The Memorabilia Trilogy

By Kyle R. Fisher

In Memorabilia, Sean's firing from the Philadelphia Police Department for misconduct still troubled him but was ancient history now that he co-owned a pawn shop in Atlantic City. When Elyse, the beautiful memorabilia collector, walked through the door, she was searching for historic photographs of the D-Day landings. It was no coincidence that Sean’s grandfather was one of the few men on Omaha Beach that day shooting with a camera instead of a gun. Sean knew the urban legend of his missing photographs, but her story about them pointing to a cache of valuable Nazi jewels was new. Using subtle clues left by Sean's grandfather, they must stay two steps ahead of the Secret Service agents on Elyse's trail as they dig through his grandfather's past. But when a picture from 1944 shows up with Elyse standing next to General Dwight D. Eisenhower, she tells him a story he can't believe. Is it a lie to get what she wants? For Sean, it's not about the jewels anymore; it's about the connection to his grandfather and finding out the truth.

In Objet D’art, Sean, an ex-police officer turned pawn shop owner, sits parked at a gas station with photographic evidence of time travel in his hands. Someone on the other side of the station is approaching his car. The identity of the stranger shocks him more than the content of the photographs. Keeping a step ahead of the Secret Service and the local police, Sean finds himself stranded in Paris in 1944, as the Germans are retreating from the city. An emotionless killer named Sands that Sean faced before needs one more priceless work of art to retire comfortably. He has his eye on a Rembrandt that disappeared from Paris during World War II and he'll kill anyone that gets in his way. Sean must race against Sands to find the Rembrandt first. The search lands Sean in the miles of tunnels under Paris without a map or a flashlight. Even with the help of some unlikely allies, Sean may not make it out of 1944 Paris alive.

In Futurity, Sean is back on the Philly police force trying to forget about the man he killed. His name was Sands and he deserved it, but his daughter didn't see it that way. She wants to make Sean pay. Harper is Sean's ally from a dystopian future. She must find the missing photographic evidence of time travel that Sands took and needs Sean's help. As they follow the years-old leads, they receive an anonymous ransom demand; someone wants to trade the photographs for a large sum of money. The only catch is it has to be delivered by the person who killed Sands. The sins of Sean's past may come back to haunt him in a strange and unfamiliar future.

• Language: English
• Publisher: Kyle R. Fisher
• Release date: Sep 9, 2023
• ISBN: 9798215879054

Kyle R. Fisher

Kyle R. Fisher enjoys writing in multiple genres including science fiction, historical fiction, and thrillers. His work shifts from a trilogy about time travel to the true story of Judith of Flanders to a spy thriller about ancestors of German Nazis attempting to overthrow the US government. He populates his books with unusual but realistic characters, quirky humor, and unexpected twists. Kyle is an engineer and independent author living in Ohio. He is a project engineer for an injection molding company that makes large parts for many different industries. His wife works in a candy factory and he believes she is the sweetest thing in the building. His oldest daughter is an Ohio University graduate who works and raises three children. His younger daughter graduated from both the Ohio State University and the University of Northern Colorado, and works in the mental health care field. He couldn't be prouder of them. An avid reader his whole life, his first attempt at writing was on a red, toy typewriter at the age of nine or ten. It was a horror story about giant ants, which he never completed. As an adult, Kyle's interest in writing didn't ignite until after his second trip through college, where a tough composition professor gave him the encouragement he needed. In 2010, his first completed manuscript, Turbulent Reentry, won the San Diego Mensa 2010 Creative uRGe award for Best Unpublished Novel. He hasn't stopped writing since.

Book preview

Lieutenant Chuck Perrucci hunched his body over a battered pack of Lucky Strikes in an ambitious effort to keep the cold English Channel spray from rendering his few remaining cigarettes useless. With his left arm against the wall of the pitching and rolling landing craft, he shook a bent cigarette partly out and held the pack toward Lieutenant Paul Barrick.

Paul shook his head. I quit smoking, he said, casting a longing eye at it. He had to yell over the crash of the waves against the small boat and the wind howling over the steel walls above their heads.

Instead of the cigarette, Paul retrieved a small, square package of Matlow Brothers wintergreen mints from his pocket and fumbled one into his mouth. Having no wall at his side for support, he relied on the tight proximity of the thirty-five other men in the landing craft to keep from tumbling into the six inches of vomit-tinged water swirling at his ankles. Bits of breakfast and shards of soaked paper floated and bobbed with abandon atop the foul-smelling soup in which the men of the 1st Infantry Division, 16th Regiment stood.

Chuck looked at Paul with a raised eyebrow as he leaned against the landing craft’s side. He held the crooked cigarette in his tightly drawn lips, replaced the pack in his pocket, and withdrew a lighter. In one practiced motion, he snapped the lid and spun a flame on his Zippo. It caught quickly, despite the windy, humid conditions, and he took a deep draw in full view of the words NO SMOKING stenciled on the wall of the craft near his shoulder.

How come? Chuck asked, stuffing his lighter in the pocket with the Lucky Strikes.

My girlfriend is allergic.

Never heard of that.

Monty is, too.

A sudden rise and fall of the landing craft displaced a cold spray of water from the Channel onto the side of Chuck’s face. The red-hot coals on the cigarette vanished with an unheard sizzle. Chuck rubbed a sleeve across his face and looked at the sodden stick of tobacco with disgust before pitching it into the water at his feet.

Field Marshal Montgomery? he asked, reaching again for the beat-up pack of Lucky Strikes. No kidding?

Yep. My girlfriend doesn’t think it’s healthy, either.

Chuck laughed, not a mild snicker, but a head-back, earsplitting cackle. Hell, the Germans are probably gonna kill us first.

Although Paul Barrick didn’t look the part, he was older than most of the surrounding soldiers. He joined the army in 1936, years before Hitler’s first steps into Poland. Most of the men on this landing craft weren’t long past high school. With their matching field uniforms and helmets, Paul’s average height, short brown hair, and athlete’s frame blended in without distinction. His face held a friendly smile most days, but now, thanks to serious threats from his stomach to dredge his own breakfast back up, he wore a look of concern.

He focused on Chuck as the man lit another cigarette. If he could watch an unmoving landmark, like the shore, he felt he could stave off most of the seasickness he was feeling. Unfortunately, relief would not come from watching the shore. The top of the landing craft was a foot over his head, blocking the sight of anything except a canvas of olive drab steel. Instead, he looked at Chuck, hoping for a similar effect to quell the complaints from his queasy stomach.

It was difficult to believe from Chuck’s placid features and baby face that he was a seasoned veteran of the African campaign. This man had killed Germans, he knew, if only because General Ames had assigned him to Paul as protection. Not that Paul asked for it or wanted it, but the general made his orders clear: follow Chuck Perrucci around or don’t go.

You’re looking a little green, Chuck said. Is it the boat ride or what we’re going to find when the boat ride stops?

He’d kept his cigarette burning, although the cherry was racing up one side faster than the other. No doubt some errant spray had moistened the slow side.

Seasick, Paul replied.

Chuck lifted his leg from the ankle-deep water and shook off a sodden scrap of paper sticking to his boot. First, they put us on a big ship for two days. Then they feed us a battle breakfast and put us on this half-swamped sardine can in rough water. What do they give us to throw up in? Paper bags. Only in the army. He chuckled grimly as another spray of water tried to put out his cigarette. Chuck was ready this time. Gripping the cigarette between thumb and forefinger, he used the rest of his hand as an effective shield and took a quick draw before it could happen again.

Chuck continued. I know I’m here to keep you from becoming a gold star in mom’s window, but I’d like to know how much you can take care of yourself out there. Have you always been a…?

Chuck struggled for the word, but Paul helped him out. A Gertrude?

Chuck shrugged apologetically and nodded.

Yeah, I’ve always sat behind a desk. I was the only guy in the platoon who knew how to type. Instead of becoming a dogface, like I originally planned, they made me a staff sergeant.

How’d you get assigned to the general?

Well, I’ve always taken pictures. Paul saw Chuck’s eyes flick to the messenger bag hanging from his neck containing two Contax II cameras wrapped in oilcloth. "A full bird colonel saw some photos I took of my unit that got in Stars and Stripes, and the next thing I know, I’m promoted to lieutenant and assigned as the general’s aide-de-camp."

A distant popping sound, like a dozen pans of popcorn, reached their ears over the wind and crash of the water. This was the unmistakable sound of large-caliber machine gun fire, punctuated by the occasional boom of artillery. Paul instinctively tried to look at the battle over the top of the landing craft but could only see smears of dark smoke drifting into the sky. The pull of fear and the unknown suddenly threatened to bring his breakfast up again.

So, you’ve never seen any combat, right? Chuck asked.

Paul shook his head and forced his thoughts from the near future, back to Chuck. No.

We were the last landing craft of the first wave, so it’s either going to be real good or real bad. Sounds like it's real bad. In Africa, I saw new guys get shell shocked right away. A few of them find a corner and cry like babies. Some of them talk crazy like the Virgin Mary or the Holy Ghost told them to stop killing Krauts. One private refused to fight because he saw Martians with ray guns on the German’s side. In a firefight, these guys are the first to die.

Is that supposed to make me feel better?

"Hell no. It’s supposed to make me feel better. I need to know that you’re not going to go off your nut. The general said to protect you, and you going section eight ain’t going to make it any easier."

Despite the cold, wet boat ride, the acrid, stinking vomit water soaking his feet, and the looming beach landing where Germans would be trying to kill him, Paul smiled at Chuck. Chuck smiled back. Veteran or shave tail, in the end these guys were still just worried about their own asses.

I think you’re going to be okay, Barrick. Do you have a weapon?

Paul nodded. Forty-five.

Any good with it?

I got an expert in pistol dismounted on my Marksman Qualification Badge, Paul said proudly.

It’s a little different when the target is shooting back at you. You can make sure your weapon is ready, but why don’t you leave the shooting to me?

Roger that. The only shooting I plan to do is with my cameras. Paul placed a protective hand on the bag hanging from his shoulder.

Obviously satisfied that Paul wasn’t going to get him killed, Chuck became silent. Paul looked around. Of the thirty-five other guys packed into the small landing craft, he could recognize four faces, and knew only one of them by name. Few talked and nobody smiled, in contrast to the last two days aboard the U.S.S. Charles Carroll, the attack transport that delivered them from Portland Harbour. Now most of the men stared ahead with a look of desperate resolve etched on their faces. Weighed down under hundreds of pounds of gear, they were an almost humorous sight as they gripped their carbines with condoms rolled over the business end to keep the water out.

As the sounds of a heated battle grew louder, the few conversations taking place on the small landing craft slowly faded out. To a man, they listened to the machine gun fire gradually overtake and drown out the thrumming of the engine, the wind, and the slap of the angry Channel. They stood somber for an unknown stretch of time making an equally unknown number of silent prayers and promises. Soon the stink of gunpowder and burning gasoline became strong enough to overpower the smell of the salty puke water below them. Paul knew they were close when, from his armored shelter behind them, the gunner began laying down a deafening blanket of suppression fire from the mounted .30 caliber machine gun.

They felt a sudden bump from the hull striking land. On cue, the wide, front ramp dropped into the water. Over the heads of his comrades, Paul could see a wide expanse of beach through a pall of smoke. The action of the gray, rolling water beat white foam into the sand’s edge. Raised half out of the water and scattered as far as he could see were a jumble of large, steel crosses, like an oversized set of jacks left on the beach by a careless toddler. Paul knew from the invasion briefings these were anti-tank obstacles called Czech hedgehogs.

Men from other landing crafts dotted the beach, using the hedgehogs for shelter. The ends of large logs poked from the water interspaced among the metal hedgehogs, some with explosive mines wired to the ends. Inanimate, man-shaped objects bobbed in the surf, collecting on the foamy shore like olive drab driftwood. A lot of driftwood.

Beyond the water was a 100-yard stretch of shingle beach littered with countless bodies and a dozen burning tanks on the pebbled sand. Thick, black smoke rolled off them, racing to join the hazy pallor of the sky. At the opposite end of the beach was a short, rocky ledge covered with belts of barbed wire. Beyond that was another 100-yard stretch leading to a raised, curving bluff.

Out of concrete pillboxes built high above the bluff, the Germans poured down machine gun fire in sheets from dozens of entrenched positions across the four-mile crescent. Flanking fire coursed in from either end of the crescent, cutting down men as they sprinted to the relative safety of the barbed wire ledge. Here men gathered before making the next 100-yard dash of death to the shelter under the bluff. This was Omaha Beach. The Germans were doing their best to keep the Allies from establishing a beachhead. So far, they’d been too successful.

As soon as the ramp hit ground, machine gun fire peppered the water around the landing craft and rang off the armored sides. Men began pouring out ahead of Paul and Chuck into the waist deep surf, some taking hits from the German barrage and dropping abruptly into the water from the weight of their gear. They didn’t come back up. Paul held the bag containing his cameras over his head and followed Chuck into the frigid water.

A mortar round exploded twenty feet from him in a spray of water and sound that left his ears ringing. Paul could see other craft dotting the water around them that weren’t so lucky. Some were smoking shells settling into the water, and others were still burning, blackened remnants of his compatriots visible amid the debris.

Chuck cut left, away from the rest of the group heading to the right and pushed hard toward a cluster of the partly submerged hedgehogs. As they slogged in slow motion through the waist-deep surf, stepping on the poor, unlucky souls mowed down at the front of the landing craft, tiny splashes of water erupted to their left. Chuck lurched in the opposite direction to avoid the machine gun fire and followed the remaining men to the right. The oncoming fire strafed across the departing landing craft behind them, ricocheting off the interior, and cutting into the water on the other side.

The strafing followed close behind as they slogged to the nearby shore. Three men in front of Chuck dropped soundlessly into the surf. Another exploded in a pink cloud that spattered the side of Paul’s face. The water at their knees, Paul dodged floating bodies, some still coloring the water red, and followed Chuck through the beach froth to break into a hard run. Slowed by soaked uniforms and heavy gear, they plodded over the sand in slow motion toward a burning amphibious duplex-drive tank that had managed to stay afloat during its trip ashore. Following them to safety was a sharp thwack thwack thwack sound of machine gun rounds burying themselves into the sand, getting closer all the time. As they reached the rear of the burning tank to join the half dozen men sheltered there, the thwacks became deafening explosions against the tank’s steel armor.

In unison, Chuck ripped the condom from the end of his M1 rifle as Paul reached into his bag to retrieve a camera. His hands shook from adrenaline and fear as he dug one of the Contax II cameras from its protective oilcloth. He hung it by the strap around his neck, flipped open the rear, and loaded a roll of 35mm film. Snapping the lid shut and advancing the film with a practiced hand, he tried to think like a photographer and forget he was part of the battle. Paul turned and began shooting toward England, capturing their landing craft motoring away to go get more soldiers. No other landing crafts were delivering men to the beach, but more would soon arrive.

Paul turned and began snapping pictures down the line of the beach. His camera captured the men sheltering behind whatever they could, waiting to find a small slice of time when the German rounds weren’t tearing the sand up in front of them. He continued shooting as he finished the roll on the men zigzagging toward the rocky ledge as best they could, equally burdened by wet uniforms and heavy gear. A few made it. Many weren’t so lucky.

Paul tore his gaze from the hellish scene, and quickly swapped film rolls. German bullets still pealed off the burning tank providing them shelter, but only sporadically as the gunners aimed at more worthwhile targets.

Your gun, Chuck said, pointing at Paul’s pistol.

Paul sighed and let the camera dangle from the strap. He removed his Colt and stripped the waterproof covering from it. With shaking hands, he ejected the full magazine, reinserted it, and pulled back the slide to load it. He secured it firmly back in the holster and lifted his camera.

That’s better. You ready, Barrick? Chuck asked, yelling above the overwhelming sound of machine gun fire.

Hell no, he wasn't. There were still a few good shots that he could take from this location. In fact, he could stay here all day taking good shots. Sensing his hesitation, Chuck pointed back toward the waterline, which had, in that short amount of time, moved closer to them. Paul realized at once what he meant. If they stayed here long, the approaching water would either drown them or decide when they moved. Better to make their own decision about when to run for the ledge.

Paul nodded, and raised his camera to take a few shots as they ran. Chuck hesitated only a moment before sprinting from the tank’s cover toward a group of the large, metal hedgehogs further up the beach. Paul stayed tightly behind him, like a cornerback following the offense’s wide receiver, with life or death on the line, not just a game-night win. Paul heard the boom of a mortar round exploding somewhere behind, pelting him with sand, but his momentum wouldn’t let him turn to look.

More of the thwacking sounds opened small craters in the sand around his rapidly moving feet. He shadowed Chuck to the hedgehogs and arrived as the bullets found purchase on the steel. Instead of the wide cover offered by the tank, the hedgehogs were barely large enough to silhouette a man. Paul decided he preferred the gentle thwacking sound of the sand over the earsplitting staccato ringing of the bullets blasting against the steel mere inches from his vital organs.

Paul glanced back at the burning tank to see a small, smoking crater in front of it, which wasn’t there during their sprint to the hedgehogs. The bloodied remains of several soldiers ringed its edges, red and olive drab-colored body parts and equipment scattered across the foreground. He raised the camera and began taking pictures as Chuck pointed his carbine and fired in the opposite direction, toward the German defenses. Paul squeezed off a couple shots of the smoking crater, then a few of Chuck as he emptied his magazine and engaged a fresh one. The machine gun fire abated. Paul wondered if Chuck’s shots had miraculously found the gunner who’d been targeting their position, but he didn’t get long to ponder it.

Chuck turned to Paul. Move! he yelled, and then ran in a low crouch toward the barbed wire ledge. Again, Paul blindly struck out behind him, hoping Chuck’s combat experience in Africa had given him some magical insight to where the enemy bullets would land. The spray of tiny sand explosions and thwacks chasing their footsteps confirmed otherwise. Through divine intervention or sheer luck, the German bullets landed around them and hissed overhead, but none found flesh.

Chuck leaped toward the ledge, and Paul followed, the sharp edges of the stones digging into his skin through his uniform. Paul held his camera up from the ground, guarding it against damage. Other soldiers sheltered along this ridge at random intervals down the beach as far as Paul could see. He rolled onto his back and began snapping pictures of the men moving up the beach toward them, finishing the roll. Before he could reload, Chuck was moving again.

With machine gun fire cutting through the air above him, Chuck began belly crawling along the line of barbed wire. Paul reluctantly stowed his camera back in his bag and followed. Soon he saw where Chuck was heading; a man-made gap in the barbed wire made by the combat engineers' explosives. Looking down the length of the ledge, he could see at least three other gaps opened to the landscape beyond. Every soldier lucky enough to make it this far was working his way toward these holes in the German defenses.

As they reached the breach, the nearby machine gun fire subsided. The rolling gullies and hills around them provided additional cover that blocked their position from the sight of the German guns. Without stopping, Chuck rose to a crouch and disappeared through the twisted shards of wire. Paul followed, the nagging thought that his camera needed film causing more distress than the German soldiers out there trying to kill him.

The high bluffs were a hundred yards away. With the American forces beyond the cover of the ledge, they were again targets in the German crosshairs. Bodies of fellow soldiers dotted the beach through the opening, but in nowhere near the numbers as at the water’s edge. Bullets tore up the sand at their feet as Chuck ran toward the bluffs, and Paul struggled to keep up with him. The sound of the guns was louder here, and Paul could clearly see the concrete bunkers with long, rectangular slots housing the deadly German firepower. He could feel the gaze of the German gunners staring down at them, laughing as they uttered the German equivalent of fish in a barrel.

However, at that instant, instead of deadly machine gun fire coming from the open slots on the bunker, orange plumes of flame squirted out in rectangular shapes followed by screams of inhuman suffering. The sound of small arms fire and grenade explosions erupted from that direction. The machine gun no longer chased them across the beach, and Paul felt like he needed to buy some unknown GIs as much warm beer as they could drink.

They reached the break in the bluffs to see that it led to a grassy ravine that split the bluffs ahead and turned into a path inland. Black smoke poured from two small machine gun pits on either side of the ravine, tinged with the stench of gunpowder and roasting meat. As Chuck and Paul passed them, Paul could see German soldiers lying dead inside, their unmoving bodies blackened and twisted into unnatural positions.

Beyond the ravine, the land transformed into grassy meadows and rolling hills sprinkled with quaint French cottages. Footpaths led through the tall grass with various leafy trees breaking up the landscape. It was an idyllic scene of beauty, if not for the persistent sound of machine gun fire and grenade explosions behind them and the smell of charred flesh still fresh in their nostrils.

They could see other American troops working their way through the grass, avoiding the paths altogether. Chuck struck out toward them. Through here, he said, the paths are mined.

As they worked their way carefully through the waist-high grass, Paul reloaded his camera and began snapping photos. Ahead of them was a heated battle, and clearly Chuck was determined to give him some prizewinning pictures because he was heading right for it. As the battle grew louder, Paul heard a single shot from behind them. In his peripheral vision, he saw Chuck drop to the ground. Paul immediately squatted down over him. He could see a blood-rimmed hole in Chuck’s uniform near the man’s lower rib cage. Pulling the uniform away, he could see a round, black hole with blood leaking out at a rapid rate.

Paul heard a man close by yelling in German, coming from behind them. He slowly stood with his arms up and turned to see a German soldier pointing a small, black machine gun at him. He was a young man, maybe eighteen years old, but the look on his mud-streaked face was of pure hate. He wore the brown and black pea pattern camouflaged battledress uniform of the Waffen-SS and was rattling off a string of Teutonic words that didn’t sound comforting at all. Paul recognized the weapon pointed at him from his training. It was the small but lethal MP40, nicknamed the Schmeisser by the military’s small arms trainers. Paul felt certain the long, skinny 32-round magazine still held enough 9mm bullets to end his photography career.

With his hands held high, Paul gingerly pointed to the camera hanging from his neck. I’m a photographer, he said slowly and deliberately.

The German stopped talking. He stared at Paul a few seconds as a wicked grin formed on his face. Paul didn’t need to speak German to understand the intent. The man slowly raised the machine gun to his shoulder and took aim in a line that ended at Paul’s chest. Before he could react, the German pulled the trigger. An empty click issued from the gun. The wicked grin turned to a look of surprise and concern as the German quickly reacted to fix the issue.

Paul stood frozen. His muscles wouldn’t respond to his commands. He watched helplessly as the German soldier worked the gun’s slide until finally ejecting the uncooperative cartridge. Seeing the aberrant shell arc through the air broke Paul’s paralysis, and instinct took over. In one swift, practiced motion, he drew his sidearm, and pointed it at the German. A look of wide-eyed terror replaced the forgotten elation on his muddy face as the German raced to get a shell in his chamber. Paul shook his head and yelled one of the few German words he knew.

Nein! Nein!

Loading complete, the SS soldier didn’t hesitate before bringing the muzzle of the machine gun up to fire. Having no other choice, Paul pulled the trigger. When he blinked, he found his slide locked open and the magazine empty. He hadn’t heard his gun fire. Sometime during those seven rounds, although he didn’t exactly know when, the German dropped to the ground. As the white smoke cleared, Paul looked at the writhing enemy combatant in front of him, the first man he’d ever shot. He wasn’t certain how he felt about it, but he knew he was glad to be the one still standing.

Before he could pull his gaze from the wounded German, a machine gun somewhere inland began firing, spraying bullets into the grass around him. Paul dropped to the ground. Next to him lay Chuck, dead or alive he didn’t know. Paul realized the gun was still in his hand, so he closed the slide, and thoughtlessly holstered his weapon without reloading it. He put his camera back in the bag and moved to Chuck’s side. Rolling the man over, he could see life still flickering in his eyes, though his face was pinched in evident pain.

Hang on, Perrucci. I’ll get you back to the medics. He hoped he wasn’t lying. He retrieved the small first aid kit from his belt and fumbled it open with shaking hands. Bullets buzzed overhead as he quickly applied the contents of a sulfa packet to the entry hole. Next, he opened the field dressing package and pressed the bandage over the wound.

He grabbed Chuck’s jacket by the collar and began crawling away from the machine gun fire. After moving forward an arm’s length, he dragged Chuck an equivalent amount and crawled again. Crawl, drag, crawl, drag. It was the best he could do for now. As he passed the German, he stopped. The man’s eyes blinked. He was still alive. Now that he was close, Paul could see a small, half-moon scar on his right cheek that stood out against his pale features through the dirt on his face.

As the German sensed Paul, his lips moved like he wanted to speak, but instead of sound, a small trickle of blood came out. A similarly colored red stain in the middle of his jacket near his heart grew larger from a thumb-sized hole as Paul watched. He scanned the German for other wounds but found none. Paul had fired seven times and hit the man once. So much for being an expert marksman. He couldn’t even remember firing. Chuck was right. It was different when the target shot back.

He knew he had to get Chuck back to a medic as soon as possible, but the photographer in him wouldn’t let him continue without at least one picture.

Just one, he promised himself aloud. He retrieved the camera from his bag and held it for the German to see.

I’m a photographer, he said again, although unsure why.

The dying man’s eyes shifted slightly to focus on the camera, but there was no other response. Paul pointed it toward the man and focused on his face. As he watched from the viewfinder, the German’s breathing became loud and labored. Paul snapped the picture as the man’s last dying gasp escaped his thin lips. Lowering the camera, he looked at the man’s face, frozen in pain and staring unseeing at the sky. Paul pushed the dead man’s eyelids closed, and quickly put his camera back into his bag. He prepared to start the crawl and drag process again when a shiny object in the grass caught his eye. He reached out and picked up an unfired 9mm shell. It was the bullet ejected from the German’s MP 40. It didn’t look right.

Focusing closely, he could see the problem. The outer rim of the brass casing where it gripped the lead bullet caught on an edge as it was trying to load. On that side, the lip of the casing was pulled away far enough to expose the bottom edge of the jacketed lead bullet. He saw tiny scratch marks on the casing that the wrinkled brass obscured slightly. Blinking, Paul strained to look closer at the shell. The marks were faint. He knew right away they were not the cause of the misfire. Holding it in the light just right, he could read the words AND VICTOR hand-scratched lengthwise in tiny capital letters. The disfigured part of the casing began before the A in AND. He couldn’t tell if more letters came before it or not.

Paul stared at the damaged shell. Had it been in the magazine one position earlier, Chuck wouldn’t be leaking blood. One bullet later, and they’d both be dead. What the hell did AND VICTOR mean? And more importantly, how did these English words get on this shell? He shook his head in confusion and stuffed the disfigured bullet into his pocket. Paul grabbed Chuck’s collar and began once again making his way back toward the beach.

TWO

Present Day

Sean Barrick removed the morning report from the printer tray and began studying the sheets. It was only a few pages of information, but it contained crucial data, even for a small pawnshop like B&B. Page one listed the items taken in the day before. This he would fax to the police station that morning, a legal requirement of all New Jersey pawnshops. Next was the list of previously pawned items with interest payments due today. Page three showed the items potentially forfeited because of missed interest payments, and the last page showed the typically short list of items past their grace period. These items quickly received a price tag and a spot on the showroom floor.

He stood at a display counter, and leafed through the report, studying each page for an overview of the information presented. Sean was in his mid-thirties but looked younger, with short brown hair and the muscular frame of someone making an effort to keep it that way. He wore khakis and a black polo shirt with the pawnshop logo over his left breast. Anchored to the wall above his head hung a large fluorescent sign with the word Loans spelled in gaudy, green light. It had to be green. Green was the color of money, and money was the oil that lubricated a pawnshop’s engine.

Anything good today, boss man? Alexandria Conway asked, speaking to him from a separate display counter near the front of the pawnshop.

He glanced at her. She was in her late twenties with shoulder-length hair dyed a furious jet black that contrasted starkly with her flawless alabaster skin. With her blue eyes, full lips, and innocent smile, she was an epitome of the beautiful girl-next-door. However, her face was where the girl-next-door look stopped. She appeared to wear a long sleeved-shirt of multiple colors but, in fact, wore a black, sleeveless tank top. The deceptive sleeves were actually an unending tableau of multicolored tattoos covering her arms from wrist to upper shoulder.

Her right arm prominently displayed the largest and most discernable. Reaching from shoulder to elbow, it depicted a ragged black cat stepping down from a brick wall with a sinister full moon peeking from behind angry clouds. The word Alliecat appeared below in ornate script. Filling in the rest of her arms were faces, hearts, flowers, skulls, and various geometric designs too plentiful to discriminate. Finally, a large, solitary flower in the center of her chest remained alone, surrounded by blank canvas, patiently waiting for another trip to the tattoo shop for some colorful company. In Sean’s view, her tattoos had stopped being affectations, blending into who she was, no different from a leg or an ear.

Looks like a few pieces of jewelry, but nothing that’s going to make me rich, he replied, his voice dying out quickly in the high-ceilinged room.

Sean preferred the customers pay off their loans and get back their engagement rings, or golf clubs, or cordless drills. The reasons were twofold. Mainly, the interest payments were the most favorable profit-to-work-required ratio in a pawnshop. At a close second, B&B could continue to earn interest on items that returned every month or two. Somewhere south of twenty-five percent of the time, the customer did not reclaim their items, and Sean became the new owner. If it sold, he made an unbelievably good profit, but if not, it took up space in his store.

"That’s too bad. You’d be so much more interesting if you were rich."

Sean laughed. She was joking, of course. Although she hadn’t worked for Sean long, they quickly developed a comfortable rapport made of equal parts sarcasm, humor, and bullshit. If she wasn’t cracking a joke, she was dredging up some obscure piece of knowledge that was oddly relevant to the situation. It was like she was the illegitimate offspring of Google and Comedy Central.

Sean studied his surroundings with a mixture of admiration and animosity. The customer showroom was an impressive sight, contrasting starkly with the dated exterior of the building. A former factory repurposed into a pawnshop, the exposed ductwork, pipes, and beams on the ceiling shined a dull, flat black. Canned spotlights and brightly lit fluorescents, like the Loans sign, dotted the walls and highlighted the profit centers. The showroom was not a large area, but they made the best use of every spare cubic foot to display their finest products: the products that people might want to buy.

However, no amount of modern, creative interior design could mask for long the unpleasant side of the pawnshop business. Every item had a story, and typically, not a happy one. Behind him, in a row of acoustic and electric guitars, hung an expensive Fender that could fetch $2,500 from the right buyer. The previous owner pawned it to help pay for his wife’s medical bills and could never manage to get it back.

Beside the guitars, on the other side of a rack filled with several hundred DVDs, was a row of golf bags complete with full sets of irons and woods. Most of these came from recently divorced husbands who found themselves unable to afford alimony or greens fees. A few sets, though, came from the endless trail of vacationing gamblers who found themselves in Atlantic City broke and hungry. Profit was the name of the game at a pawnshop, but Sean couldn’t help but feel like he was preying on his customers’ bad luck. He had his own demons; he didn’t need to feed on anyone else’s.

He turned back to Allie. That’s the thanks I get for taking you off the streets and giving you a high-paying job.

She cocked her head to the side. High-paying? I get minimum wage.

What? Minimum wage? When did I give you a raise? he asked in mock disbelief.

She laughed and turned to the contents of the long display case in front of her. Shifting a few of the gold rings here, moving a few silver chains there, she managed to make room for several new pieces of jewelry in the tightly packed case. If not for the power tools and rolling toolboxes lining the wall behind her, it would look like a jewelry store going-out-of-business sale.

Sean stopped what he was doing and said, Allie.

Yeah. She looked up.

Seriously, I pay you enough, don’t I?

She nodded. For this job, you pay me plenty.

Too much?

It's never too much.

Right.

Sean returned to the list, reading it again but seeing nothing new. Not just from the first time he read it. It was the same from yesterday, and the day before, and the day before that. Different items, to be sure, but nothing out of the ordinary. The same tedium, the same monotony, the same desperation inexorably tied to each pawned item for the last three years. The world outside had stopped, and he’d been living on pawnshop time where nothing ever changed. When he lifted his head, Allie was standing next to him, looking at him with a wrinkled brow and concern on her face.

What’s up? he asked.

I’m worried about you.

Why?

You seem out of sorts.

That’s nice of you, but you don’t have to worry about me. I’m good.

You act like you’re good, but I don’t think you are.

Sean put the papers down and crossed his arms. Tell me, Dr. Conway, what’s your diagnosis?

Mock me if you will, but I’ve been here long enough that I can tell. Sean’s gaze narrowed and burrowed into her. She quickly went on. You’re not happy working in this store.

Her ability to seemingly peer into his very thoughts unnerved him, but he tried his best not to let it show. "I don’t work here. I own half of it."

"Okay, you’re not happy owning half of it. I think you’re hiding from your past inside these walls, and it would do your élan vital good to do something different, something you love."

Sean shook his head. "Do my what good?"

"Your élan vital. It’s Henri Bergson's third essential concept. It’s like the force inside you responsible for growth and adaptation."

I can’t decide if you are brilliant or full of shit. There’s only a fine line between the two, you know.

An electronic beeping from the security system accompanied the sound of the front door opening. A man in a blue uniform with the insignia of the Atlantic City Police Department stepped through. He wore the blue peaked cap pulled low over his forehead and showed no trace of a smile on his face.

Allie pointed a bright red polish-tipped finger at Sean. I’m actually both, so watch your step. We’ll talk more about this later. She turned and walked toward her counter.

The police officer walked to Sean’s counter and stood in front of him. Sean sneered at the man. What do you want, pig?

The officer glanced sideways at Allie, then turned back to Sean. I’m here to collect the money you owe to the Policeman’s Benevolent Society. I’d hate to see something bad happen to your store.

Sean and the officer exchanged hard looks. They turned to look at Allie, whose eyes were wide with astonishment. Slow, mischievous grins played over both men’s faces.

I’m not the only one full of shit around here, she said, realizing they’d set her up.

Am I interrupting anything? the officer asked Sean, his tone friendly.

Sean shook his head. Just a French philosophy lesson. He cast a hard stare at Allie. So, no, nothing.

She stabbed a pointed finger at him again.

Who’s she? the officer said, tipping his head toward Allie.

New girl, our second employee, Sean replied.

How’s she doing? She seems gullible. He focused on Allie and gave her a cheesy grin.

Allie slowly shook her head. You act just like Sean, and that’s not a compliment.

Sean shrugged. I’m working with her, but I can only do so much.

Are you going to introduce me?

Sean turned to Allie. This is Officer Marv Blanchard II. Marv, this is Alexandria Conway. She goes by Allie. To Allie he added, He’s the other B in the name B&B Pawn. Barrick and Blanchard.

Marv walked to Allie and held out his hand. She tentatively offered her own and they shook.

"That’s Blanchard and Barrick, he said, but why quibble over small details? Pleased to meet you, Allie."

Likewise, I’m sure, she replied, a wary look forming on her face.

I’m the silent partner.

Okay.

I love your tattoos.

She forcibly pulled her hand away, which Marv was still gripping. Thanks. A skeptical look remained on her face as she surveyed the handsome police officer. He was clean shaven and muscular with a hint of Islander in his eyes. The ring on his finger stated his marital status, but the lascivious look on his face told a different story.

Are they random or do they have some meaning? Marv asked.

Allie nodded, the wary look still present. They all have meaning.

Marv didn’t respond but stood looking at her expectantly. Allie hesitated at first, as if unsure about sharing these intimate details with someone she just met. Finally, she pointed to the large cat on her arm. This is an old nickname. She spoke hurriedly with little inflection in her voice, like she was being forced to read in front of the class. Her finger moved to a small red matador with a matching cape on her right forearm. This is the mascot of the first college I went to. She pointed to a spot on her left arm containing a pink ribbon and a date several years prior. This is in memory of my grandmother who died of cancer. Her finger moved to another spot showing a multicolored hurricane as seen from miles above. This represents Hurricane Sandy or my life, take your pick. Then to another spot on her inner arm showing a brightly decorated skull surrounded by multicolored flowers. "This was from Mexico City during Dia de los Muertos. She stopped pointing and dropped her hand. There are more, but you get the picture. Aren’t you sorry you asked?"

No, tattoos fascinate me. I’d like to hear about them all.

Maybe another time, she replied, although the tone of her voice said there would not be another time. I better get back to work. My boss is a slave driver. She turned to Sean. I’m going to make the bank run early and grab some coffee, she said, pulling a large, black purse from under the counter and stepping away from Marv. You want some? she asked Sean.

Black is fine, thanks.

Marv raised his hand in a gesture of decline. None for me, but it was a pleasure meeting you.

She headed out the front door as Marv watched her walk the entire time. Once the door closed, he turned and walked back to Sean.

She’s incredible. Where’d you find her?

She lives a few blocks up the street. She came in the store looking for a job about the time I decided to hire someone. Maybe you should bring Becky in to meet her.

She prefers to be called Rebecca, not Becky. Pretty sure I’ve told you that before.

Oh, I remember. I just wanted to see if you did.

Sean, you know I like to flirt. Just because you’re on a diet doesn’t mean you can’t eat dessert once in a while. He flashed a wicked grin.

That’s not how the saying goes. Sean was sure Marv already knew that and was joking.

Whatever. I wonder if she has tattoos anywhere else.

Ask her. She’s easy going, but I’d wait until she gets over your initial creepiness. You may want to scale back on the player act.

He smiled. Who says it’s an act? What’s her story?

Uh, nothing out of the ordinary. She’s from somewhere in Idaho and went to college in California. She’s smart as hell, quotes French philosophy, speaks I don’t know how many languages, posed for a few tattoo magazines, and did some porn. She moved here because of a boyfriend who's now doing some time.

Marv’s eyebrows lifted. She’s a porn star? That’s kind of out of the ordinary. You didn’t open with that?

It’s no big deal, Sean said. Everyone has sex. He dropped the list on the counter and began absently rearranging the electronic fingerprint reader on the countertop.

Nobody I know, Marv muttered with a scowl, then brightened. Do you know the name of the movie?

It was movies, plural, but more importantly, what’s going on? What brings you here?

Nothing much. Just checking on my investment. I haven’t heard anything from you for a while, so I figured I’d swing by.

Everything’s great. I’ve spent the last three years giving loans to desperate people and selling used crap for large profit. I’m living the dream.

Marv shrugged. At least you’re not still bitter.

With the countertop arranged to Sean’s satisfaction, he crossed his arms and gave a half smile. "And you’ll be pleased to hear, my élan vital is getting better."

Your what?

Never mind. Anyway, I don’t want you to think I don’t appreciate the opportunity here.

It wasn’t charity, buddy. I expect to make some money from this store and retire early. I carry a gun for a living, don’t let me down. Marv glanced at the pistol strapped to Sean’s side. I guess you do, too, he said, smiling.

Lot of cash and valuables here. Don’t want to get robbed.

You don’t carry that outside the store, do you? Marv asked. Former cop, you’re used to having a gun on you at all times, but here in Jersey, that would be illegal.

Sean slowly grinned. Do you even have to ask?

You didn’t answer the question.

Marv, Sean said, you have a keen sense of observation. No wonder you’re such a good cop.

With a mental shrug and a slight shake of his head, Marv changed the subject. Where are the customers? He looked around. Except for the two of them, the store was empty.

I’ve told you this before. We don’t open until ten, but we unlock the doors at eight in case a customer wants to make an interest payment that was due the day before.

Oh yeah, gives them one more chance to pay before they lose their stuff. Then you have time to tell me about Allie’s movies, plural.

What a horn-dog. You should be ashamed of yourself.

Marv stared at Sean, silent and unblinking. Sean finally gave in.

I don’t know much about it. She paid her way through college doing porn. I’ve never seen any of the movies, but she was very open about her past. For her, I think it was just a way to pay the bills.

You’ve never seen any of them?

Not a chance. We work together every day; I don’t want that in my head. Besides, it would be like watching my sister.

I wouldn’t mind watching your sister. Titles. I need the movie titles.

Sean’s shoulders slumped in frustration. He walked to the wall of DVDs and studied the cases along the upper row. Soon, he found the object of his search. Retrieving a DVD from the top shelf, he looked at the front.

"The French Lesson 4," Sean said, reading from the cover.

"You have one here?" Marv asked as he hurried to join Sean. He tore the movie from Sean’s hand and studied the cover.

Reading aloud, Marv said, Starring Amber Conrad as the young French teacher. He looked up. That must be her stage name. Does she speak French?

Uh, maybe. I know she speaks a few languages. Not sure which ones.

This keeps getting better and better, Marv said, looking back at the cover. Is that her with the red hair? He pointed at a picture of a woman on the cover with a familiar face but surrounded by flame-red hair.

"I guess. Kind of looks like her. Apparently, this is a well-known movie, right up there with Debbie Does Dallas and Behind the Green Door."

That can’t be true.

Why not? Sean asked.

Marv looked at him. Because I’ve never heard of it. He looked back at the cover. Red hair, wow, he muttered, his attention focused fully on the DVD cover.

The electronic beep of the door sounded, and Sean snatched the DVD from Marv’s hand. He placed it back on the shelf and pushed Marv toward the counter. Allie walked through the door carrying a drink holder containing two large coffees. She looked at the two men and stopped walking. The childish guilt written on their faces was impossible to ignore.

What are you boys up to? she asked.

Just trading old cop stories, Sean said, looking less guilty than Marv, but not by much. Nothing you’d be interested in.

Right, she said, the mistrust evident on her face. Allie resumed walking toward the two men and held the drink holder out to Sean.

Dark roast, black and bitter, just the way you like it.

Thanks, he said, reaching to grab the nearest coffee cup, adorned with a handwritten D on the lid. Marv watched as she returned to her spot at the front counter. Seconds later, the electronic buzz of the door sounded again. All heads turned to see a tall, thin brunette walk in wearing black skinny jeans, a tight-fitting white shirt, and a stylish black flyaway jacket. Parted in the middle, her long, dark hair billowed over her shoulders in the breeze produced by her forward momentum.

Wow, Marv said quietly to Sean, I need to come by the shop more often.

With a flash of blue-green eyes like shallow, tropical beach water, the brunette gave the two men a fleeting glance before turning to Allie at the front of the store.

Good morning, she said in a distinctly unremarkable voice, made striking in itself since everything else about this woman seemed remarkable. Sean and Marv stared at her like creepy old men at a playground.

Allie set the coffee carrier down and put her purse below the counter before replying. Morning, she said.

The brunette held her hand out to Allie, who hesitated before offering a halfhearted shake.

My name is Elyse Somerville. I’m interested in seeing any World War II items you might have. I’m a collector.

Sorry, we’re closed, Allie said.

The woman glanced toward the front door and turned back to Allie. Your door was open.

Just a courtesy to current customers. We don’t actually open until ten. Plus, we work exclusively with a collector in Ocean City who gets first crack at the World War II stuff. I doubt we’d have anything unique left you’d be interested in.

Pity, the woman said, a frown pulling at her full lips. I pay top dollar.

Forgetting about Marv, Sean moved quickly toward the two women. I don’t think it will hurt to let her have a look. Maybe our guy in Ocean City missed something.

Elyse turned to look at Sean. The frown remained on her face in a look Sean found reminiscent of the heavy-lidded, pouty-faced starlets of the 30s and 40s. As he held his hand out to her, the frown slowly turned into a hopeful smile. She offered her hand in return and they shook.

And you are? she asked.

Hi, Sean Barrick. Owner, uh, co-owner of B&B Pawn. Sean smiled. Allie rolled her eyes.

Have we met before? she asked.

Sean shook his head. I’m sure we haven’t.

I’m not familiar to you? she asked.

His brow furrowed at this line of questioning. I would probably remember you, he said slowly and with great certainty. We keep the military items over here. He nodded toward the rear counter and led Elyse to it.

Nestled among the gold coins, baseball cards, watches, and even a few raw diamonds, was a small section filled with boxed medals and badges, mostly WWII era. She studied each one intently, some drawing more scrutiny than others. From the corner of his eye, Sean saw Marv standing by the front door gesturing with his thumb toward the outside. Sean nodded and Marv stepped out.

He didn’t miss anything, she said, still scanning the display. "They’re all common items. You do know the Luftwaffe Paratrooper Badge is a replica, right?"

Are you sure? Sean asked.

Quite certain. I can show you. She pointed toward an inch-wide badge in the display case. It depicted a brass-colored diving eagle holding a swastika in its claws with a silver wreath surrounding it.

Sean walked to the back of the counter, set his forgotten coffee down, and removed the badge. He placed in on the countertop in front of her. They both leaned in to look closely. Sean could smell her perfume, a light and fresh, spicy scent that was undetectable from farther away. She pointed to the eagle’s head.

Several things tell me it’s a replica. First, you see how the eagle’s feathers around the neck fade into each other? On an original the feathers are distinct. Also, the eye forms a distinct V shape on the original. Yours has a round-shaped eye. Her finger moved to the tail. And here, the thickness of the tail tapers off on yours. On an original, the thickness remains constant all the way back.

She straightened up. I assumed you were unaware it was a replica since you have it priced as an original.

Sean glanced at the small price tag hanging from it, which read: $750. What’s it worth?

She flashed a desolate smile bursting with genuine condolence. Fifty dollars, give or take.

Ouch, Sean said with a heavy sigh.

Sorry, she said. Retrieving a business card from her jacket pocket, she placed it on the counter. Sean could see her name, Elyse Somerville, with the title Memorabilia Collector underneath. Except for a single phone number and a small depiction of a generic oil painting, it was bare.

If you decide you’d rather sell your acquisitions to a collector who can tell you the difference between an original and a replica, give me a call. I’m also available for affordable consults when I’m in town.

Elyse flashed a businesslike parting smile and began moving toward the front door.

Wait, uh, why don’t you let me take you to lunch today as payment for the consult? Sean asked. I know a little place down the street.

She stopped and turned, her smile growing larger until it lit up the room. Okay, sure. I’ll come back at noon.

All right. See you then.

Elyse breezed through the front door, and Sean turned toward Allie wearing a self-satisfied smile on his face. Allie was giving him a cold stare. What? he asked.

Unbelievable, she said, shaking her head.

Sean turned to ask Allie what she meant when something in his field of vision distracted him. He focused on the shelf of DVDs on the far wall. There was a particular spot where one DVD was missing. It was near the top, where he’d placed Allie’s porn movie a short time before. He knew right away that Marv took it.

Unbelievable, he mumbled to himself.

THREE

You want sauerkraut on that? the sweat-soaked man with the apron asked Elyse. He stood at the side opening of a small box truck surrounded by stainless steel warming trays with clouds of pungent steam rising from them. In his latex-gloved hand, he held a bun two sizes too small for the huge bratwurst hanging out at both ends. The overpowering aroma of cooked and grilled meats saturated the air with subtle hints of the garlic, white pepper, and marjoram seasoning it.

Sure, why not? Elyse replied. May as well splurge.

That a girl, he said, missing the sarcasm as he heaped a pile of steaming, straw-colored sauerkraut onto the brat with metal tongs. He slipped the brat and bun onto a piece of waxed paper and handed it to Elyse. He pointed toward Sean, busily squirting mustard and ketchup onto a twin of the brat Elyse held. Condiments are at the side, he said automatically.

She picked up a can of soda from the metal counter in front of her and moved toward Sean, abruptly stopping and leaning back toward the food vendor. Could I have a straw, please?

On your right, he said, pointing at a large fountain cup filled with paper-wrapped straws. She plucked one out and moved to the condiment station next to Sean.

"You know, when you said lunch, I didn’t think it would be a place with this much je ne sais quoi."

Yeah, it’s great, isn’t it?

Yes, great. She smiled, but it fell far short of her previous room-lighting grin.

Condiments? he asked.

She shook her head. This is a new jacket.

They walked a short distance to a table and sat in wobbly, plastic chairs. Elise situated her chair under the shade cast by the table’s umbrella to get the warm noonday sun off her arm. The shade, with a light ocean breeze, provided a cooling relief to the sticky day.

Sean pulled several napkins from a small holder in the middle of the table and handed one to Elyse. That’s why they have these.

Thanks. She managed another contrite smile as she took the napkin.

Look, Sean said, I know it's just a food truck and you’re not too excited to eat a bratwurst, but this is a piece of Atlantic City that everyone should experience at least once. I’ll bet you haven’t eaten at a food truck since you got to town, am I right?

She looked at him, considered his words, and the bright smile slowly reappeared. You’re right, she said, I work a lot and don’t have time to do things like this. I’m sorry if I acted, you know, a little pretentious.

Pretentious? Just because you were throwing French at me before? Don’t worry about it. I didn’t even know what that meant.

"Je ne sais quoi? It means ‘I don’t know what.’"

Well, if you don’t know what it means either, you shouldn’t be saying it.

No, she said, that’s what it— She stopped short, seeing the cocky grin on his face. That’s a joke, right? You know what it means, don’t you?

"Oui, he replied in a perfect French accent, but that’s the extent of what I remember from high school French class."

Very funny, she said with a half grin, but Sean couldn’t tell if she meant it.

He smiled back and began tucking into the oversized bratwurst. Elyse watched his intensity with a curious eye as he stuffed a quarter of the length into his mouth and bit down. As Sean looked up at her, she turned her attention to her own food. In contrast to his intensity, she casually opened her soda and stripped the paper wrapper from the straw. Dropping the straw into the can, she took a graceful sip, and glanced back at Sean. He was watching her.

Do you always use a straw with a soda can?

She nodded. I guess so. You never know what’s been on the tops of these things.

He lifted the dog to his mouth. I worked as a stock boy for a grocery store when I was in high school. I can tell you without a doubt, the only thing that’s been on top of the cans is other cans.

He took a long pull directly from his soda can as if to prove to her how safe it was. Without a word, she wiped her napkin around the rim of her can and held it for Sean to see. A long, dark smudge was visible on the otherwise white napkin.

Okay, you got me there, he said. Anyhow, I’m curious how you became an expert on World War II memorabilia.

She smiled. I’m hardly an expert. She took a small nibble from the end of her bratwurst.

That’s not how it looked in the shop.

She chewed and considered his statement. I suppose I have some knowledge. It's a common theme. I became involved in it because of a guy.

Sean took another large bite and waited for her to