lord’s Ascension
The Judgment
Lazarus
The Hanging of Judas
27 Everyman, With Other Interludes, Including Eight Miracle Plays. London, J. M. Dent and Co.; New York, E. P. Dutton & Co., [1909]. 208 pp. (Everyman’s Library.)
Chester: The Deluge
Sacrifice of Isaac
Cornish: The Three Maries at the Tomb
Mary Magdalen Brings the News to the Apostles
Coventry: The Nativity
Towneley: The Crucifixion
The Harrowing of Hell
Second Shepherds’ Play
28 Farmer, John Stephen, ed. Early English Dramatists. London, Early English Dramatic Society, 1905-1908. 12 vols.
MnU. PPL. PPM.
29 Farmer, John Stephen, ed. Anonymous Plays. 3rd Series. Comprising Jack Juggler; King Darius; Gammer Gurton’s Needle; New Custom; Trial of Treasure; Note-book and Word-list. London, Privately Printed for Subscribers, 1906. 302 pp. (Early English Dramatists, Vol. 10.)
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30 Farmer, John Stephen, ed. Five Anonymous Plays. 4th Series. Comprising Apius and Virginia; The Marriage of Wit and Science; Grim the Collier of Croydon; Common Conditions; The Marriage of Wit and Wisdom; Note-book and Word-list. London, Privately Printed for Subscribers, 1908. 328 pp. (Early English Dramatists, Vol. 12.)
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NhD. NIC. NjP. NNC. OC. OC1. OO. OU. PU. PU-F. ViU. WU.
31 Farmer, John Stephen, ed. Recently Recovered Lost
Tudor Plays, with Some Others, Comprising Mankind -Nature — Wit and Science — Respublica — Wealth and Health — Impatient Poverty — John the Evangelist. Note-book and Word-list. London, Privately Printed for Subscribers, 1907. 472 pp. (Early English Dramatists, Vol. 13.)
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32 Farmer, John Stephen, ed. Six Anonymous Plays. (1st Series.
c. 1510-1537, Comprising Four Elements; The Beauty and Good Properties of Women (Usually Known As Calisto and Melibaea);
Everyman; Hickscorner; The World and the Child; Thersites; Notebook and Word-list. London, Privately Printed for Subscribers, 1905. 286 pp. (Early English Dramatists, Vol. 4.)
CSmH. CtW. CtY. DLC. laU. InU. IC. ICN. ICU. IEN. IU. MA. MB. MiU. MnU. MNF. NbU. NcD. NhD. NB. NBuG. NIC. NjP. NN. NNC. OC. OC1. OO. OU. PBm. PSC. PU-F. ViU. WU.
33 Farmer, John Stephen, ed. Six Anonymous Plays. (2d Series. Comprising Jacob and Esau; Youth; Albion, knight; Misogonous; Godly Queen Hester; Tom Tyler and His Wife; Note-book and Word-list. London, Privately Printed for Subscribers, 1906. 478 pp. (Early English Dramatists, Vol. 7.)
CtW. CtY. CU. DLC. laU. InU. IC. ICN. IEN. IU. MA. MB. MdBE. MH. MiU. MnU. MNF. NbU. NhD. NB. NBuG. NIC. NjP. NNC. OC. OO.
34 Feasey, Lynette. Old English At Play. Old Plays Adapted for Young Players. London, Toronto, G. G. Harrap and Co., Ltd., 1944. 144 pp.
Coventry: Nativity Play.
York: Play of the Shepherds
Everyman
Play of Noah’s Ark
St. George and the Dragon
35 Fifteenth Century Prose and Verse, With an Introduction by Alfred W. Pollard. Westminster, A. Constable & Co., Ltd., 1903.
324 pp.
Coventry: Nativity Play.
Everyman
36 Furnivall, Frederick James, ed. The Digby Mysteries. London, Published for the New Shakespeare Society, by N. Trubner and Co., 1882. 239 pp.
Herod’s Killing of the Children
The Conversion of St. Paul
Mary Magdalene
A Morality of Wisdom, Who Is Christ
Christ’s Burial and Resurrection
37 Furnivall, Frederick James, ed. The Digby Plays, with an Incomplete ’Morality Of Wisdom, Who Is Christ’ (Part of One of the Macro Moralities). Re-issued from the plates of the text edited by F. J. Furnivall for the New Shakespeare Society in 1882. London, Published for the Early English Text Society by K. Paul, Trench, Trubner & Co., 1896. 239 pp. (Early English Text Society. Extra Series, No. LXX.)
CSf. CSt. CtHW. CtY. CU. DLC. InU. IC. ICN. ICU. IEN. IU. MA. MeB. MB. MdBJ. MdBP. MH. MiD. MiU. MnU. MoS. MoU, MSM. MWelC. MWiW-C. NB. NbU. NhD. NIC. NjP. NNC. NSU. NPV. OC. PBm. PHC. PP. PU. RPB.
38 Furnivall, Frederick James, ed. The Macro Plays: 1. Mankind (ca. 1475). 2. Wisdom (ca. 1460). 3. The Castle of Perseverance (ca. 1425). Edited by F. J. Furnivall and Alfred W. Pollard. With Introduction and Glossarial Index. London, for the Early English Text Society by K. Paul, Trench, Trubner & Co., Ltd., 1904.
210 pp. (Early English Text Society. Extra Series, No. XCI.)
39 Gayley, Charles Mills, ed. Representative English Comedies. With Introductory Essays and Notes. An Historical View of Our Earlier Comedy and Other Monographs by Various Writers. New York, The Macmillan Co., 1903. 4 vols.
CL. CSf. CSt. CtW. CtY. CU. DLC. GA. laU. Inl. InU. IC. ICN. ICU. IEN. IU. KyL. LN. MA. MdBE. MdBJ. MeB. MB. MH. MiU. MnU. MoK. MoS. MoU. MNF. MSM. MWelC. MWC. MWiW-C. NB. NBuG. NbU. NhD. NIC. NjP. NNC. NPV. NSU. OC. OO. PBm. PHC. PP. PU. RP. RPB. UU. VtU. WaU.
Vol. 1. Play of the Weather.
Mery Play Betweene Johan Johan, Tyb, etc.
40 Grosart, Alexander Balloch, ed. Miscellanies of the Fuller Worthies’ Library. Edited with Memorial Introduction and Notes. London, 1871-1876. 4 vols.
CtY. DFo. DLC. MdBP. MH. MiU. NjP. OCU. OO. OU. PPL-R. PPM. PSC. PU. WU.
Vol. 1. The Temptation
by John Bale
Vol. 2. Jack Juggler
Godly Queene Hester
41 Halliwell, James Orchard, ed. The Literature of the Sixteenth and Seventeenth Centuries. Illustrated by Reprints of Very Rare Tracts. London, for Private Circulation Only, 1851. 236 pp.
DFo. ICN. NN.
All For Money
42 Hampden, John, ed. Everyman; Interlude of Youth; World and the Child. London, Nelson, 1931. 96 pp. (Nelson Playbooks No. 120.)
43 Hawkins, Thomas, ed. The Origin of the English Drama, Illustrated in Its Various Species, viz., Mystery, Morality, Tragedy, and Comedy, by Specimens from Our Earliest Writers. With Explanatory Notes. Oxford, Printed at the Clarendon Press, for S. Lea- croft, London, 1773. 3 vols.
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Vol. 1. Cambises
Candlemas Day
Everyman
Hycke-scorner
Lusty Juventus
Wily Beguiled
44 Heilman, Robert B. An Anthology of English Drama Before Shakespeare. New York, Rinehart & Company, Inc., 1952. 405 pp.
Ludus Coventriae: Betrayal
Towneley: Noah
Second Shepherds’ Play
York: Crucifixion
Everyman
45 Hemingway, Samuel Burdett, ed. English Nativity Plays. Edited With Introduction and Notes, and Glossary. New York, Henry Holt & Co., 1909. (Yale Studies in English, XXXVIII.) Bibliography, pp. iii-iv.
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Chester: Nativity I. Salutation and Nativity Shepherds II
Ludus Coventriae: Incarnation
Joseph
Visitation
Ludus Coventriae (cont’d): Nativity
Shepherds
Towneley: Annunciation
Salutation
1st Shepherds
2nd Shepherds
York: Prophets, Annunciation, Visitation
Joseph
Nativity
Shepherds
46 Hinkson, Katharine Tynan. Miracle Plays: Our Lord’s Coming and Childhood. London, John Lane, The Bodley Head; Chicago, Stone and Kimball, Caxton Building, 1895. 97 pp.
The Annunciation
The Finding in the Temple
The Flight into Egypt
The Nativity
The Presentation in the Temple
The Visitation
47 Hubbell, Jay B.,