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The Best Vampire Movies (2020): Movie Monsters
The Best Vampire Movies (2020): Movie Monsters
The Best Vampire Movies (2020): Movie Monsters
Ebook184 pages45 minutes

The Best Vampire Movies (2020): Movie Monsters

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Steve Hutchison reviews 60 of his favorite vampire movies. Each article includes a synopsis, a review, and a rating. The movies are ranked. How many have you seen?

LanguageEnglish
Release dateFeb 14, 2023
ISBN9781778870675
The Best Vampire Movies (2020): Movie Monsters
Author

Steve Hutchison

Artist, developer and entrepreneur in film, video games and communications Steve Hutchison co-founded Shade.ca Art and Code in 1999, then Terror.ca and its French equivalent Terreur.ca in 2000. With his background as an artist and integrator, Steve worked on such games as Capcom's Street Fighter, PopCap's Bejeweled, Tetris, Bandai/Namco's Pac-Man and Mattel's Skip-Bo & Phase 10 as a localization manager, 2-D artist and usability expert. Having acquired skills in gamification, he invented a unique horror movie review system that is filterable, searchable and sortable by moods, genres, subgenres and antagonists. Horror movie fans love it, and so do horror authors and filmmakers, as it is a great source of inspiration. In March 2013, Steve launched Tales of Terror, with the same goals in mind but with a much finer technology and a complex engine, something that wasn’t possible initially. He has since published countless horror-themed books.

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    Book preview

    The Best Vampire Movies (2020) - Steve Hutchison

    MonsterMovies2020_BestVampireMovies_Cover.jpg

    Tales of Terror’s

    Movie Monsters 2020

    The Best Vampire Movies

    INTRODUCTION

    Steve Hutchison reviews 60 of his favorite vampire movies. Each article includes a synopsis, a review, and a rating. The movies are ranked. How many have you seen?

    #1

    Bram Stoker’s Dracula

    1992

    A vampire holds a lawyer captive inside his castle and seduces his girlfriend.

    8/8

    Epic classics, the first Dracula and Nosferatu movies were good but experimental and therefore pardonably flawed. They never fully explored who their archvillain was written to be and took liberties. Here’s another take on the Bram Stoker novel that claims to stick close to the original. It will please many. It’s about two hours long and makes the most of each minute.

    There’s plenty of room for character exposition ensured by some of the greatest actors of their respective generations. The ambiance is thick, the tension palpable and the romance tragic. It’s a period piece with cinematography both ground-breaking and retro. Some superposition effects are on the lazy side, which is odd for a production of this caliber.

    The score adds a sad touch to the film, especially in backstory flashbacks concerning Dracula. While many modern adaptations of the story tend to glorify an inquisitive protagonist, 1992’s Bram Stoker’s Dracula makes Keanu Reeve’s Jonathan Harker curious yet vulnerable. Moreover, Dracula is genuinely scary, here, and resorts to hypnotism as he did in the old days of cinema.

    #2

    Blade

    1998

    A vampire hybrid protects the human race against the pure-blooded of his kind.

    8/8

    Blade is the condensed adaptation of a vampire universe owned by Marvel Comics. Wesley Snipes plays a strong and agile superhero who confronts a whole vampire council practically solo. Martial arts are his thing, so this is first and foremost an action flick with big effects, exciting choreography, breath-taking stunts and intricate camera work. The pacing is tight and the build-up palpable.

    Blade, like most blockbusters, is a nicely packaged and saturated concoction of subgenre tropes. The fights are massive, unique and usually supported by enticing techno trance tracks; a curious vibe we are introduced to early on, courtesy of Traci Lords. She, horror pillars Udo Kier and Stephen Dorff play key vampires. They are impervious to pain, taboos and are so cold they appear genderless.

    The film is crafted by masters of their arts. The directing and photography are impeccable; occasionally hindered by post-production constraints but not distractedly. The gimmick is strong, the script brilliant but dumbed down to remain accessible. 1998’s Blade is representative of its time. Arrogant, aggressive yet classy, it immortalizes short but memorable trends of the dying millennium.

    #3

    Interview with the Vampire

    1994

    Haunted by a tragic past, a vampire delivers his life story to a journalist.

    8/8

    Interview with the Vampire is a look behind the curtain of one of the best regarded monster of cinema history. The protagonists are vampires learning to deal with a curse rather than a gift. They are immortal, are part of the bourgeoisie and travel a great lot to remain unknown. They are sensual and sexual tortured creatures of the night, which reminds us of the classic cinematic vampires.

    It is a quintessential depiction of the romantic vampire. The sets and costumes do a great immersion job. Paired with an appropriate score, they greatly contributes to a thick, palpable ambiance, this being a period piece. Horror, adventure, fantasy, romance; you get it all in a nice package. The film is high on emotion, intricately narrated and paced, and it displays astonishing cinematography.

    Many taboos are addressed; some titillating, others darkly shocking.

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