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The House of Metaphor: Poems
The House of Metaphor: Poems
The House of Metaphor: Poems
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The House of Metaphor: Poems

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The poems in Pamela Cranston's The House of Metaphor are an intoxicating blend of spirit, edginess, gravity, play, and paradox, gifts we are given from a mind having what Einstein called "a holy curiosity." With subjects ranging from singing potatoes to angels and assassins, slave and master to moving recollections of her own childhood and her experience as a priest ministering to hospice patients, the book pulsates nonstop with the poet's vigor and variety, powered through her boundless imagination and lyrical intensity. Everywhere are surprises, and Cranston's choice words and marvelous metaphors seem to have been joyfully plucked from the heavens.
LanguageEnglish
Release dateMay 4, 2023
ISBN9781666760309
The House of Metaphor: Poems
Author

Pamela Cranston

Pamela Cranston is an Episcopal priest in the Diocese of California, and the author of The Madonna Murders (2003) and Coming to Treeline: Adirondack Poems (2005). She has served several San Francisco Bay Area churches and hospices for the past thirty years. She lives with her husband, Edward, in Oakland, California.

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    Book preview

    The House of Metaphor - Pamela Cranston

    The House of Metaphor

    Poems

    Pamela Cranston

    The House of Metaphor

    Poems

    Copyright ©

    2023

    Pamela Cranston. All rights reserved. Except for brief quotations in critical publications or reviews, no part of this book may be reproduced in any manner without prior written permission from the publisher. Write: Permissions, Wipf and Stock Publishers,

    199

    W.

    8

    th Ave., Suite

    3

    , Eugene, OR

    97401

    .

    Resource Publications

    An Imprint of Wipf and Stock Publishers

    199

    W.

    8

    th Ave., Suite

    3

    Eugene, OR

    97401

    www.wipfandstock.com

    paperback isbn: 978-1-6667-6028-6

    hardcover isbn: 978-1-6667-6029-3

    ebook isbn: 978-1-6667-6030-9

    version number 031523

    Table of Contents

    TITLE PAGE

    REVIEWS

    PERMISSIONS

    ACKNOWLEDGMENTS

    WASHING HANDS WITH FLORENCE NIGHTINGALE

    MY MUSE

    THE HOUSE OF METAPHOR

    ABANDONED

    PHANTOM MAIL

    PIG LAZARUS or the END of Bar-B-Que

    SINGING POTATOES

    ROAD INSTRUCTIONS

    TAKING TOLL

    BEAVER MEADOW FALLS

    A POEM FOR CONNOR MCLAUGHLIN

    MIXED FEELINGS ABOUT BATS

    THE LINCHPIN

    THE HUNGRY HEART

    TWENTY-TWENTY VISION

    MY GRANDFATHER’S TYPEWRITER

    MY PARENTS’ WEDDING PHOTO, 1950

    WHAT WATER DOES

    UNCLE JACK, HOME FROM BOOT CAMP

    THE HIDING PLACE

    LEAVING CAMP

    THE COPLAND SUITE

    FOOLING DEATH

    MY FATHER’S LAST CHRISTMAS, 2016

    TIPPING POINT

    A MURDER OF CROWS

    FIRE IN PARADISE

    THE FIRST CIRCLE OF HELL

    DARKNESS AT NOON

    THE ASSASSIN

    BARBWIRE BABY JESUS

    AT ST. ANTHONY’S SOUP KITCHEN

    COMING TO THE TABLE

    FOOTWASH BAPTISTS OF BOYLE COUNTY

    I WOKE TO HEAR A RAVEN SING

    OWL, FISHING AT NIGHT

    THE LATHE OF JOY

    SNOWY OWL

    ARRIBADA: THE OLIVE RIDLEY SEA TURTLES ARRIVE

    NIGHT OF TWO MOONS

    THE BELL RINGERS OF BREDWARDINE

    OUR LADY BURNING, APRIL 2019

    DEAD LETTER DROP

    BEGGAR’S FEAST

    SAYING MASS WITH ANGELS

    WHEN A SAINT GROWS OLD

    THE JONAH COMPLEX

    CAPEL-Y-FfIN

    ODE TO VELÁZQUEZ’S DWARF AND OTHERS

    A VISITATION

    IN A DARK WOOD

    LINES INSPIRED BY BACH’S LAST FUGUE

    WHAT DREAMS MAY COME

    COMPLINE, GETHSEMANI ABBEY, 1973

    THE TOUCHSTONE

    THE LURE FROM A DISTANT ROOM

    WIDOW’S MITE

    Pietà

    THE REAL WORK

    HOW TRUE POEMS BEGIN

    WHEN I’M AN OLD WOMAN

    QUIRKY PAINTINGS OF CHRIST’S ASCENSION

    LOVE’S NECESSITY

    ST. FRANCIS XAVIER MISSION

    SABBATH SOIL

    PRAYER

    WHAT BODY?

    MASSAGE SESSION

    AT THE VILLA

    THE LATECOMER

    THE ZEN OF DYING

    GOD’S SLOW ANSWER

    ALL I CAN DO

    MORTAL SHAME

    LOST

    I THOUGHT IT WAS A TOILET

    FLOATING NOWHERE FAST

    SWIMMING LESSON

    DYING TIME

    ANNA’S RISING

    AUTOPSY

    NO MORE BE GRIEVED

    BLOSSOMING INTO LIGHT

    GOING HOME TO SPRINGTOWN

    DYING IS A WILD NIGHT

    ODE TO TEX MCKLEAN

    CROSSING THE LINE

    KADDISH POEM

    ELEGY FOR LYNDSEY

    NOTES

    AUTHOR BIOGRAPHY

    Reviews

    "‘Let’s hear it for history’s little people,’ Pamela Cranston writes, surely eliciting a smile from the reader. Actually, the admonition epitomizes something deeper in her work: the recovery of people otherwise ignored, their recreation through images both tender and firm. Resurrecting them, she pleads, ‘let my words be to you / like the green earth cherishing.’ Like burgeoning life for us, too, fortunate guests in The House of Metaphor she so blessedly builds."

    —Sofia M. Starnes

    Virginia Poet Laureate Emerita, author of The Consequence of Moonlight

    Pamela Cranston’s wonderful, accessible poems are a temple of metaphor. Her juxtapositions and never clichéd similes surprise and delight. Her penetrating insights engage the reader. Allusion to classical English poetry deepens the resonance of the work’s heart-truths. These are poems to revel in and ponder. To hurry through them would be like eating a box of fancy chocolates at one go. Don’t.

    —Bonnie Thurston

    Author of Saint Mary of Egypt

    Early in life, nature called to Pamela Cranston and sang. These poems show she has an ear for it, a studied gaze—an unhurried heart. She listens to people too, no one stereotyped, each incomparable, sent to her as if a poem. Cranston has the gift of paying attention, close and rapt, and then translates what she hears into poetry, helping us to hear and see—to become more human, more alive, somehow in the heart of God.

    —Bishop John S. Thornton

    Co-founder of the Hospice of Marin, author of Moon and Fog

    "Although she will deny it, Pamela Cranston is a mystic. For me, a mystic is someone who sees surfaces as rubble to dig through to find the truth, or truths, someone deeply in touch with depth(s), not just an onlooker, or even surveyor, but an inhabitant of what is most true, hence sacred. As someone who often finds it difficult to find light, I celebrate the luminescence of the poems in The House of Metaphor."

    —Tim Vivian

    Professor Emeritus of Religious Studies, California State University Bakersfield

    Also by Pamela Cranston

    Poetry

    Coming to Treeline: Adirondack Poems

    Searching for Nova Albion

    Nonfiction

    An Eccentric English Journey (Limited Edition)

    Clergy Wellness and Mutual Ministry

    Love Was His Meaning: An Introduction to Julian of Norwich

    A Spiritual Journey with John Donne

    Fiction

    The Madonna Murders

    For my husband Ed, with much love and gratitude.

    With you, home is not just a house

    but wherever I am with you.

    Unless you are at home in the metaphor . . . you are not safe anywhere.

    —Robert Frost, Education by Poetry

    "Metaphor shakes things up, giving us everything from Shakespeare to scientific discovery in the process. The mind is a plastic snow dome, the most beautiful, most interesting, and most itself, when, as Elvis put it, it’s all shook

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