Medea (NHB Classic Plays): (National Theatre of Scotland version)
By Euripides
()
About this ebook
Spurned, destitute, desperate, Medea exacts her terrible retribution.
Liz Lochhead's Scots-inflected version of Euripides' classic revenge tragedy was first performed by Theatre Babel in 2000 and won the Saltire Society Scottish Book of the Year Award. It was revived by the National Theatre of Scotland as part of the 2022 Edinburgh International Festival, with Adura Onashile as Medea, directed by Michael Boyd.
Euripides
Euripides was a tragedian of classical Athens. He was born on Salamis Island around 480 BC to his mother, Cleito, and father, Mnesarchus, a retailer who lived in a village near Athens. He had two disastrous marriages, and both his wives—Melite and Choerine (the latter bearing him three sons)—were unfaithful. He became a recluse, making a home for himself in a cave on Salamis. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. He became, in the Hellenistic Age, a cornerstone of ancient literary education. The details of his death are uncertain.
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Book preview
Medea (NHB Classic Plays) - Euripides
Liz Lochhead
MEDEA
after Euripides
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Original Production Details
Introduction by Liz Lochhead
Medea
About the Author
About the Producer
Copyright and Performing Rights Information
This version of Liz Lochhead’s Medea was first produced by National Theatre of Scotland, and performed at The Hub, Edinburgh, as part of the Edinburgh International Festival, on 10 August 2022. The cast and creative team was as follows:
Set built by the Citizens Theatre, Glasgow
Set painted by Jason Dailly, Lisa Greaf and Lisa Kellet
An earlier version of Medea was commissioned by Theatre Babel as part of the company’s Greeks Project, and first performed at The Old Fruitmarket, Glasgow, on 17 March 2000, with the following cast:
It was subsequently performed at Assembly Rooms, Edinburgh, as part of the Edinburgh Festival Fringe, in August 2000, with the following cast changes:
The production toured in 2000, with the following cast changes:
It returned to Assembly Rooms, as part of the Edinburgh Festival Fringe, in August 2001, with the following cast changes:
Introduction
Liz Lochhead
When asked how I came to write my version of Euripides’ Medea – unbelievably it’s more than twenty years ago now – I have to be honest and admit it wasn’t something I had been burning to do. No, it was a first-the-phonecall project, as have been quite a few of the adaptations for the theatre I have ended up working on over the years. In this case my friend Graham McLaren of Theatre Babel, a company whose whole raison-d’être was making new productions from the classic repertoire, was determined his current ‘Greeks’ project, exploring the most fundamental works in the evolution of drama, was exactly the right next thing for him to put his heart and soul into. And he was both adamant and persistent that I was the writer for a brand-new take on Medea.
I have never found working on the texts of great plays by writers as various as Molière (three times over the decades, making all three of his greatest plays in rhyming couplets, in three very different versions of ‘Scots’) – or riffing on