The Vanes of Shrewsbury
By David Harley
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About this ebook
My uncle Eddie Parker, though he worked in engineering for most of his life, was a talented amateur artist with a keen interest in Shropshire history. After his death, his daughter Eve and I agreed to publish a book featuring his drawings of old Shrewsbury buildings, with historical background and some photographs, where appropriate, of the same sites as they are today. The main difference between this edition and the first edition is that the photographs are now in colour.
This is very different to my previous technical books. The historical span of the topics covered ranges from Saxon times to the 21st century, with the dramatis personae including saints and kings, poets and playwrights, patriots and rebels. The settings ranging from medievel churches to battlefields, from pubs to castles, from abbeys to museums, from Bronze Age circles to fairs and markets. It even includes short diversions into etymology and blockchain technology.
David Harley
David and Rosemary Harley have served together as missionaries in Europe, Africa and Asia. After ministering in an English parish, they worked among Falasha Jews, one of the poorest and most disadvantaged communities in Africa. On return to the UK, they spent fifteen years at All Nations Christian College, UK, where David served as principal for eight years. This was followed by several years with Crosslinks and the World Evangelical Fellowship, serving as mission training consultants. David was subsequently invited to become the General Director of OMF International, which entailed not only leading one of the largest mission agencies in the world, but also travelling extensively throughout East and South East Asia. Together they have amassed a huge amount of experience of how to do mission well and encourage others to do it well too.
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The Vanes of Shrewsbury - David Harley
The Vanes of Shrewsbury
By David Harley
This is an early watercolour by Eddie Parker, now in the possession of his daughter Margaret. I don't know the location of this street, but it certainly fits in with the other illustrations here.Eddie Parker’s Shrewsbury Drawings
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Copyright
The Vanes of Shrewsbury © 2022 David Harley and Eve Parry
Illustrations by Eddie Parker © Eve Parry
Text and other illustrations © David Harley
The moral right of David Harley and Eve Parry to be identified as joint copyright holders of this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission in writing of the copyright holders.
FIRST EDITION
Table of Contents
Copyright
Table of Contents
Introduction
Bear Steps Cottages
Bear Steps
St. Alkmund’s
*Old St. Chad’s
‘New’ St. Chad’s
Sanctuary Window
The Abbot’s House
Rowley’s House
New Ship Inn
Mardol
Quantum Leap
Frankwell
House in Frankwell
String of Horses
Wyle Cop
Town Walls
Abbey Foregate
The Abbey
Refectory Pulpit
The Abbey
The Dun Cow
The Dun Cow – The Legend
Etymology and History
Looking West
Market Square
Della Porta’s
The Market Hall
By Shrewsbury Clock
High Street
Royal Insurance Building
Gateway House
St. Nicholas Chapel
Gateway House Today
Castle Gates House
Shrewsbury Castle
End Notes
Eddie & Connie Parker
Variant Spellings of St. Alkmund’s
NFT (Non-Fungible token)
A Shrewsbury Timeline
The Cover Illustration
The Next Book
Shropshire Laddishness
About David Harley
Other Books By David Harley
Introduction
A representation of part of Shrewsbury's skyline at night, featuring the spires of Saint Mary's and Saint Alkmund's.This book is by no means only about the churches of Shrewsbury, and even less the gleaming weather vanes (A Shropshire Lad XXVIII: A.E. Housman). Indeed, it doesn’t even cover all Shrewsbury’s interesting churches.
Still, the visual impact of the town’s churches on the ‘steepled crest’ of the town centre is undeniable. St. Mary’s and especially St. Alkmund’s, the two in the mini-illustration above, do feature in the book (especially St. Alkmund’s). Moreover, Housman plays a large part in the book project from which this book is an offshoot. And the only other references to Shrewsbury in A Shropshire Lad that I remember are in IX – They hang us now in Shrewsbury jail
– which isn’t really the overall mood I wanted to establish.
However, there’s a lot more about churches in this book than there is about computers, so, since most of the (few) people who are aware of me as an author (or indeed at all) will associate me with books about IT security, perhaps I should tell you a bit about how we got here.
My uncle William Edward Parker – known to nearly everyone as Eddie – was a talented amateur artist. He and his wife Constance – Connie – retired to Western Australia, where my cousin Eve and her husband Jim already lived. My mother (Eddie’s sister Gwen), who still lived in Shropshire, would send him copies of local newspapers and even, from time to time, history books relating to Shropshire, and he would use these as the basis for some of his artwork. After his death, Eve and I discussed putting together a book based on some of his drawings, adding historical background and some photographs relating to the same scenes as they look now. However, as I was still working at that time, the project gradually slid out of sight, so far behind the back burner it disappeared out through