Vittorio Emanuele a King in Exile, Part II: Vittorio Emanuele, #2

By Alexandra Sterling

Alexandra Sterling: An Esteemed American Historian and Memoirist

Alexandra Sterling, a revered figure in the world of history and memoir writing, is a testament to a life dedicated to scholarship and the art of storytelling. Born in the heartland of America, she embarked on a lifelong journey of knowledge and exploration that would leave an indelible mark on the literary and academic landscape.

From an early age, Sterling displayed a keen curiosity for the past, delving into the annals of history with an insatiable thirst for knowledge. Her voracious appetite for learning led her to pursue a degree in history at a prestigious university, where she honed her research skills and developed a profound understanding of the past.

After earning her doctorate, Sterling embarked on a fulfilling career as an educator. As a seasoned professor, she inspired countless young minds with her passion for history, instilling in her students a love for the subject that would shape their own intellectual journeys. Her dynamic teaching style and ability to breathe life into historical events left an enduring impact on generations of scholars.

However, it was in the realm of memoir writing that Alexandra Sterling truly distinguished herself. Drawing upon her expertise as a historian, she transformed the experiences of individuals into compelling narratives that resonated with readers worldwide. Her profound understanding of human nature and the ability to empathize with others allowed her to craft memoirs that were both deeply personal and universally relatable.

Title: "Vittorio Emanuele: A King in Exile" by Alexandra Sterling

In "Vittorio Emanuele: A King in Exile," the captivating historical account written by Alexandra Sterling, we embark on an intimate journey through the life of Vittorio Emanuele, the exiled king. This remarkable third part delves deep into his formative years, tracing his path from childhood to the heart-wrenching circumstances that led to his forced exile.

The pages of this extraordinary book come alive as we witness the early life of Vittorio Emanuele, a child destined to bear the weight of a dynastic legacy. Sterling's meticulous research and vivid storytelling transport us to the royal court of Italy, where young Vittorio Emanuele's destiny was shaped, and his character forged.

With exceptional eloquence, Sterling recounts the joys and sorrows of the young prince, offering a captivating glimpse into his personal struggles and triumphs. From his cherished moments with family and mentors to the challenges faced in navigating the complexities of royalty, the reader gains a profound understanding of the person behind the crown.

As we delve further into Vittorio Emanuele's life, Sterling unearths the tumultuous events that would alter the course of history. The political upheavals and shifting allegiances surrounding the kingdom serve as a poignant backdrop to the king's eventual exile. With empathy and insight, the author portrays the emotional turmoil experienced by Vittorio Emanuele during this dark period.

Stripped of his throne and removed from his homeland, Vittorio Emanuele's life takes an unforeseen turn as he grapples with his identity in exile. Sterling masterfully captures the struggles of a king forced to confront the loss of power, while endeavoring to maintain a sense of dignity and purpose.

 

• Language: English
• Publisher: Alexandra Sterling
• Release date: Jul 28, 2023
• ISBN: 9798223080152

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Disclaimer:

The following story is based on true events and real-life experiences. While every effort has been made to accurately represent the events and individuals involved, certain details may have been modified or fictionalized for the purpose of storytelling. The primary aim of this narrative is to convey the essence and essence of the actual events, and it should not be considered a wholly factual account. Names of individuals and specific locations may have been altered to protect their privacy and confidentiality. The content presented here is not intended to offend or harm anyone, and it is purely for entertainment and informational purposes. Readers are advised to exercise discretion and critical judgment while engaging with this story. The author and publisher disclaim any liability for the accuracy, completeness, or reliability of the information provided herein. Any resemblance to actual persons, living or dead, or to actual events is entirely coincidental.

Vittorio Emanuele

A King in Exile

Part II

Alexandra Sterling

Preface

In the annals of history, few figures have elicited as much fascination and ardor as Vittorio Emanuele III, the King of Italy whose life and reign were indelibly marked by the tumultuous events of his time. His tale of exile, recounted in this remarkable trilogy by the esteemed American scholar, Alexandra Sterling, is a captivating journey through the trials and tribulations faced by a monarch forced to navigate the treacherous waters of political upheaval.

As Alexandra Sterling delves into the depths of Vittorio Emanuele's exile, her compelling narrative weaves together the intricate threads of history with a keen eye for detail and an unyielding commitment to authenticity. With her unbridled curiosity and a passion for historical truth, she transports readers into the heart of Italy's tumultuous past, where the echoes of revolution and the whispers of power struggles resonate in the corridors of regal palaces.

Through meticulous research and a relentless pursuit of the truth, Alexandra Sterling presents a portrait of Vittorio Emanuele III that goes beyond the surface of historical accounts, delving into the complexities of a man caught in the maelstrom of political turmoil. Her eloquent prose breathes life into the past, offering readers an intimate glimpse into the private struggles and public challenges faced by the exiled monarch.

This novella, presented in three captivating installments, unveils the intricacies of Vittorio Emanuele III's exile, drawing readers deeper into the essence of a man grappling with the consequences of choices made in moments of unprecedented upheaval.

As the trilogy unfolds, Alexandra Sterling's literary craftsmanship shines brightly, illuminating the interconnectedness of global events and the human drama that unfolded during these critical years. Her portrayal of Vittorio Emanuele III's exile is both empathetic and enlightening, capturing the essence of a man struggling with the weight of history.

In this masterful work, Alexandra Sterling invites readers to embark on an unforgettable journey through history, to bear witness to the triumphs and tribulations of a king in exile, and to discover the timeless relevance of his story in the tapestry of human experience.

Chapter 7

BEGINNING (1953-1959)

In the summer of 1953, Queen Frederica of Greece invited all the European royal families on a cruise ship named Agamemnon, specially chartered for the occasion. The purpose was to have a true family reunion. If we carefully examine the genealogical trees, there is no European dynasty without close relatives in other royal houses. In this regard, my case is emblematic: my father Umberto II, my grandfather Vittorio Emanuele III, my great-grandfather Umberto I, and his father Vittorio Emanuele II all passed down the crown from father to son. This is my paternal branch, the House of Savoy. My aunt Giovanna, my father Umberto's sister, became the Queen of Bulgaria when she married King Boris III. Their son Simeone, who was a child king for a few years after his father's alleged poisoning on Hitler's orders, later returned from exile and was elected Prime Minister of the Republic of Bulgaria. Thus, Simeone is my first cousin. On the maternal side, my maternal grandfather, belonging to the House of Saxony Coburg Gotha, was the King of Belgium, and later my uncle Leopold became the King after him, being my mother Maria José's brother. Having two grandfathers who were kings of different nations means descending from two houses that have been interconnected through marriage with half the world. Not to mention the grandmothers: my paternal grandmother, Elena of Montenegro, is also related to the Romanovs, the Russian royal family, while my maternal grandmother, Queen Elisabeth of Belgium, born Wittelsbach of Bavaria, is connected to the dukes and kings of Bavaria, from whom many royal figures originate. It should be noted that two dynasties, which were relatively small and less powerful a thousand years ago, the Savoy and the Saxony Coburg Gotha, have become the central dynasties of European history over the past two centuries.

In fact, Queen Frederica's intention was precisely to create greater cohesion among the members of this vast family. And it can't be said that she didn't succeed. During those days, we finally had the opportunity to truly get to know each other, and even some love stories blossomed. On that ship, my sister Maria Pia got engaged to Alexander of Yugoslavia, the son of the former regent Paul of the Karageorgevic dynasty, and later married him. It was a short-lived marriage, but they had two sets of twins, Dimitri and Michael, and Serge and Elena. During those days, Juan Carlos also met his future wife, Sofia of Greece, the daughter of Queen Frederica. Constantine of Greece, also Frederica's son, met the Princess of Denmark, Anne-Marie, whom he later married. For us youngsters, it also meant our debut in society: in the evenings, a semi-tuxedo was mandatory, which meant wearing tuxedo trousers with suspenders, a white shirt with short sleeves. For me, it also meant discovering the sea, which immediately captivated me, and the pleasure of traveling. We visited Rhodes, the beautiful islands, and the former Italian cities of the Dodecanese. My whole family participated, my parents and us four children, and after the cruise ended, we continued our journey on our own, reaching Istanbul.

It was one of the rare occasions that saw us all together, and during the entire journey, my father was very kind to us, caring and, above all, witty. He truly made us laugh and enjoyed himself, rediscovering with my mother the youthful passion for sports.

This passion, as I mentioned earlier, I fully inherited, adapting it to my personality and my era. Unlike my parents, the machines they drove, I discovered the thrill of driving an automobile, which, like the bicycle in my youth, was essentially the embodiment of independence for me.

The passion for cars was undoubtedly precocious. Even before turning eighteen, I had already tried driving with Fabretto, my mother's historic and loyal chauffeur, in a six-cylinder Fiat called Carolina, and later with Montezemolo, who let me drive his Peugeot while sitting next to him.

Not that I disregarded two-wheelers, though. When I was in Merlinge, a group of Italians gifted me a