P Word (NHB Modern Plays): The
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About this ebook
In Soho, at 2 a.m., parallel worlds collide – and Zafar and Billy's lives are about to change forever.
The P Word is Waleed Akhtar's sharp-witted and devastating play charting the parallel lives of two gay Pakistani men as they negotiate everything from casual hook-ups to the UK's hostile environment.
A story of who wins in the luck of life's draw, it was premiered at the Bush Theatre, London, in 2022, directed by Anthony Simpson-Pike.
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P Word (NHB Modern Plays) - Waleed Akhtar
ACT ONE
BILLY. Knew it was on, the minute I saw his Instagram linked to his profile. He’s a white boy who has been travelling to India…
ZAFAR. Haroon was always there. I don’t remember a time before him, since we were kids we were inseparable.
He’d always pick me first when we played cricket.
I’m shit at cricket, he was brilliant, tall and strong. Could have played for Pakistan if he was given half the opportunity. But he came from a poor family in our village. By fifteen he was working in my father’s factory. Never complained, always a smile on his face.
It’s a cliché to talk about a smile that lights up a room, but it lit me up.
BILLY. Pictures of him outside the Taj Mahal, pictures of the curries he ate, on a beach with some local kids, in a rickshaw. That means he’s down with a bit of brown. Plus I’m like the best version of brown. I’m not even into Pakis and I’d probably hook up with myself. Like you can’t tell I’m Pakistani straight away, most people can’t believe it when I tell them anyway.
My name gives it away… Like of all the names my parents could have given me, why not Adam? Daniel or I would even have settled for Zayne. They chose… Bilal. Fuck that, Bilal was the fat boy who got bullied at school for being a big brown poof. But Billy is the jacked masc lad, who gets all the boys.
He gets a Grindr message so pulls out his phone.
And this one’s just sent me a picture of him bent over and his Calvins are nowhere to be seen. Can’t wait, love me a twinky little white boy. Got to respond –
He begins to type a message.
ZAFAR. Doctors and nurses, another game we would play, a lot. Always give each other mouth-to-mouth resuscitation. Somewhere along the line we dropped the game and just the mouth-to-mouth bit remained. Kissing him, I would never want to stop.
BILLY. ‘Nice’ nah too ambivalent, ‘sexy’ too eager, ‘hot’ yeah that’s the one.
And bingo I’m in. He’s pinging me his location, practically begging me to come over, his housemate’s away so he’s got the place to himself.
BILLY types.
‘I’ll definitely cum, maybe twice.’ What? It’s subtle! (Don’t hate the player hate the game.)
ZAFAR. It’s nice to remember him like this. The real Haroon. Not the bit at the end. I don’t want to remember that.
BILLY. I rock up to his apartment block, I knock and I’m nervous… No matter how many times you do this (and I’ve done this a lot) you still get that fluttering feeling in your stomach. Possibility, fear, excitement, dread all at the same time. The door opens.
Fuck, he’s better looking than his profile pics, no one’s better looking than their pictures, you always account for like a ten per cent margin of uglier than the profile.
But this guy.
Get it together, Billy.
ZAFAR. I don’t have a single picture of him. I left Pakistan in such a hurry, the majority of my things are still there. I worry about forgetting his face. Sometimes it’s this niggling feeling, just small. Other times I chide and berate myself for not being able to remember the exact position of the beauty spot on his cheek, the broadness of his shoulders, the slight bump on his nose.
‘You do speak English right? You don’t need a translator?’
I’ve been silent too long. I’m in the lawyer’s office. The letter came today. The one that was supposed to set me free. Although it didn’t.
BILLY. ‘Whatsup.’
‘Why don’t you come in?’
‘Sure sure.’
I walk in, offer to take my shoes off, sometimes the Pakistani slips out without even realising. He says it’s fine. We end up chatting in his living room –