a profoundly affectionate, passionate devotion to someone (– noun) (NHB Modern Plays)
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About this ebook
Three couples.
What might be.
What once was.
What could have been.
debbie tucker green's play premiered in February 2017 at the Royal Court Theatre, London, in the Jerwood Theatre Upstairs, in a production directed by the playwright.
Debbie Tucker Green
debbie tucker green's work as writer and director for the Royal Court includes hang, truth & reconciliation, random, stoning mary. Other theatre includes: nut (National); generations (Young Vic); trade (RSC/RSC at Soho); born bad (Hampstead); dirty butterfly (Soho). Film and television includes: second coming, random. Radio includes: lament, gone, random, handprint, freefall. Directing includes: hang, nut, truth & reconciliation (theatre); second coming (feature film); random (film); lament, gone, random (radio). Awards include: Radio Academy Arias Gold Award (lament); International Film Festival Rotterdam Big Screen Award (second coming); BAFTA for Best Single Drama (random); Black International Film Award for Best UK Film (random); OBIE Special Citation Award (born bad, New York Soho Rep. production); Olivier Award for Most Promising Newcomer (born bad).
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a profoundly affectionate, passionate devotion to someone (– noun) (NHB Modern Plays) - Debbie Tucker Green
debbie tucker green
a profoundly affectionate, passionate devotion to someone (– noun)
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Title Page
Original Production
Characters
a profoundly affectionate, passionate devotion to someone (– noun)
About the Author
Copyright and Performing Rights Information
a profoundly affectionate, passionate devotion to someone (– noun) was first performed at the Royal Court Theatre Upstairs, London, on 28 February 2017. The cast was as follows:
Characters
PART ONE
A, female, Black
B, male, Black
PART TWO
WOMAN, Black or Asian
MAN, Black
PART THREE
MAN, same character from Part Two. Some years later.
YOUNG WOMAN, the daughter of A+B. Some years later.
He is significantly older than her. The Young Woman is of legal age.
A forward slash / marks an overlapping point in the dialogue.
Words in brackets are intention only.
Names appearing without dialogue directly above/below each other indicate active silences between those characters listed.
A name appearing without dialogue indicates an active silence.
This ebook was created before the end of rehearsals and so may differ slightly from the play as performed.
PART ONE
Scene One
ASo is it –
Bno.
AIs it that / you’re –
BNo it is / not.
Aso it’s
Bthere is no ‘it’s’ it’s nothing there’s nothing
Ayou’re not –
Bno. Nothing. There isn’t.
Beat.
AMy bad.
BYeh.
A
B
B‘My bad’ – piss off.
AI’ve always –
Bno you haven’t.
A
B
BIt’s not always all about you.
AWell. It usually is.
Isn’t it.
Beat.
…So there is –
Bno there / isn’t.
Ayou’re –
Bno
Ayou have a –
B( quietly ) fuck / me.
Asomething’s not right
Byou’re jumping / to –
Asomething about you’s not / right.
B( dry ) really? Right. Me. Right.
AI’m just –
Bis it? Me. Right.
(dry) My bad.
Beat.
You jump to conclusions. You always jump to – jumped to conclusions and wrong conclusions in leaps and fuckin bounds
AI know / you.
Bcome to conclusions where there aint none
AI do know / you.
Bmakin me make conclusions where there ent / one.
AI do still know you.
BMakin me want to make conclusions where there ent none to make, me makin them to make you feel better bout concluding there are conclusions, when there aint no conclusions to be had. Shit.
A…You ent never said something just to make me feel better.
BI ent lied to make you feel better / no.
AWhen have you ever said something to me to make me feel / better?
BI’m not gonna lie to you to make / you –
ASomething considerate to – something mindful – and I’m not talking bout your / lies.
Byou wanting me to say somethin to say anythin just so you can feel somethin – somethin good about y’self – no – and I don’t lie –
Athass one right there
Band I won’t say somethin just to say anything and lies ent got nuthin to do with what I do and don’t say what I will and won’t say what I won’t and don’t say – want to say and don’t – to you.
AI think –
Bjump to conclusions –
AI think that –
Bjump to your conclusions.
AI think that this is still about / me.
B(You) get me nervous to say anything me not knowin how you’d ‘conclude’ about it wrongly
Ayou’re nervous of nothing.
BNervous of you
Acouldn’t make you nervous of nuthin that you didn’t wanna be nervous of even if I wanted to.
BYou wanted to.
A…I did not
Byou tried to
AI do not
Byou wanted to try to.
AI did (not). I –. I… No.
Beat.
You’ve never been nervous of me.
BY’sound disappointed.
Beat.
AYou’ve never been nervous of anything about me.
And there are no conclusions jumped to. Nothin in fuckin ‘leaps and bounds’ thank you – nuthin needed to be jumped to regarding you as you’re / quite –
BHere we / go.
Aquite straightforward.
BHere. We. / Go.
AIn a straightforward sort of way.
BThat the best you can do?
ANo.
A
B
B…You didn’t understand my complexity.
AI think I / did.
BYou never