Rapture (NHB Modern Plays)
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About this ebook
In a modern world where reality is whatever we imagine it to be, how do we know the stories we tell ourselves are true? What happens when there's only one person in the whole world you can truly trust? And what if they never take the bins out?
Rapture by Lucy Kirkwood is a slippery thriller about love, power and belief which premiered at the Royal Court Theatre, London, in June 2022, directed by Lucy Morrison. It was promoted under the title That Is Not Who I Am, by Dave Davidson, a pseudonym.
Lucy Kirkwood
Lucy Kirkwood is a British playwright and screenwriter whose plays include: The Human Body (Donmar Warehouse, London, 2024); Rapture (promoted as That Is Not Who I Am, Royal Court Theatre, London, 2022); The Welkin (National Theatre, London 2020); Mosquitoes (National Theatre, 2017); The Children (Royal Court Theatre, 2016); Chimerica (Almeida Theatre and West End, 2013; winner of the 2014 Olivier Award for Best New Play, the 2013 Evening Standard Best Play Award, the 2014 Critics’ Circle Best New Play Award, and the Susan Smith Blackburn Award); NSFW (Royal Court, 2012); small hours (co-written with Ed Hime; Hampstead Theatre, 2011); Beauty and the Beast (with Katie Mitchell; National Theatre, 2010); Bloody Wimmin, as part of Women, Power and Politics (Tricycle Theatre, 2010); it felt empty when the heart went at first but it is alright now (Clean Break and Arcola Theatre, 2009; winner of the 2012 John Whiting Award); Hedda (Gate Theatre, London, 2008); and Tinderbox (Bush Theatre, 2008). She won the inaugural Berwin Lee UK Playwrights Award in 2013.
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Rapture (NHB Modern Plays) - Lucy Kirkwood
Lucy Kirkwood
RAPTURE
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Original Production Details
Characters
Note on Production
Rapture
About the Author
Copyright and Performing Rights Information
Rapture was first performed at the Royal Court Theatre, London, on 10 June 2022, with the following cast:
Characters
CELESTE
NOAH
LUCY KIRKWOOD
BRIONY
THE REAL LUCY KIRKWOOD (LK2)
STAGE MANAGER
PERSON F12
Briony and Stage Manager can be played by the same actor.
Key
A forward slash (/) indicates an overlap in speech.
Words in brackets are spoken aloud but are incidental.
An asterisk (*) before a line indicates simultaneous speech.
A comma on its own line (, ) indicates a beat. A beat is shorter than a pause. It can also denote a shift in thought or energy.
The text has been punctuated to serve the music of the play, not grammatical convention. Dashes are used sparingly and generally indicate a hard interruption.
Names and place names in [square brackets] can be substituted for others in future productions.
This text went to press before the end of rehearsals and so may differ slightly from the play as performed.
Notes on Production
1) This work must be produced in a sustainable manner.
2) The play should be marketed under a different identity.
For example:
That Is Not Who I Am by Dave Davidson
When Ollie has his identity stolen on the internet, it’s bad enough. But soon it’s not just his online life collapsing – his real life is being stolen too. Who is the person really doing and saying these awful things? And who can Ollie trust to see the real him when the world sees him as a monster? Did the real him ever exist in the first place?
A slippery thriller in which nothing is as it seems and nobody is who they are. Age recommendation 12+
Projected:
‘The Royal Court Theatre would like to apologise that the play you are about to see is different to the one advertised, for reasons which will become clear.
The real title of this play is:
RAPTURE
The story of Noah and Celeste Quilter remains a controversial one. Many questions are yet to be answered.
Following the recent move by the Home Secretary to block publication of the report into the Quilters’ deaths, playwright Lucy Kirkwood was asked by a campaign group to produce a dramatisation of their relationship. After some unsettling events during her research, she decided to work under the pseudonym Dave Davidson
in order to protect herself at a vulnerable time in her life.
After the finished work met with repeated censorship and legal challenges, the Royal Court agreed to produce the play covertly, in the hope of raising public awareness of the case, and bringing justice for the couple.
Much of the information that follows is under embargo but we believe the legality of that embargo to be questionable.
While breaking the law is not a decision we take lightly, we hope you will come to understand why we feel this story must be told now.’
A title is projected:
‘FIRST FLUSH’
November 2011. NOAH and CELESTE at a table in a restaurant. Both twenty-seven years old.
CELESTE. So go on then
NOAH. No you
CELESTE. kay well I’m not doing it if you’re not / doing it
NOAH. I will do it, just you go first
CELESTE. Yeah / sure right!
NOAH. no cos I’ll do it straight after you!
CELESTE. oh and I just believe that do I?
NOAH. what, you don’t trust me?
CELESTE. only just met you mate
NOAH. * so?
CELESTE. * could be a compulsive liar. Could be a psychopath. Could be a thieving murdering Millwall / fan
NOAH. After three then?
CELESTE. fine. One
two
three
NOAH. * Nine
CELESTE. * Nine-point-five
NOAH. point-five.
CELESTE. No!
NOAH. What?
CELESTE. Don’t give it me out of pity!
NOAH. I wasn’t, I didn’t realise we could do halves.
CELESTE. Nine?
NOAH. Nine’s good, nine’s great, what’s better than nine?
CELESTE. Ten.
NOAH. Yeah but you can’t say ten can / you
CELESTE. why?
NOAH. look like you’re too keen
CELESTE. but apart from that / you would’ve
NOAH. nah I never said that
CELESTE. but would you?
NOAH. maybe
CELESTE. you would
NOAH (a smile, a shrug). maybe
CELESTE. you blatantly would.
He laughs. She laughs. A comfortable pause.
BOTH. Relief
NOAH. mostly
CELESTE. cos
NOAH. go on a lot of these and
CELESTE. not being funny or anything / but
NOAH. sometimes the chemistry / just isn’t
CELESTE. like mostly completely / unfuckable?
NOAH. like it’s a bit stilted or something? but she’s
CELESTE. funny, handsome, polite
NOAH. lovely eyes. Well dressed. Very like. Cool.
CELESTE. Tattoos, Marmite, wild swimming.
NOAH. How we’re both scared of puppets, Weil’s disease, Alan